| Chrono | Vol | Category | Author | Title (Click to view) |
| 4 | 1_1 | Critical Essay | Mark A. Heberle | Correspondent Visions of Vietnam |
| 5 | 1_1 | Critical Essay | Charles J. Gaspar | The Search for Closure: Vietnam War Literature and the Vietnam Veterans Memorial |
| 6 | 1_1 | Critical Essay | Christopher Ames | War and Festivity in Gravity’s Rainbow |
| 7 | 1_1 | Critical Essay | James Seaton | Thomas Mann’s Wartime Reflections |
| 8 | 1_1 | Critical Essay | Michael C.C. Adams | Hastings and Roland: The Triumph of the Mounted Knight |
| 9 | 1_1 | Critical Essay | Michele M. Sordi | Grain and Glory: Eating Practices in Homer’s Iliad |
| 10 | 1_2 | Critical Essay | Perry D. Luckett | The Black Soldier in Vietnam War Literature and Film |
| 11 | 1_2 | Critical Essay | David M. Craig | Joseph Heller’s “ ‘Catch-22’ Revisited” |
| 12 | 1_2 | Critical Essay | Earl R. Anderson | Warrior-Bishops in La Chanson de Roland and Poema de mio |
| 13 | 1_2 | Critical Essay | John Newman and Julie Wessling | Vietnam War Literature: a guide to resources at Colorado State University |
| 14 | 1_2 | Poetry | Alfred Kern | Barcelona |
| 15 | 2_1 | Critical Essay | Joan F. Adkins | Sacrifice and Dehumanization in Plievier’s Stalingrad |
| 16 | 2_1 | Critical Essay | Peter C. Rollins | Historical Interpretation or Ambush Journalism? CBS vs Westmoreland in The Uncounted Enemy: A Vietnam Deception (1982) |
| 17 | 2_1 | Critical Essay | Alex A. Vardamis | Randall Jarrell’s Poetry of Aerial Warfare |
| 18 | 2_2 | Critical Essay | Don Kunz | Oliver Stone’s Film Adaptation of Born on the Fourth of July: Redefining Masculine Heroism |
| 19 | 2_2 | Critical Essay | Joseph S. Meisel | The Germans are Coming! British Fiction of a German Invasion 1871-1913 |
| 20 | 2_2 | Artwork | Roger Preston | The Artist and the Holocaust |
| 21 | 3_1 | Critical Essay | James Griffith | A Walk Through History: Tim O’Brien’s Going After Cacciato |
| 22 | 3_1 | Critical Essay | Kevin D. Foster | Signifying the Wasteland: Selling the “Falklands War” |
| 23 | 3_1 | Critical Essay | Thomas Dukes | Desire Satisfied: War and Love in The Heat of the Day and Moon Tiger |
| 24 | 3_1 | Fiction | Robert Morgan | Watershed |
| 25 | 3_2 | Personal Essay | E.P. Motley | Memoirs of Six Months |
| 26 | 3_2 | Reviews | Books | Books |
| 27 | 4_1 | Critical Essay | Michael Cardy | The Memoirs of Pierre Pouchot: A Soldier’s View of a Doomed Campaign |
| 28 | 4_1 | Critical Essay | Constance A. Brown | Severed Ears: An Image of the Vietnam War |
| 29 | 4_1 | Critical Essay | Steven Kaplan | The Narrative Technique Used by Goethe to Portray War in the “Campaign in France” |
| 30 | 4_1 | Poetry | R.S. Carlson | Cabrini’s Run—‘71 |
| 31 | 4_2 | Critical Essay | Cheryl A. Shell | The Foe in Sight: Discovering the Enemy in Donne’s Elegie XIX |
| 32 | 4_2 | Critical Essay | Donna Connolly | Sisters in Arms |
| 33 | 4_2 | Commentary | Crystal M. Jonas | “Guernica” |
| 34 | 4_2 | Artwork | Anne Wells Ladow | Lines and Shadows |
| 35 | 4_2 | Poetry | Karen Alkalay-Gut | from Between Bombardments |
| 36 | 5_1 | Critical Essay | Greg Garrett | John Huston’s The Battle of San Pietro |
| 37 | 5_1 | Critical Essay | John S. Baky | Literary Resources of the Vietnam War |
| 38 | 5_1 | Interview | Elizabeth Drumwright | “I’ll Have to go Down to Hell First”: A Saipanese WWII Veteran Recalls the War |
| 39 | 5_1 | Poetry | G. S. Sharat Chandra | Ghazals |
| 40 | 5_1 | Poetry | Joseph T. Cox | To Send Forth |
| 41 | 5_1 | Commentary | John Morano | Collier’s Magazine: Preview Of The War We Do Not Want |
| 42 | 5_1 | Commentary | Anthony Arthur | Avoiding Nostalgia: James Michener’s The Bridge at Andau |
| 43 | 5_2 | Critical Essay | Steven Trout | “Glamorous Melancholy”: R. C. Sherriff’s Journey’s End |
| 44 | 5_2 | Critical Essay | Thomas G. Bowie, Jr | An I for an eye: Edmund Blunden’s War |
| 45 | 5_2 | Critical Essay | Elizabeth A. Muenger | Whitsun and Beyond: Continuing the Great War |
| 46 | 5_2 | Poetry | Will Hochman | Not Always Located in Nicaragua |
| 47 | 5_2 | Commentary | Tom F. Baldy | Reflections on the Great War |
| 48 | 5_2 | Commentary | John Clark Pratt | Writing about Flying: A Pilot’s View |
| 49 | 6_1 | Critical Essay | John Gery | The Atomic Test Poems of Paul Zimmer |
| 50 | 6_1 | Critical Essay | David Seed | Military Machines and Nuclear Accident: Burdick and Wheeler’s Fail-Safe |
| 51 | 6_1 | Critical Essay | Paul MacKenzie | Artistic Truth, Historical Truth: The “Fraction” Film and the Falklands War |
| 52 | 6_1 | Commentary | David M. Mazurowski | The Life of a Bomber Co-Pilot |
| 53 | 6_1 | Commentary | Sheryl A. Mylan | Love in the Trenches: Images of Woman in Mailer’s The Naked and the Dead |
| 54 | 6_2 | Critical Essay | David M. Craig | From Avignon to Catch-22 |
| 55 | 6_2 | Interview | Brian C. McNerney | Responsibly Inventing History: An Interview with Tim O’Brien |
| 56 | 6_2 | Poetry | W.D. Ehrhart | Mostly Nothing Happens |
| 57 | 6_2 | Poetry | Andrew Benson | All She Can Eat |
| 58 | 6_2 | Commentary | Philip K. Jason | Missing Pieces: Versions and Visions of Vietnam POW/MIA in American Culture |
| 59 | 6_2 | Commentary | Rosemary P-Z Clark | Representations of the Resistance in World War II France |
| 60 | 7_1 | Critical Essay | Michael W. Schaefer | Ambrose Bierce on the Construction of Military History |
| 61 | 7_1 | Critical Essay | Richard W. Lemp | The Wars Within the War in La Guerre, Yes Sir! |
| 62 | 7_1 | Critical Essay | James H. Meredith | The Eyewitness Narrator in Hemingway’s Collier’s Dispatches and “Black Ass at the Cross Roads” |
| 63 | 7_1 | Fiction | Jerome Mandel | Mothers |
| 64 | 7_1 | Fiction | Julio Escoto (translated by Clark M. Zlotchew) | Reality |
| 65 | 7_1 | Poetry | Joseph T. Cox | Miles Standish Forest, Plymouth, Mass, 1934 |
| 66 | 7_1 | Commentary | Alfred Kern | Hang the Enola Gay |
| 67 | 7_2 | Personal Essay | Robert MacGowan | A Boatman’s Story |
| 68 | 7_2 | Personal Essay | Donald Clay | Shadow Warrior |
| 69 | 7_2 | Poetry | Robert Pinsky | Serpent Knowledge |
| 70 | 7_2 | Poetry | David A. Willson | Alms for the Burned |
| 71 | 7_2 | Poetry | Daniel Tobin | A Century |
| 72 | 7_2 | Poetry | Joseph T. Cox | Shaman |
| 73 | 7_2 | Commentary | Donald Anderson | McNamara’s Makeshift Amends |
| 74 | 7_2 | Commentary | Brian Hanley | Achilles in Vietnam |
| 75 | 7_2 | Fiction | Andre Dubus | Falling in Love |
| 76 | 7_2 | Fiction | Alfred Kern | from Vows and Infidelities |
| 77 | 8_1 | Critical Essay | Milton A. Cohen | Fatal Symbiosis: Modernism and World War I |
| 78 | 8_1 | Critical Essay | William E. Sheidley | George Gascoigne and The Spoyle of Antwerpe (1576) |
| 79 | 8_1 | Critical Essay | Thomas Bonner, Jr. | Thomas Wolfe and the Civil War |
| 80 | 8_1 | Critical Essay | Stephen C. Enniss | Writing War: John Dos Passos’ One Man’s Initiation |
| 81 | 8_1 | Poetry | Wendy Bishop | Before Wars |
| 82 | 8_1 | Fiction | Charles Clerc | LOCKE-HAVEN AT LARGE |
| 83 | 8_2 | Special Feature | W.D. Ehrhart | Selected Work by W.D. Ehrhart: The Summer I Learned to Dance (personal essay), I Drink my Coffee Black (fiction), The Sergeant (poetry), A Bibliography |
| 84 | 8_2 | Critical Essay | Lorrie Smith | Against a Coming Extinction: W.D. Ehrhart and the Envolving Canon of Vietnam Veteran’s Poetry |
| 85 | 8_2 | Critical Essay | John Clark Pratt | Tim O’Brien’s Re-imagination of Reality: An Exercise in Metafiction |
| 86 | 8_2 | Commentary | Donald Anderson | Darkness Carried: W.D. Ehrhart’s Memoirs |
| 87 | 8_2 | Commentary | Thomas G. Bowie, Jr. | “Everyday I’m always on patrol”: Bill Ehrhart’s Journey Home |
| 88 | 8_2 | Poetry | Karen Alkalay-Gut | Tryolean Vacation |
| 89 | 8_2 | Poetry | H. Palmer Hall | Langour |
| 90 | 8_2 | Poetry | H. Palmer Hall | Hospital Visit |
| 91 | 8_2 | Poetry | Vince Gotera | The Vietnam Vet Plays Gyruss |
| 92 | 8_2 | Poetry | Vince Gotera | Gulf War Haiku |
| 93 | 8_2 | Poetry | Ed Meek | The Bomb |
| 94 | 8_2 | Poetry | Ed Meek | Duty |
| 95 | 8_2 | Poetry | Maggie Jaffe | For Lewis B. Puller, Jr. |
| 96 | 8_2 | Fiction | Don Kunz | Echoes |
| 97 | 8_2 | Fiction | Terry P. Rizzuti | from The Second Tour |
| 98 | 8_2 | Fiction | Allen Learst | Point Man |
| 99 | 8_2 | Interview | Christopher D. Campbell | Reading, Writing, and Going to War: An interview with Clyde Edgerton |
| 100 | 8_2 | Interview | Donald Anderson and Thomas G. Bowie, Jr. | A Conversation with W.D. Ehrhart |
| 101 | 9_1 | Critical Essay | Jim Colvert | Flying the Old Marauder Over Nazi Germany |
| 102 | 9_1 | Critical Essay | George Monteiro | Patriotism and Treason in A Farewell to Arms |
| 103 | 9_1 | Critical Essay | Ronald Smith | Nick Adams and Post-Traumatic Stress Disorder |
| 104 | 9_1 | Critical Essay | H. George Hahn | The Progress of Patriotism and Biography: The Battle of Trafalgar in Southey’s The Life of Nelson |
| 105 | 9_1 | Critical Essay | Sara Poole | Fact, Fable, and the Fantastic: Approaches to the Novel of War in the Francophone Literature of Algeria |
| 106 | 9_1 | Critical Essay | Douglas Sun | “Whatever Else, I’d Loved It There Too”: Persuasive Strategy in Michael Herr’s Dispatches |
| 107 | 9_1 | Critical Essay | Leslie Holland | The Bernard Fall Archives at the John F. Kennedy Library, Boston, MA |
| 108 | 9_1 | Critical Essay | John Getz | Healing the Soldier in White: Ceremony as War Novel |
| 109 | 9_1 | Critical Essay | Owen Brady | Blackness and the Unmanning of America in Dave Rabe’s Streamers |
| 110 | 9_1 | Fiction | James Hughes Meredith | Classics Revisited: Ambrose Bierce’s “Chickamauga” with Introduction |
| 111 | 9_1 | Poetry | Paul Elisha | Conversion |
| 112 | 9_1 | Poetry | Paul Elisha | Killing Time in Bosnia |
| 113 | 9_1 | Poetry | Paul Elisha | Paradox |
| 114 | 9_1 | Poetry | Paul Elisha | Remembering Leyte: “D” Day Quintennial-June 6, 1995 |
| 115 | 9_1 | Poetry | Tony Moffeit | not about war |
| 116 | 9_1 | Poetry | Maggie Jaffe | Degenerated Art Show 1937 |
| 117 | 9_2 | Special Focus Issue | W. D. Ehrhart | I Remember: Soldier-Poets of the Korean War |
| 118 | 9_2 | Special Focus Issue | W. D. Ehrhart | Foreword and Introductory Essay |
| 119 | 9_2 | Poetry | William Childress | Selected poems by William Childress |
| 120 | 9_2 | Poetry | Rolando Hinojosa | Selected poems by Rolando Hinojo |
| 121 | 9_2 | Poetry | James Magner Jr. | Selected poems by James Magner Jr. |
| 122 | 9_2 | Poetry | Reg Saner | Selected poems by Reg Saner |
| 123 | 9_2 | Poetry | William Wantling | Selected poems by William Wantling |
| 124 | 9_2 | Poetry | Keith Wilson | by Keith Wilson |
| 125 | 10_1 | Special Feature | David Haven Blake, Special Feature Editor | Richard Wilbur’s World War II Poetry |
| 126 | 10_1 | Special Feature | Joseph T. Cox | Richard Wilbur: An Interview |
| 127 | 10_1 | Special Feature | Richard Wilbur | Italy: Maine |
| 128 | 10_1 | Special Feature | John Lancaster and Jack W. C. Hagstrom | Richard Wilbur’s Early Writing: Amherst College and World War II |
| 129 | 10_1 | Special Feature | Joseph T. Cox | “Versifying in Earnest”: Richard Wilbur’s War and His Poetry |
| 130 | 10_1 | Special Feature | Jewel Spears Brooker | Mind and World in Richard Wilbur’s War Poetry |
| 131 | 10_1 | Poetry | Carolyn Forché | The Colonel |
| 132 | 10_1 | Poetry | John Gery | Lie #5: That Babe Ruth Pointed Out That Famous Homer |
| 133 | 10_1 | Poetry | John Gery | On the News of Our Foreign Intervention |
| 134 | 10_1 | Poetry | Tia Ballantine | A State of Grace in Another War Zone |
| 135 | 10_1 | Poetry | Bill Lantry | Dien Bien Phu |
| 136 | 10_1 | Poetry | Rachel Loden | Clueless in Paradise |
| 137 | 10_1 | Poetry | Halvard Johnson | Etudes |
| 138 | 10_1 | Poetry | Halvard Johnson | American’s Playing Slow-Pitch Softball at an Airbase Near Kunsan, South Korea |
| 139 | 10_1 | Poetry | Ana Doina | End of a Century |
| 140 | 10_1 | Poetry | R. S. Carlson | Footnote and Detail |
| 141 | 10_1 | Poetry | Beth Simon | Brian Explains His Anniversary |
| 142 | 10_1 | Poetry | Daryl Bach | Verdun |
| 143 | 10_1 | Poetry | Colin Morton | Women on Her Way to Market |
| 144 | 10_1 | Poetry | Gwyn McVay | Entering War, Being Literal |
| 145 | 10_1 | Artwork | Maggie Jaffe | “The Camera is a Shield”: John Hoagland, Combat Photographer |
| 146 | 10_1 | Special Feature | Thomas G. McGuire, Special Feature Editor | A Conversation with Paul West |
| 147 | 10_1 | Special Feature | Paul West | Three Fictions |
| 148 | 10_1 | Special Feature | Thomas G. McGuire | The Face(s) of War in Paul West’s Fiction |
| 149 | 10_1 | Critical Essay | Verner D. Mitchell | Accommodation and Resistance in Lt. Henry Ossian Flipper’s The Colored Cadet at West Point(1878) |
| 150 | 10_1 | Critical Essay | Don Zimmerman | When Hamlet Meets the Bomb: The Poetry and Criticism of John Gery |
| 151 | 10_1 | Critical Essay | Ann Reagan | The French Connection or How “Figaro” Saved the American Revolution |
| 152 | 10_1 | Critical Essay | Paul R. Cappucci | Depicting the Oblique: Emily Dickinson’s Poetic ResponseTo the American Civil War |
| 153 | 10_1 | Personal Essay | Jessie Gatlin | A-Bomb, a recollection |
| 154 | 10_1 | Personal Essay | William R. Weir | Public Information, a memoir |
| 155 | 10_1 | Fiction | Don Kunz | Missing |
| 156 | 10_1 | Recall Roster | D. A. Boxwell | Mary Borden, The Forbidden Zone, published in 1929 |
| 157 | 10_2 | Introduction | Thomas G. Bowie, Jr. | This Thing Called Vietnam |
| 158 | 10_2 | Special Feature | Verner D. Mitchell | Remembering Tet: A Conversation with Vietnam War Veteran Poets |
| 159 | 10_2 | Poetry | D. F. Brown | Poetry |
| 160 | 10_2 | Poetry | W. D. Ehrhart | Poetry |
| 161 | 10_2 | Poetry | Dale Ritterbusch | Poetry |
| 162 | 10_2 | Poetry | John Balaban | Poetry |
| 163 | 10_2 | Poetry | Will Hochman | Poem Still Burning: A note for “The Teeth Mother Naked at Last” by Robert Bly |
| 164 | 10_2 | Poetry | Robert Bly | The Teeth Mother Naked at Last |
| 165 | 10_2 | Poetry | Philip Appleman | “I Sing of Arms and the Man” introductory essay |
| 166 | 10_2 | Poetry | Philip Appleman | Five Poems, from Open Doorways |
| 167 | 10_2 | Artwork | John Wolfe | A Different Species of Time, introductory essay |
| 168 | 10_2 | Artwork | John Wolfe | Artwork |
| 169 | 10_2 | Critical Essay | Donald Anderson | War, Memory, Imagination |
| 170 | 10_2 | Critical Essay | Alfred Kern | Humanities at the Hanoi Hilton |
| 171 | 10_2 | Critical Essay | Maureen Ryan | Pentagon Princess and Wayward Sister: Vietnam POW Wives in American Literature |
| 172 | 10_2 | Critical Essay | Elizabeth A. Muenger | Surviving the Hanoi Hilton |
| 173 | 10_2 | Critical Essay | Catherine Calloway | “He’s not my son anymore!”: The Returning Veteran in Robert Bausch’s On the Way Home |
| 174 | 10_2 | Critical Essay | Tran Van Dinh | A Lotus of Everlasting Fragrance: Nguyen Trai, 1380-1442 |
| 175 | 10_2 | Critical Essay | William J. Searle | Dissident Voices: The NVA Experience in Novels by Vietnamese |
| 176 | 10_2 | Critical Essay | Edward F. Palm | Bringing the War Home to the “Holler”: Teaching Vietnam for “Core” and Country |
| 177 | 10_2 | Critical Essay | Christopher D. Campbell | Conversation Across a Century: The War Stories of Ambrose Bierce and Tim O’Brien |
| 178 | 10_2 | Critical Essay | Farrell O’Gorman | The Things They Carried as Composite Novel |
| 179 | 10_2 | Personal Essay | Jeff Loeb | Epiphany in Memphis |
| 180 | 10_2 | Fiction | Terry P. Rizzuti | from Show Time |
| 181 | 10_2 | Fiction | Robert MacGowan | from The Indochina Safari |
| 183 | 10_2 | Interview | Jack M. Shuttleworth | A Conversation with Fredrick Kiley, co-author of Honor Bound: American Prisoners of War in Southeast Asia, 1961-1973 |
| 184 | 11_1 | Introduction | D.A. Boxwell | “The Middle Generation” of American Poetry: Wars in the Private and Public Realms |
| 185 | 11_1 | Special Feature | Steven Gould Axelrod | The Middle Generation and WWII: Jarrell, Shapiro, Brooks, Bishop, Lowell |
| 186 | 11_1 | Special Feature | Lorrie Goldensohn | Randall Jarrell’s War |
| 187 | 11_1 | Special Feature | Thomas Travisano | Wars Civil and Uncivil: Family, Culture, and the Child in Lowell’s Poetry |
| 188 | 11_1 | Special Feature | Sandra Barry | Elizabeth Bishop and World War I |
| 189 | 11_1 | Special Feature | Gary Fountain | “Blinking My Flashlight Off and On”: Elizabeth Bishop’s Internal Battlefield |
| 190 | 11_1 | Special Feature | Camille Roman | Washington DC, 1949-1950: Bishop on WWII and The Cold War |
| 191 | 11_1 | Special Feature | George Monteiro | Poets On The Bomb |
| 192 | 11_1 | Fiction | Robert Morgan | The Welcome |
| 193 | 11_1 | Poetry | Wendy Bishop | Soliloquy: An American Bride Remembers Japan |
| 194 | 11_1 | Poetry | Wendy Bishop | V-Mail |
| 195 | 11_1 | Poetry | Wendy Bishop | Souvenirs |
| 196 | 11_1 | Poetry | H. Palmer Hall | The Collector |
| 197 | 11_1 | Poetry | H. Palmer Hall | Had We A History |
| 198 | 11_1 | Poetry | Jennifer Wheelock | Why I Am Not A Saint |
| 199 | 11_1 | Poetry | Paul Woodruff | Where The Tune Was Going |
| 200 | 11_1 | Poetry | Keith Wilson | The Seventh Wave |
| 201 | 11_1 | Poetry | Ana Doina | Archeology |
| 202 | 11_1 | Poetry | Marianne Poloskey | Hate |
| 203 | 11_1 | Poetry | Marianne Poloskey | Buildings |
| 204 | 11_1 | Poetry | Jacqueline St. Joan | Glenn Miller Was Missing |
| 205 | 11_1 | Poetry | William Childress | Paratroopers’ Night Out |
| 206 | 11_1 | Critical Essay | D. Melissa Hilbish | Advancing in Another Direction: The Comic Book and The Korean War |
| 207 | 11_1 | Critical Essay | Jon Volkmer | Telling the “Truth” about Vietnam: Episteme and Narrative Structure in The Green Berets and The Things They Carried |
| 208 | 11_1 | Critical Essay | Carl S. Horner | Challenging the Law of Courage and Heroic Identification in Tim O’Brien’s If I Die in a Combat Zone and The Things They Carried |
| 209 | 11_1 | Critical Essay | R.J. Fertel | Vietnam War Narratives and Myth of the Hero |
| 210 | 11_1 | Critical Essay | Dermot McCarthy | The Limits of Irony: The Chronillogical World of Martin Amis’ Time’s Arrow |
| 211 | 11_1 | Commentary | Thomas G. Bowie, Jr. | Dereliction of Duty or the Wrong War?: Learning the Lessons of Vietnam |
| 212 | 11_2 | Artwork | William Schaff | Ashes: Art Inspired by the Holocaust |
| 213 | 11_2 | Artwork | William Schaff | A Conversation with William Schaff |
| 214 | 11_2 | Personal Essay | Paul West | A Boy's Blitz |
| 215 | 11_2 | Personal Essay | Karl Lindholm | Dickie,Nick,Varsity Jim, and Bye-Bye: Teaching a true war Story |
| 216 | 11_2 | Personal Essay | Edward W. Wood, Jr. | Revisiting My Memoir: On Being Wounded |
| 217 | 11_2 | Personal Essay | Bruce Guernsey | Doublemint |
| 218 | 11_2 | Personal Essay | Travis Burton | Time In-Country |
| 219 | 11_2 | Personal Essay | Tom Wolf | From Ice Crusaders: A Memoir of Cold War and Cold Sport |
| 220 | 11_2 | Poetry | Elaine Bander | On the Western Front |
| 221 | 11_2 | Poetry | Lyn Lifshin | Nine Poems |
| 222 | 11_2 | Fiction | Michael John O'Donnel | Rifleboy |
| 223 | 11_2 | Fiction | Erik Jung | Behind the Lens: A Correspondent's Journey Through Vietnam |
| 224 | 11_2 | Fiction | Alex Vernon | Desert Farewell |
| 225 | 11_2 | Critical Essay | Janis P. Stout | The Making of Willa Cather's One of Ours: The Role of Dorothy Canfield Fisher |
| 226 | 11_2 | Critical Essay | Sean M. Braswell | War Stories: "Truth" and Particulars |
| 227 | 11_2 | Critical Essay | Ed Sikov | Billy Wilder's World War II |
| 228 | 11_2 | Interview | Will Harris | Remembering Heaven's Face: An Interview with John Balaban |
| 229 | 11_2 | Interview | Kathi A. Vosevich | Conversations with Joseph Heller |
| 230 | 11_2 | Interview | Donald Anderson | Visions of War, Dreams of Peace: A Conversation with Joan A. Furey |
| 231 | 11_2 | Commentary | Donald Anderson | Vietnam and Korea: W.D. Erhart's Continuing Journey |
| 232 | 11_2 | Commentary | Thomas G. Bowie, Jr. | Still Counting the Days of Our Longest War |
| 233 | 11_2 | Commentary | D.A. Boxwell | Recall Roster: The World My Wilderness |
| 234 | 11_2 | Reviews | Books | Understanding the Literature of WWII: A Student Casebook |
| 235 | 11_2 | Reviews | Books | Black Hawk Down: A Story of Modern War |
| 236 | 11_2 | Reviews | Books | The Vietnam War and Postmodernity |
| 237 | 11_2 | Reviews | Books | Forging the Sword: Selecting, Educating, and Training Cadets and Junior Officers in the Modern World |
| 238 | 11_2 | Reviews | Books | Loving Arms: British Women Writing the Second World War |
| 239 | 11_2 | Reviews | Books | British Women Writers of the WWII: Battlegrounds of Their Own |
| 240 | 11_2 | Reviews | Books | The Eyes of Orion: Five Tank Lieutenants in the Persian Gulf War |
| 241 | 12_1 | Personal Essay | Doug Heckman | Quarry |
| 242 | 12_1 | Personal Essay | William Newmiller | The War I Didn't Worry About |
| 243 | 12_1 | Poetry | Joseph T. Cox | Purple Hearts |
| 244 | 12_1 | Poetry | Paul Elisha | Four Poems |
| 245 | 12_1 | Invited Lecture | Philip Caputo | Goodnight, Saigon: Lecture at the United States Air Force Academy |
| 246 | 12_1 | Invited Lecture | Robert Morgan | Hemingway and the True Poetry of War: Keynote Address at the United States Air Force Academy |
| 247 | 12_1 | Fiction | Paul West | Hitlers Pianist and Other Portraits |
| 248 | 12_1 | Critical Essay | John Mark Mattox | Henry V: Shakespeare's Just Warrior |
| 249 | 12_1 | Critical Essay | W. D. Ehrhart | Howard Fast's "Korean Litany" |
| 250 | 12_1 | Critical Essay | Tracy E. Bilsing | The process of Manafacture: Rudyard Kipling's Private Propaganda |
| 251 | 12_1 | Critical Essay | Katherine Kinney | Cold Wars: Black Soldiers in Liberal Hollywood |
| 252 | 12_1 | Critical Essay | Subarno Chattarji | Representations of Vietnam in some poems of John Balaban, Kevin Bowen, and Bruce Weigl |
| 253 | 12_1 | Interview | Neiberg, Bowie, and Anderson | Philip Caputo: A Rumor of War. A conversation with Philip Caputo at 58 |
| 254 | 12_1 | Commentary | D.A. Boxwell | Kulturkampf, Now and Then |
| 255 | 12_1 | Reviews | Books | Doing Time: 25 Years of Prison |
| 256 | 12_1 | Reviews | Books | Writing: A Pen American Center Prize Anthology |
| 258 | 12_1 | Reviews | Books | The Coming Anarchy: Shattering the Dreams of the Post-Cold War |
| 259 | 12_1 | Reviews | Books | The Book of War: Twenty-five |
| 260 | 12_1 | Reviews | Books | Centuries of Great War Writing |
| 261 | 12_1 | Reviews | Books | Scenes From the End: The Last Days of World War II in Europe |
| 262 | 12_1 | Reviews | Books | Literature at War: 1914-1940: |
| 263 | 12_1 | Reviews | Books | Representing the "Time of Greatness" in Germany |
| 264 | 12_1 | Reviews | Books | Hart’s War |
| 265 | 12_2 | Invited Lecture | Reg Saner | Soldier, Poets, a Gadfly, and the Long Haired Persian |
| 266 | 12_2 | Artwork | Ted Engelmann | A Photo Essay |
| 267 | 12_2 | Poetry | Reg Saner | Wake Me |
| 268 | 12_2 | Poetry | David Keplinger | Memorial Concert on a Sloped Clearing |
| 270 | 12_2 | Personal Essay | Bill Wallisch | In the Belly of the Whale |
| 271 | 12_2 | Personal Essay | Beth Taylor | Crossing the Line: Finding Butch |
| 272 | 12_2 | Personal Essay | David Lawrence | Alive and well and Behind Enemy Lines |
| 273 | 12_2 | Personal Essay | Robert E Gajdusek | From Resurrection: A War Journey |
| 274 | 12_2 | Interview | David Keplinger | On Bruce Weigl: Finding a Shape for the Litany of Terror |
| 275 | 12_2 | Fiction | Thomas Bonner, Jr. | Nurse |
| 276 | 12_2 | Fiction | Art Grillo | We Do Normandy |
| 277 | 12_2 | Fiction | Don Kunz | Rehearsing for Vietnam |
| 278 | 12_2 | Commentary | Brian Hanley | Writing Lives, not Histories: Geoffrey Perret's Eisenhower and the Art of Biography |
| 279 | 12_2 | Commentary | Edward W Wood | On Judging Worlad War Two: The Greatest Generation? |
| 280 | 12_2 | Critical Essay | David J Piwinski | My Lai, Flies, and Beelzebub in Tim O'Brien's In the Lake of the Woods |
| 281 | 12_2 | Critical Essay | Benjamin F. Fisher | The Red Badge of Courageunder British Spotlights Again |
| 282 | 12_2 | Critical Essay | W.D. Ehrhart | Setting the Record Straight on William Wantling |
| 283 | 12_2 | Reviews | Books | The GI Generation: A Memoir |
| 284 | 12_2 | Reviews | Books | The Greatest Generation Speaks |
| 285 | 12_2 | Reviews | Books | Zone of the Interior: A Memoir, 1942-1947 |
| 286 | 12_2 | Reviews | Books | Her War Story: Twentieth-Century Women Write about War |
| 287 | 12_2 | Reviews | Books | Hiroshima Traces: Time, Space, and the Dialectics of Memory |
| 288 | 12_2 | Reviews | Books | The First World War and Popular Cinema: 1914 to the Present |
| 289 | 12_2 | Reviews | Books | What Should We Tell Our Children About Vietnam? |
| 290 | 12_2 | Reviews | Books | War, Technology, and Experience Aboard the USS Monitor |
| 291 | 12_2 | Reviews | Books | Singing the New Nation: How Music Shaped the Confederacy, 1861-1865 |
| 292 | 12_2 | Reviews | Books | The Medic: Life and Death in the Last Days of World War II |
| 293 | 12_2 | Poetry | Will Hochman | Ten Poets, Selected |
| 294 | 13_1-2 | Memoir | Alvord White Clements | Introduction to “A Civil War Memoir” |
| 295 | 13_1-2 | Memoir | Isaac N. Clements | A Civil War Memoir |
| 296 | 13_1-2 | Memoir | Charles Cameron Cate | My Father’s Memoir of World War I |
| 297 | 13_1-2 | Memoir | Clifton J. Cate | A Soldier’s Memoir of World War I |
| 298 | 13_1-2 | Art | Samuel Bak | The Art of Samuel Bak |
| 299 | 13_1-2 | Fiction | Paul West | By the Waters of Wannsee |
| 300 | 13_1-2 | Fiction | Christopher Tomlinson | The Lieutenant’s Box |
| 301 | 13_1-2 | Fiction | Doug Heckman | Rossi’s Girl |
| 302 | 13_1-2 | Fiction | Ivan Prashker | Van |
| 303 | 13_1-2 | Fiction | Joan Fox | Angelfire |
| 304 | 13_1-2 | Fiction | John Sullivan | Ponytail |
| 305 | 13_1-2 | Fiction | Mark Burgh | Claire de lune |
| 306 | 13_1-2 | Fiction | Rob Roensch | Veterans’ Day |
| 307 | 13_1-2 | Fiction | Robert E. Skinner | Labor Day 1973: An Episode of War |
| 308 | 13_1-2 | Fiction | Robert MacGowan | Two Fictions from The Boatman’s Story |
| 309 | 13_1-2 | Fiction | Scott Tinley | A Killing Tale |
| 310 | 13_1-2 | Poetry | Biljana D. Obradovic' | Evil Omens: On the Four Nines’ Day |
| 311 | 13_1-2 | Poetry | Bruce Guernsey | Two Poems |
| 312 | 13_1-2 | Poetry | Carole Boston Weatherford | Three Poems |
| 313 | 13_1-2 | Poetry | Cynthia Harper | Dancing the Tango |
| 314 | 13_1-2 | Poetry | Dale Ritterbusch | Two Poems |
| 315 | 13_1-2 | Poetry | Dana Sonnenschein | Two Poems |
| 316 | 13_1-2 | Poetry | D.F. Brown | Even the Spoon is a Weapon |
| 317 | 13_1-2 | Poetry | Elisha Porat | To Die at the Springs of El-Hamma |
| 318 | 13_1-2 | Poetry | John Gery | Five Poems |
| 319 | 13_1-2 | Poetry | John Gilgun | First War Death |
| 320 | 13_1-2 | Poetry | John Struloeff | Knee-Deep in the Pacific |
| 321 | 13_1-2 | Poetry | Julie Suk | La Dolce Vita |
| 322 | 13_1-2 | Poetry | Michael Waters | Two Poems |
| 323 | 13_1-2 | Poetry | Philip Parotti | Radar Contacts off Da Nang |
| 324 | 13_1-2 | Poetry | R.G. Cantalupo | Stopped at a Light |
| 325 | 13_1-2 | Poetry | Vivian Shipley | Five Poems |
| 326 | 13_1-2 | Poetry | W.D. Ehrhart | Sleeping with the Dead |
| 327 | 13_1-2 | Critical Essay | Carol Acton | Dangerous Daughters: American Nurses and Gender Identity in World War One and Vietnam |
| 328 | 13_1-2 | Critical Essay | C. Kenneth Pello | Analogy in Regeneration |
| 329 | 13_1-2 | Critical Essay | John Bowers | Bearing Witness to Story: The Before and After in Bruce Weigl’s The Circle of Hanh |
| 330 | 13_1-2 | Critical Essay | William J. Searle | Women, Vietnamese, Other: The Depiction of Women in Vietnamese Short Fiction |
| 331 | 13_1-2 | Personal Essay | Adam McKeown | The Story of Jim Day |
| 332 | 13_1-2 | Personal Essay | Bruce Guernsey | Digging to America |
| 333 | 13_1-2 | Personal Essay | Dang T. Le | Story of my Family |
| 334 | 13_1-2 | Personal Essay | Joseph T. Cox | Notes from Ban Me Thuot |
| 335 | 13_1-2 | Personal Essay | R.G. Cantalupo | from The Light Where Shadows End |
| 336 | 13_1-2 | Commentary | Tran Van Dinh | The Cleansing Power of Poetry |
| 337 | 13_1-2 | Reviews | Books | Reviews |
| 338 | 14_1-2 | Memoir | R.G. Cantalupo | from The Light Where Shadows End |
| 339 | 14_1-2 | Artwork | Pam Chadick | In Pulverem Reverteris An Encounter with the Paintings of Samuel Bak |
| 340 | 14_1-2 | Artwork | Samuel Bak | The Paintings of Samuel Bak |
| 341 | 14_1-2 | Fiction | Jack Vian | American Triptych: War |
| 342 | 14_1-2 | Fiction | Ron Sandvik | Killer Karl Krupp |
| 343 | 14_1-2 | Fiction | Kirk Curnutt | Etude and Bell Tower |
| 344 | 14_1-2 | Poetry | Will Hochman | Eighteen Poets, Selected by Will Hochman |
| 345 | 14_1-2 | Critical Essay | David Kramer | "Infirm Soldiers in the Cuban War of Theodore Roosevelt and Richard Harding Davis" |
| 346 | 14_1-2 | Critical Essay | Kevin Grauke | Vietnam, Survivalism, and the Civil War: The Use of History in Michael |
| 347 | 14_1-2 | Critical Essay | Laurence Goldstein | "The Imagination Problem": Winfield Townley Scott and the American Wars |
| 348 | 14_1-2 | Critical Essay | W Brett Wiley | Cathcart and the Magazine |
| 349 | 14_1-2 | Critical Essay | Nancy Sloan Goldberg | Women, War, and H. G. Wells: The Pacifism of French Playwright Marie Lenéru |
| 350 | 14_1-2 | Critical Essay | Rodney P. Rice | Group Man Goes to War: Elements of Propaganda in John Stenbeck's Bombs Away |
| 351 | 14_1-2 | Critical Essay | Tim Blackmore | Hot For War: Jerry Pournelle and David Drake’s Regendered Battlefield |
| 352 | 14_1-2 | Critical Essay | Philip Beidler | Viet Pulp |
| 353 | 14_1-2 | Critical Essay | Maureen Ryan | Woodstock Nation: The Vietnam Antiwar Movement in Postwar American Fiction |
| 354 | 14_1-2 | Critical Essay | Adrian Hunter | Obscured Hurts: The Civil War Writing of Henry James and Ambrose Bierce |
| 355 | 14_1-2 | Critical Essay | Sara Martin | The Spirit of World War I: Patricia Anthony’s Fland |
| 356 | 14_1-2 | Personal Essay | Josh Sopiarz | Learning About War |
| 357 | 14_1-2 | Personal Essay | Benjamin Hanson | Parsons’ Lips |
| 358 | 14_1-2 | Commentary | Don Kunz | Barry Levinson’s Good Morning, Vietnam |
| 359 | 14_1-2 | Commentary | Susan O'Neill | The Song of the Pawn |
| 360 | 14_1-2 | Commentary | Will Harris | Vietnam: A Traveler’s Literary Companion |
| 361 | 14_1-2 | Editors Choice | Donald Anderson | A Memory of War, by Frederick Busch |
| 362 | 14_1-2 | Reviews | Books | The Hill Fights |
| 363 | 15_1-2 | From The Editors Desk | Donald Anderson | On the occasion of the
15th Anniversary of
War, Literature & the Arts |
| 364 | 15_1-2 | Memoir | Perry D. Luckett | from Tempered Steel:Charles L. Byler Colonel James H |
| 365 | 15_1-2 | Artwork | Laura Cario | Regarding the O’Brien Paintings |
| 366 | 15_1-2 | Artwork | Brandon Lingle (2.2m) | Golden Elbow Reflections |
| 367 | 15_1-2 | Fiction | George Bandy | The Bread Watcher |
| 368 | 15_1-2 | Fiction | Kim Chinquee | Service |
| 369 | 15_1-2 | Fiction | Alexander Blackburn | The Physicist |
| 370 | 15_1-2 | Fiction | Sam Halpert | The Best Day I Ever Had |
| 371 | 15_1-2 | Fiction | Kathleen Toomey Jabs | The Captain’s Daughter |
| 372 | 15_1-2 | Fiction | Joseph Hullett | Two Stories |
| 373 | 15_1-2 | Fiction | Leonard Costopoulos | Setting an Example |
| 374 | 15_1-2 | Poetry | Ellen Bass | Pray for Peace |
| 375 | 15_1-2 | Poetry | Elaine Bander | Honourable Discharge |
| 376 | 15_1-2 | Poetry | Thomas G. Palaima | “As Told to Wallace Terry” |
| 377 | 15_1-2 | Poetry | Dale Ritterbusch | The Air Force Plays Baseball near the South China Sea |
| 378 | 15_1-2 | Poetry | Joseph T. Cox | Fathers and Sons |
| 379 | 15_1-2 | Poetry | Fintan L. Dooley | Tears and Wails: An Ode to the Survivor |
| 380 | 15_1-2 | Poetry | Laurence Goldstein | The Harlot Robed in War |
| 381 | 15_1-2 | Poetry | John Gilgun | War Economy |
| 382 | 15_1-2 | Interview | William Newmiller | A Real Good War Recollection and Conversation with Sam Halpert |
| 383 | 15_1-2 | Critical Essay | Steven P. Liparulo | “Incense and Ashes”: The Postmodern Work of Refutation in Three Vietnam War Novels |
| 384 | 15_1-2 | Critical Essay | Christina Jarvis | The Vietnamization of World War II in Slaughterhouse-Five and Gravity’s Rainbow |
| 385 | 15_1-2 | Critical Essay | Mark D. Noe | WASPs and Other Pilots: Historical Context in Censored on Final Approach |
| 386 | 15_1-2 | Critical Essay | Michael C. Scoggins | Joseph Heller’s Combat Experiences in Catch-22 |
| 387 | 15_1-2 | Critical Essay | S. P. MacKenzie | Victory from Defeat: The War Office and the making ofDunkirk (Ealing Films, 1958) |
| 388 | 15_1-2 | Critical Essay | Mimi Reisel Gladstein | Mr. Novelist Goes to War: Hemingway and Steinbeck as Front-line Correspondents |
| 389 | 15_1-2 | Personal Essay | Paul West | The Light Militia of the Lower Air |
| 390 | 15_1-2 | Personal Essay | Erica Caldwell | Books, Battle, Butterfly Weed |
| 391 | 15_1-2 | Personal Essay | Martin Naparsteck | Having Been to War |
| 392 | 15_1-2 | Personal Essay | David M. Berman | Calling The Wandering Souls:a journey through the heartland of ethnic cleansing |
| 393 | 15_1-2 | Personal Essay | José J. Barrera | No Man’s Land |
| 394 | 15_1-2 | Commentary | Glenn Leinbach | Critical Thought and the Culture of the Fighter Pilot |
| 395 | 15_1-2 | Commentary | Glenn Dayley | Familiar Ghosts, New Voices: Tim O’Brien’s July, July |
| 396 | 15_1-2 | Commentary | Benjamin F. Jones | Looking for Bernard Knox: Wa r r i o r, Ancient and Modern |
| 397 | 15_1-2 | Recall Roster | D.A. Boxwell | Company K |
| 398 | 15_1-2 | Editors Choice | James H. Meredith | The Immensity of the Here and Now |
| 399 | 15_1-2 | Reviews | Books | Great War History, Great War Myth: Brian Bond's Unquiet Western Front and the Role of Literature and Film |
| 400 | 16_1-2 | From The Editors Desk | Donald Anderson | |
| 401 | 16_1-2 | Memoir | WJ ‘Jim’ Hunter | From Coastal Command to Captivity, introduced by Allan Hunter |
| 402 | 16_1-2 | Memoir | Major Richard C. Sater | Notes from a Journal: Afghanistan, 11 Sept 2003-7 Apr 2004 |
| 403 | 16_1-2 | Fiction | Ron Sandvik | Falling With Style: The 17th Draft of a Videoplay to be Produced Upon My Death and Played For My Children |
| 404 | 16_1-2 | Fiction | Gary Mills | from At All Costs |
| 405 | 16_1-2 | Fiction | Wayne Karlin | The American Reader |
| 406 | 16_1-2 | Fiction | Tim Parrish | Orderly |
| 407 | 16_1-2 | Fiction | Terry P. Rizzuti | Willis |
| 408 | 16_1-2 | Fiction | Lucy Bucknell | The Kite |
| 409 | 16_1-2 | Fiction | Melinda Braun | The Cost of Living |
| 410 | 16_1-2 | Fiction | Pam Ullman | No Safe Distance |
| 411 | 16_1-2 | Poetry | Dale Ritterbusch | Three Poems |
| 412 | 16_1-2 | Poetry | Dana Gioia | Four Poems |
| 413 | 16_1-2 | Poetry | Mary Elizabeth Lang | Two Poems |
| 414 | 16_1-2 | Poetry | Kyle Torke | Two Poems |
| 415 | 16_1-2 | Poetry | Thomas Dukes | Writing Daddy |
| 416 | 16_1-2 | Poetry | Suzanne R. Thurman | Point of View |
| 417 | 16_1-2 | Poetry | Marlene Hanna | Quicksand |
| 418 | 16_1-2 | Poetry | Paula Panzarella | Desert Rose |
| 419 | 16_1-2 | Poetry | Jeffrey C. Alfier | Paleo Warrior at Blackwater Draw |
| 420 | 16_1-2 | Poetry | Rawdon Tomlinson | Two Poems |
| 421 | 16_1-2 | Poetry | Shelley W. Moore | The First Woman Marine |
| 422 | 16_1-2 | Poetry | Jim Simmerman | At the Peace March |
| 423 | 16_1-2 | Critical Essay | Jackson A. Niday, II | A Rhetoric of Trauma in 9-11 Stories: A Critical Reading of Ulrich Baer’s 110 Stories |
| 424 | 16_1-2 | Critical Essay | Edward Gillin Joshua | Lawrence Chamberlain and the Old Soldier of The Country of the Pointed Firs |
| 425 | 16_1-2 | Critical Essay | Dorlea Rikard | Patriotism, Propaganda, Parody, and Protest: The Music of Three American Wars |
| 426 | 16_1-2 | Critical Essay | Marcia Phillips McGowan | “A Nearer Approach to the Truth”: Mary Borden’s Journey Down a Blind Alley |
| 427 | 16_1-2 | Critical Essay | Casey Clabough | Confronting Traumatic Anxiety: William Manchester’s Goodbye, Darkness |
| 428 | 16_1-2 | Critical Essay | Mark Dollar | Ghost Imagery in the War Poems of Siegfried Sassoon |
| 429 | 16_1-2 | Personal Essay | Jeff Loeb | Brisance |
| 430 | 16_1-2 | Commentary | W.D. Ehrhart | Carrying the Ghost of Ray Catina |
| 431 | 16_1-2 | Commentary | Glenn Leinbach | Ed Wood: Wounds, War, and Friendship |
| 432 | 16_1-2 | Commentary | Lori A. Davis Perry | Women at the Front: American Nurses |
| 433 | 16_1-2 | Recall Roster | Dana Gioia | This Man’s Army by John Allan Wyeth, Jr. |
| 434 | 16_1-2 | Editor's Choice | Lori A. Davis Perry | Brave Enemies by Robert Morgan |
| 435 | 16_1-2 | Reviews | Books | Books |
| 436 | 17_1-2 | Special Feature | William Newmiller | The Navajo Code Talkers and Their Photographer |
| 437 | 17_1-2 | The Image of a Hero | Will Wright & Carl Pletsch | Introduction |
| 438 | 17_1-2 | The Image of a Hero | Aaron B. O’Connell | Saving Private Lynch:A Hyperreal Hero in an Age of Postmodern Warfare |
| 439 | 17_1-2 | The Image of a Hero | Tracy Santa | Drug/War: Anthony Loyd and the Hero(in) in Bosnia |
| 440 | 17_1-2 | The Image of a Hero | Andreas Michel | Heroes and Taboos: The Expansion of Memory in Contemporary Germany |
| 441 | 17_1-2 | The Image of a Hero | Richard W. Lemp | Comic Metamorphosis of the (Anti) Hero in Roch Carrier’s WWII Novels |
| 442 | 17_1-2 | The Image of a Hero | James L. Cook | Reproaching the Military Hero Sans Peur |
| 443 | 17_1-2 | The Image of a Hero | Robert W. Burns | "More Frail and Moral": The Wound of Fear in Philip Caputo's In the Forestof the Laughing Elephant |
| 444 | 17_1-2 | The Image of a Hero | Nadine Gingrich | “Every Man Who Dies, Dies for You and Me. See You Be Worthy”: The Image of the Hero as Rhetorical Motivation in Unofficial War Propaganda, 1914-1918 |
| 445 | 17_1-2 | The Image of a Hero | Donald E. English | French Photographic Images of the Hero during World War One |
| 446 | 17_1-2 | Translations | Thomas McGuire | Friends from Other Wars:Four Transcreative Translations |
| 447 | 17_1-2 | Fiction | Karen T. Hartline | Under Dead |
| 448 | 17_1-2 | Fiction | M. M. M. Hayes | Lay of the Land |
| 449 | 17_1-2 | Poetry | Karen Head | Bad Girls, 1979 |
| 450 | 17_1-2 | Poetry | Robert Lunday | In Praise of Babel |
| 451 | 17_1-2 | Poetry | D.F. Brown | Three Poems |
| 452 | 17_1-2 | Poetry | Rachel Vigil | Three Poems |
| 453 | 17_1-2 | Poetry | W. D. Ehrhart | Coaching Winter Track in Time of War |
| 454 | 17_1-2 | Poetry | Joseph T. Cox | First Snow Fort Wayne |
| 455 | 17_1-2 | Poetry | Marianne Poloskey | Three Poems |
| 456 | 17_1-2 | Poetry | Cyra S. Dumitru | Two Poems |
| 457 | 17_1-2 | Critical Essay | Alfred Kern | About Literary Wars |
| 458 | 17_1-2 | Critical Essay | Paul R. Cappucci | Down from the Crow’s Nest: Herman Melville’s Battle-Pieces and Aspects of the War |
| 459 | 17_1-2 | Critical Essay | Karsten H. Piep | War as Proletarian Bildungsroman in Upton Sinclair’s Jimmie Higgins |
| 460 | 17_1-2 | Critical Essay | Carla A. Fellers | “What a Wonderful World”: The Rhetoric of the Official and the Unofficial in Good Morning, Vietnam |
| 461 | 17_1-2 | Critical Essay | Bernard von Bothmer | Oliver Stone’s JFK: Political Assassination, Kennedy, and Vietnam |
| 462 | 17_1-2 | Critical Essay | Kevin Foster | Disappearing Acts: Remembering the Victims of the Dirty War |
| 463 | 17_1-2 | Critical Essay | Susanne Vees-Gulani | Troubled Memories:Posttraumatic Stress, German Writers, and the Bombings of World War Two |
| 464 | 17_1-2 | Personal Essay | Bruce Guernsey | Nobody’s Home |
| 465 | 17_1-2 | Personal Essay | Candace Black | Professional Vet |
| 466 | 17_1-2 | Personal Essay | Josh Sopiarz | Homecoming |
| 467 | 17_1-2 | Commentary | Michael S. Neiberg | Mona Lisa’s Smile and the Writing of the Great War |
| 468 | 17_1-2 | Commentary | Morgan Harlow | Martian Legacy: Ray Bradbury’s The Martian Chronicles |
| 469 | 17_1-2 | Recall Roster | Jeffrey C. Alfier | Recall Roster |
| 470 | 17_1-2 | Editor's Choice | Lori A. Davis Perry | Leadership at Trafalgar |
| 471 | 17_1-2 | Reviews | Books | Books |
| 472 | 18_1-2 | From The Editors Desk | Donald Anderson | From the Editor’s Desk |
| 473 | 18_1-2 | Special Feature | Paul West | My Father at War |
| 474 | 18_1-2 | Special Feature | Gloria Emerson (1929–2004) | Rememberances by W.D. Ehrhart, Wayne Karlin, and John Balaban |
| 475 | 18_1-2 | Special Feature | William Newmiller | Voices |
| 476 | 18_1-2 | Artwork | Roy Haley | Afghanistan: A Photo Essay |
| 477 | 18_1-2 | Fiction | Robert MacGowan | Mama’s Boy |
| 478 | 18_1-2 | Poetry | Joseph T. Cox | Homecoming |
| 479 | 18_1-2 | Poetry | Dale Ritterbusch | Daisy Carbine Mantra |
| 480 | 18_1-2 | Poetry | Juan J. Morales | Three Poems |
| 481 | 18_1-2 | Poetry | Brian Turner | Three Poems |
| 482 | 18_1-2 | Poetry | Amanda Buchholz | Protesting Age |
| 483 | 18_1-2 | Poetry | Vivian Shipley | Three Poems |
| 484 | 18_1-2 | Poetry | R.G. Cantalupo | Letter to a Fiction Writer |
| 485 | 18_1-2 | Poetry | Charles Cantalupo and Ghirmai Negash | Two Translations |
| 486 | 18_1-2 | Poetry | Rochelle Mass | Rockaway Parkway and Rosh Ha’ayin |
| 487 | 18_1-2 | Poetry | John Bensko | Three Poems |
| 488 | 18_1-2 | Poetry | John Griswold | I Didn’t Know |
| 489 | 18_1-2 | Poetry | Patricia J. Mottola | Two Poems |
| 490 | 18_1-2 | Poetry | Jeffrey C. Alfier | The Wintering |
| 491 | 18_1-2 | Poetry | Jason W. Selby | Commandment |
| 492 | 18_1-2 | Poetry | Gerald McCarthy | Two Poems |
| 493 | 18_1-2 | Critical Essay | Clare Emily Clifford | “Before I Was Domesticated”: Delivering the Vietnam Moment in the Fatherhood Poetry of Bruce Weigl and John Balaban |
| 494 | 18_1-2 | Critical Essay | Michael Schaefer | “Heroes Had No Shame in Their Lives”: Manhood, Heroics, and Compassion in The Red Badge of Courage and “A Mystery of Heroism” |
| 495 | 18_1-2 | Critical Essay | Elizabeth Oldman | “Against such hellish mischief fit to oppose”: A Grotian Reading of Milton’s War in Heaven |
| 496 | 18_1-2 | Critical Essay | Jason S. Ridler | Depleting Humanity: Environment, Technology, and the Air War in V. M. Yeates’ Winged Victory |
| 497 | 18_1-2 | Critical Essay | Joseph Fruscione | “One Tale, One Telling”: Parallelism, Influence, and Exchange between Faulkner’s The Unvanquished and Hemingway’s For Whom the Bell Tolls |
| 498 | 18_1-2 | Personal Essay | Scott Tinley | In search of the last protestor, approximately |
| 499 | 18_1-2 | Personal Essay | Jason Armagost | Things to Pack When You’re Bound for Baghdad |
| 500 | 18_1-2 | Personal Essay | William Childress | A Poet Remembers Korea |
| 501 | 18_1-2 | Personal Essay | Wayne Karlin | Wandering Souls |
| 502 | 18_1-2 | Commentary | Steven W. McCarty | Southern Magnolias |
| 503 | 18_1-2 | Commentary | Thomas McGuire | The Flow of War, Suffering and Time Measured in the River-Run of Dale Ritterbusch’s Lyric Poetry |
| 504 | 18_1-2 | Commentary | Alex Vernon | War’s Return |
| 505 | 18_1-2 | Commentary | Jesse Gatlin | The Atomic Times |
| 506 | 18_1-2 | Commentary | Keith R. Herrmann | The War of Words |
| 507 | 18_1-2 | Editor's Choice | Lori A. Davis Perry | Henry V Before Shakespeare |
| 508 | 18_1-2 | Reviews | Books | Reviews |
| 509 | 19_1-2 | Special Feature | Dale Ritterbusch with Jackson A. Niday, II | Nine Poems, followed by Democracyand Literature: A Conversation |
| 510 | 19_1-2 | Special Feature | Marnie Warren | “As I write this, I am crying”: Children’s Letters to Iraq |
| 511 | 19_1-2 | Artwork | Benjamin Busch | The Art in War |
| 512 | 19_1-2 | Artwork | Stanley Horowitz | Renditions |
| 513 | 19_1-2 | Fiction | David Buchanan | Third Country Nationals |
| 514 | 19_1-2 | Fiction | Anthony Bukoski | Report of the Guardian of the Sick |
| 515 | 19_1-2 | Book Excerpt | Michael Sledge | from Soldier Dead: How We Recover, Identify, Bury, and Honor Our Military Fallen |
| 516 | 19_1-2 | Memoir | Ron Sandvik “Panamax,” | from Four Strings, Four Bullets |
| 517 | 19_1-2 | Poetry | William Childress | Two Poems |
| 518 | 19_1-2 | Poetry | Rob Jacques | Two Poems |
| 519 | 19_1-2 | Poetry | Sofia Starnes | Anemones |
| 520 | 19_1-2 | Poetry | Brian C. Felder | Looking for Bill Gray |
| 521 | 19_1-2 | Poetry | Amy Nawrocki | Broken Treaties |
| 522 | 19_1-2 | Poetry | Josh Burgess | Three Poems |
| 523 | 19_1-2 | Poetry | Noel Crook | War Photo |
| 524 | 19_1-2 | Poetry | John Balaban | For John Haag, Logger, Sailor, Housepainter, Poet, Professor, and Grower of Orchids |
| 525 | 19_1-2 | Poetry | David Keplinger | The Lamp and the Mirror |
| 526 | 19_1-2 | Poetry | Thomas McGuire | Garden Plots |
| 527 | 19_1-2 | Critical Essay | Leslie A. Werden | Memories of Yesterday and Tomorrow: Familial Legacies in Titus and All My Sons |
| 528 | 19_1-2 | Critical Essay | Jason S. Ridler | War in the Precious Graveyard: Death through the Eyes of Guy Sajer |
| 529 | 19_1-2 | Critical Essay | Matthew B. Hill | The Dream from Which No One Wakes: Jarrell, Dreams, and War |
| 530 | 19_1-2 | Critical Essay | Nils Clausson | Sassoon’s Prose Trench Lyric and the Romantic Tradition: The Ending of Memoirs of a Fox-Hunting Man |
| 531 | 19_1-2 | Critical Essay | Alex Moffett | “We Will Remember Them”: The Poetic Rewritings of Lutyens’ Cenotaph |
| 532 | 19_1-2 | Critical Essay | David Yost | Skins Before Reputations: Subversions of Masculinity in Ambrose Bierce and Stephen Crane |
| 533 | 19_1-2 | Critical Essay | Jerry M. Long | From Gilgamesh to Fatwas: Reading the Ideology of al-Qaida as Epic |
| 534 | 19_1-2 | Critical Essay | Douglas Higbee | Siegfried Sassoon, Fellow-traveler: Poetry, Socialism, and the British Veterans’ Movement |
| 535 | 19_1-2 | Personal Essay | Jim Kelly | Instant Gandhi |
| 536 | 19_1-2 | Commentary | Philip Beidler | The Invisible ARVN: The South Vietnamese Soldier in American Representations of the Vietnam War |
| 537 | 19_1-2 | Commentary | Tamara Miner Haygood | Prisoner of War Memoirs of World War II: The European Theatre |
| 538 | 19_1-2 | Commentary | James A. Moad II | Re-imagining the Past through Letters |
| 539 | 19_1-2 | Commentary | Carl E. Bartecchi, M.D. | How an Art Form (Photography) Influenced a Practice of Medicine |
| 540 | 19_1-2 | Editor's Choice | William Newmiller | Hadji Murád by Leo Tolstoy |
| 541 | 19_1-2 | Reviews | Books | Reviews |
| 542 | 20_1-2 | Special Feature | Thomas G. Bowie | War, Literature and the Arts 20th Anniversary Commentary Teaching Humanities at America’s Military Academies |
| 543 | 20_1-2 | Special Feature | Brian Hanley | Why Studying the Literature of War is Important |
| 544 | 20_1-2 | Special Feature | Thomas Vargish | War & Literature: A Reciprocity |
| 545 | 20_1-2 | Special Feature | Thomas McGuire | War Literature, the Constitution, and Fostering Reluctant Killers |
| 546 | 20_1-2 | Special Feature | Donald Anderson | When War Becomes Personal |
| 547 | 20_1-2 | Special Feature | Geoffrey Galt Harpham | The Depths of the Heights: Reading Conrad with America’s Soldiers |
| 548 | 20_1-2 | Special Feature | Max Despain | Telling True War Stories |
| 549 | 20_1-2 | Artwork | Jerry Kykisz | The National Vietnam Veterans Art Museum, introduced and selected by Jerry Kykisz |
| 550 | 20_1-2 | Interview | Jan Ellen Spiegel and Will Hochman | Beyond War Poetry: War, Literature and the Heart of a Poet / An Interview with John Balaban |
| 551 | 20_1-2 | Fiction | Sean Miller | The Lord’s Work |
| 552 | 20_1-2 | Fiction | Joseph Keith Kreidel | The Colors of Redemption |
| 553 | 20_1-2 | Fiction | Laura Hope-Gill | Psalm 51 |
| 554 | 20_1-2 | Fiction | Andrea Lewis | Accelerated Biology |
| 555 | 20_1-2 | Memoir | Tony Thang Nguyen | In Desperation |
| 556 | 20_1-2 | Poetry | Andrew J. Kenney | "Hey Man, How's Life?" |
| 557 | 20_1-2 | Poetry | John Balaban | Four Poems |
| 558 | 20_1-2 | Poetry | Chuck Rybak | Purple Heart |
| 559 | 20_1-2 | Poetry | John Kay | Two Poems |
| 560 | 20_1-2 | Poetry | Marilyn Kallet | A Feast for Dogs and Birds |
| 561 | 20_1-2 | Poetry | Jehanne Dubrow | Argos |
| 562 | 20_1-2 | Poetry | James Deahl | Clay Jars |
| 563 | 20_1-2 | Poetry | R. S. Carlson | Supply Run |
| 564 | 20_1-2 | Poetry | Lisa Siedlarz | Enduring Freedom |
| 565 | 20_1-2 | Poetry | Edward McCrorie | Four Poems |
| 566 | 20_1-2 | Poetry | Yahya Frederickson | Keeping My Father |
| 567 | 20_1-2 | Poetry | Jeffery C. Alfier | Mansfield Avenue |
| 568 | 20_1-2 | Poetry | Tom Sheehan | The Municipal Subterranean |
| 569 | 20_1-2 | Poetry | Joseph T. Cox | Second Tour |
| 570 | 20_1-2 | Poetry | R. K. Johnston | Earth’s Next Era—The Age of Loneliness |
| 571 | 20_1-2 | Poetry | William Childress | Wondering How James Dickey Died |
| 572 | 20_1-2 | Critical Essay | William V. Davis | “Good Luck in Cracked Italian”: Richard Hugo in Italy |
| 573 | 20_1-2 | Critical Essay | John Griswold | “Praise to Those Still Coming Through On Song”: An Appreciation of John Balaban |
| 574 | 20_1-2 | Critical Essay | Thomas Vargish | The Authority of Crises |
| 575 | 20_1-2 | Critical Essay | Matthew Teorey | Unmasking the Gentleman Soldier in the Memoirs of Two Cross-Dressing Female U.S. Civil War Soldiers |
| 576 | 20_1-2 | Critical Essay | Tracy L. Strauss | Trauma’s Dialectic in Civil War Literature and Film |
| 577 | 20_1-2 | Critical Essay | Ann Elias | War and the visual language of flowers: an antipodean perspective |
| 578 | 20_1-2 | Critical Essay | Robert Blaskiewicz | James Jones on Guadalcanal |
| 579 | 20_1-2 | Critical Essay | Verner D. Mitchell | A Family Answers the Call: Anita Scott Coleman, Literature, and War |
| 580 | 20_1-2 | Personal Essay | Constantine Evans | Legacy |
| 581 | 20_1-2 | Commentary | James Gleason Bishop | “she whose eyes are open forever”: Does Protest Poetry Matter? |
| 582 | 20_1-2 | Commentary | W. D. Ehrhart | Words for John Balaban |
| 583 | 20_1-2 | Commentary | Thomas C. Ware | Fiction Still Fights the Civil War: “It Ain’t Over Though It’s Over” |
| 584 | 20_1-2 | Editor's Choice | Donald Anderson | Soldier Talk |
| 585 | 20_1-2 | Reviews | Books | Reviews |
| 586 | 21_1-2 | Special Feature | Byron J. Calhoun | Captain Vere as Outsider and Insider: Military Leadership in Billy Budd, Sailor |
| 587 | 21_1-2 | Special Feature | Brandon Lingle | Colby Buzzell’s My War: An Outsider’s Voice from Inside Iraq |
| 588 | 21_1-2 | Special Feature | Elizabeth Mathias | A Memorial to Forgetting: Libbie Custer’s re-vision of General Custer’s legacy |
| 589 | 21_1-2 | Artwork | Jim Pollock | US Army Soldier-Artist in Vietnam |
| 590 | 21_1-2 | Interview | Thomas McGuire/Robert Mezey | War, Tradition, Iconoclastic Talent: a conversation with Robert Mezey |
| 591 | 21_1-2 | Fiction | Gary McLouth | Signs |
| 592 | 21_1-2 | Fiction | Alexander Blackburn | In the Country of the Blind |
| 593 | 21_1-2 | Fiction | Jesse Goolsby | What My Dead Wife Should Know |
| 594 | 21_1-2 | Fiction | James Harmon | Harley in Beni |
| 595 | 21_1-2 | Fiction | John Haggerty | Tumbleweeds |
| 596 | 21_1-2 | Fiction | Trisha Guillebeau | Sweat, Mud, Moonshine |
| 597 | 21_1-2 | Poetry | John Minczeski | A Letter to Serafin |
| 598 | 21_1-2 | Poetry | David Keplinger | Three Poems |
| 599 | 21_1-2 | Poetry | John Guzlowski | Night in the Labor Camp |
| 600 | 21_1-2 | Poetry | R.G. Cantalupo | Casualty |
| 601 | 21_1-2 | Poetry | Roberty Mezey | How Much Longer? |
| 602 | 21_1-2 | Poetry | Robert Greene | Band of Aides |
| 603 | 21_1-2 | Poetry | Christopher Jane Corkery | Teaching “To the Lighthouse” |
| 604 | 21_1-2 | Poetry | Lisa Siedlarz | Tea with Elders |
| 605 | 21_1-2 | Critical Essay | Adam H. Wood | “Crimson Blotches on the Pages of the Past”: Histories of Violence in Stephen Crane’s The Red Badge of Courage |
| 606 | 21_1-2 | Critical Essay | N.E. Anderson | Writing War: An Analysis and Deconstruction of the Contemporary Combat Memoir in Nathaniel Fick’s One Bullet Away |
| 607 | 21_1-2 | Critical Essay | John Whittier-Ferguson | Always a War Poet: Randall Jarrell and the Returns of Twentieth-Century War |
| 608 | 21_1-2 | Critical Essay | Ty Hawkins | Violent Death as Essential Truth in Dispatches: Re-Reading Michael Herr’s “secret history” of the Vietnam War |
| 609 | 21_1-2 | Critical Essay | Scott Hales | Marching Through Memory: Revising Memory in E. L. Doctorow’s The March |
| 610 | 21_1-2 | Critical Essay | Layne Neeper | Between the Wars: Stephen Wright’s The Amalgamation Polka and Meditations in Green |
| 611 | 21_1-2 | Critical Essay | Peter Scheckner | Renegades in the Literature of War: From Homer to Heller |
| 612 | 21_1-2 | Critical Essay | Elizabeth J. Wright | “We Are All Responsible”: Post-World War I Parenting and the Politics of Memory in Dorothy Canfield Fisher’s The Deepening Stream |
| 613 | 21_1-2 | Critical Essay | William J. Searle | Transition, Tradition, and the Individual Talent in Ma Van Khang’s Against the Flood |
| 614 | 21_1-2 | Critical Essay | Thomas Vargish | Technology and Impotence in Mary Shelley’s Frankenstein |
| 615 | 21_1-2 | Creative Nonfiction | Gary Mills | Up-Armored |
| 616 | 21_1-2 | Commentary | Andrea Trocha-Van Nort | Too Sexy for a Veil? |
| 617 | 21_1-2 | Commentary | Kristen R. Loyd | An England Worth Saving: The Domestication of World War II Propaganda in Pride and Prejudice |
| 618 | 21_1-2 | Commentary | W.D. Ehrhart | Samuel Exler: The Poet as Historian |
| 619 | 21_1-2 | Commentary | Philip Beidler | Remembering On the Beach |
| 620 | 21_1-2 | Commentary | Terry P. Rizzuti | Art As Therapy: The Biography of a Novel |
| 621 | 21_1-2 | Commentary | Max Despain | How War Becomes Love: Donovan Campbell’s Memoir Joker One |
| 622 | 21_1-2 | Commentary | Sonja Pasquantonio | I Dream My Brother Plays Baseball |
| 623 | 21_1-2 | Reviews | Books | Books |
| 624 | 22_1-2 | Novel Excerpt | David Rabe | from Girl by the Road at Night |
| 625 | 22_1-2 | Artwork | Craig F. Walker | from “Ian Fisher: American Soldier” the 2010 Pulitzer Prize for Feature Photography |
| 626 | 22_1-2 | Special Feature | John Balaban | The Invisible Powers |
| 627 | 22_1-2 | Fiction | Patrick Hicks | The Lazarus Bomb |
| 628 | 22_1-2 | Fiction | Jesse Goolsby | Stepfather |
| 629 | 22_1-2 | Fiction | S.L. Miller | Keeping Watch |
| 630 | 22_1-2 | Fiction | J. Scott Smith | March 25th |
| 631 | 22_1-2 | Fiction | Jacob M. Appel | The Tear Sower |
| 632 | 22_1-2 | Fiction | Jay A. Moad II | Our Ghost |
| 633 | 22_1-2 | Fiction | Anthony Bukoski | The Six Purposes of Drill |
| 634 | 22_1-2 | Poetry | James Gleason Bishop | Sitting on the Veterans’ Memorial at the Corner of Main Street and Route 22, July 3, 1972, Not Thinking About Walter Cronkite |
| 635 | 22_1-2 | Poetry | Will Badger | Afghani Chai |
| 636 | 22_1-2 | Poetry | Cari Grindem-Corbett | Constellations |
| 637 | 22_1-2 | Poetry | Thomas H. Pate | Every Spray of Blood a Blessing |
| 638 | 22_1-2 | Poetry | Henry Hughes | Vicki’s Grandfather |
| 639 | 22_1-2 | Poetry | Beverly A. Tift | In Memory Of All Things Past |
| 640 | 22_1-2 | Poetry | Thomas McGuire | Heirloom Photograph |
| 641 | 22_1-2 | Poetry | W.D. Ehrhart | Redipuglia |
| 642 | 22_1-2 | Poetry | Laren McClung | Counting the Dead |
| 643 | 22_1-2 | Poetry | Abby E. Murray | Corners of the Ceiling |
| 644 | 22_1-2 | Critical Essay | David Lawrence | Heroic Act of Witness: Dexter Filkins’ Forever War |
| 645 | 22_1-2 | Critical Essay | Byron Calhoun | Tobias Wolff ’s Search for Heroism |
| 646 | 22_1-2 | Critical Essay | Brandon Lingle | Jon Krakauer’s Where Men Win Glory: Pat Tillman as American Epic Hero |
| 647 | 22_1-2 | Critical Essay | Thomas E. Barden | Urban Legends in Tim O’Brien’s The Things They Carried |
| 648 | 22_1-2 | Critical Essay | Kimberly Socha | Outside the Reign of Logic, Outside the Reach of God: Hester Panim in the Surreal Art of Paul Celan and Samuel Bak |
| 649 | 22_1-2 | Critical Essay | Thomas Vargish | Conrad’s “The Secret Sharer”: A Private Ethics of Leadership |
| 650 | 22_1-2 | Critical Essay | Kevin Patrick | The Forgotten Few: The Portrayal of Aerial Combat in Australian Fiction |
| 651 | 22_1-2 | Critical Essay | Florian Schwieger | “Loyalty gleaming, guns screaming”: William T. Vollmann’s Europe Central and the Memory of Stalingrad |
| 652 | 22_1-2 | Critical Essay | Thomas A. Horne | Goliath In the Valley of Elah |
| 653 | 22_1-2 | Personal Essay | Michail W. Mulvey | Short |
| 654 | 22_1-2 | Personal Essay | Rebecca Kanner | Safety |
| 655 | 22_1-2 | Commentary | Ross Gresham | The Memory Hole is Us |
| 656 | 22_1-2 | Commentary | Alex Vernon | Your War is My War Too |
| 657 | 22_1-2 | Commentary | Jeff Collins | Ways of War: Reading Frank Harvey’s Vietnam Experiences for Emotional Truth in a Digital Age |
| 658 | 22_1-2 | Editor's Choice | James Gleason Bishop | “We Should Know These People We Bury in the Earth”: Brian Turner’s Radical Message |
| 659 | 22_1-2 | Reviews | Books | Reviews |
| 677 | 23_1-2 | Memoir | Matthew Brock | Bright Nothing |
| 684 | 23_1-2 | Artwork | Jerry Kykisz | Trauma & Metamorphosis |
| 685 | 23_1-2 | Fiction | Michael Martone | Thucydides at Syracuse |
| 686 | 23_1-2 | Fiction | Nicholas Poluhoff | At The Wall |
| 687 | 23_1-2 | Fiction | Erin Pringle | This Bomb My Heart |
| 688 | 23_1-2 | Fiction | David Abrams | Known Unknowns |
| 689 | 23_1-2 | Fiction | Katey Schultz | Three Fictions |
| 690 | 23_1-2 | Fiction | LaTanya McQueen | Flash to Bang |
| 691 | 23_1-2 | Fiction | Nahid Rachlin | Healing |
| 692 | 23_1-2 | Fiction | Christopher Lowe | Dunn’s River Falls |
| 693 | 23_1-2 | Fiction | Bobbi Nicotera | Cecylia |
| 694 | 23_1-2 | Author Spotlight | Kathleen Harrington | Siobhan Fallon interviewed |
| 695 | 23_1-2 | Poetry | Elijah Imlay | Deer Running Backwards |
| 696 | 23_1-2 | Poetry | William Virgil Davis | The Messengers |
| 697 | 23_1-2 | Poetry | Joseph Bathanti | Coach Wheeler Tapes My Ankles |
| 698 | 23_1-2 | Poetry | Dale Ritterbusch | Assyrian Lament |
| 699 | 23_1-2 | Critical Essay | Florian Schwieger | “Loyalty gleaming, guns screaming”: William T. Vollmann’s Europe Central and the Memory of Stalingrad |
| 700 | 23_1-2 | Critical Essay | Thomas A. Horne | Goliath In the Valley of Elah |
| 701 | 23_1-2 | Critical Essay | Catherine Rolen | Seeing Signs and Telling War Stories: Recognizing Trauma Symptoms and the Role of Narrative in Recovery |
| 702 | 23_1-2 | Critical Essay | Daniel McKay | Strolling Down Memory Pain: Oral Histories and the New Zealand Far East Prisoner of War Novel |
| 703 | 23_1-2 | Critical Essay | Marcia Phillips McGowan | “Have I No Sanctuary to Defend?” The Great War Sonnets of Mary Borden |
| 704 | 23_1-2 | Critical Essay | Nils Clausson | Charles Yale Harrison’s “Little-Known Minor Masterpiece”: Generals Die in Bed, Modernism, and the Canon of World War I Fiction |
| 705 | 23_1-2 | Critical Essay | Andrew M. Milz | Of Cavalries, Calvaries, and Wilfred Owen’s “Greater Love” |
| 706 | 23_1-2 | Critical Essay | Geoffrey Wright | Acknowledging Experience: Pork Chop Hill and the Geography of the Korean War |
| 707 | 23_1-2 | Critical Essay | Russell Brickey | Turning Away From the Blast: Forms of Nuclear Protest Poetry |
| 708 | 23_1-2 | Critical Essay | Jonathan Lighter | Battle Cry Revisited: “Don’t Worry, Mom, Everything is Going to be All Right” |
| 709 | 23_1-2 | Critical Essay | Martin Buinicki and David Owens | “De-Anthologizing Ambrose Bierce: A New Look at ‘What I Saw of Shiloh.’” |
| 710 | 23_1-2 | Critical Essay | Brian Dillon | The Last Visitor: Idiosyncratic Bereavement in Julian Barnes’ WWI Story “Evermore” |
| 711 | 23_1-2 | Personal Essay | R.B. Moreno | What Happened Yesterday in Baghdad |
| 712 | 23_1-2 | Personal Essay | Teri Carter | War College |
| 713 | 23_1-2 | Personal Essay | Leila Levinson | Cracking Open the Silence |
| 714 | 23_1-2 | Personal Essay | Joseph Bathanti | Half of What I Say Is Meaningless |
| 715 | 23_1-2 | Commentary | Robin Jackson | Hermann Gross: subversive Luftwaffe artist |
| 716 | 23_1-2 | Commentary | Edward A. Dougherty | Memories of the Future: The Poetry of Sadako Kurihara and Hiromu Morishita |
| 717 | 23_1-2 | Commentary | Edward F. Palm | The Quiet American Revisited: Orientalism Reconsidered |
| 718 | 23_1-2 | Commentary | Adam C. Wolfe | Athens vs. Sparta: the Academic-Military Divide |
| 719 | 23_1-2 | Reviews | Reviews | Books |
| 720 | 24_1-2 | Memoir | Rolf Yngve | Three Tips For Those Returning from Deployments: a memoir |
| 721 | 24_1-2 | Memoir | David D. Butler | “Long Time Gone:” The Year Dirty Harry Was Shot |
| 722 | 24_1-2 | Memoir | Leigh Cuen | Fresh Meat |
| 723 | 24_1-2 | Fiction | J.W.M. Morgan | Atomic Blizzard |
| 724 | 24_1-2 | Fiction | Dan Moreau | 108 Degrees Under Partly Cloudy Skies |
| 725 | 24_1-2 | Fiction | Sierra Bellows | The City We Lived In After the War |
| 726 | 24_1-2 | Fiction | Michael Lund | How to Not Tell a War Story |
| 727 | 24_1-2 | Author Spotlight | Benjamin Busch | from Dust to Dust: A Memoir |
| 728 | 24_1-2 | Author Spotlight | Brian Turner Interviewed by Patrick Hicks | Brian Turner interviewed by Patrick Hicks |
| 729 | 24_1-2 | Author Spotlight | Ben Fountain Interviewed by David Lawrence | Ben Fountain Interviewed by David Lawrence |
| 730 | 24_1-2 | Poetry | Rich Murphy | No Cheating |
| 731 | 24_1-2 | Poetry | Caroline A. Leblanc | Mission Creep |
| 732 | 24_1-2 | Poetry | David Riddle | Darkest Congo |
| 733 | 24_1-2 | Poetry | Beverly A. Tift | ODS Slideshow (1991) |
| 734 | 24_1-2 | Poetry | Nancy Arbuthnot | War Haiku |
| 735 | 24_1-2 | Poetry | Randall Martoccia | War Cam |
| 736 | 24_1-2 | Poetry | Colin Morton | Battle Fatigue |
| 737 | 24_1-2 | Poetry | Hugh Martin | Raid |
| 738 | 24_1-2 | Poetry | Sandra Soli | Birmingham Etudes, 1943 |
| 739 | 24_1-2 | Poetry | David Sullivan | Kanan Majeed, Lawyer |
| 740 | 24_1-2 | Poetry | Christhopher Lee Miles | Bracing for Threnodies |
| 741 | 24_1-2 | Poetry | Amy Tudor | Mathew B. Brady Shows His Last Photograph |
| 742 | 24_1-2 | Poetry | Ed Meek | The Lottery |
| 743 | 24_1-2 | Poetry | Gregg Mosson | Letter by a French Soldier, 1916, Found at Verdun |
| 744 | 24_1-2 | Poetry | Brian Jackson | The Snows of August |
| 745 | 24_1-2 | Poetry | Arjun Rajendran | The “Fallout” Poem |
| 746 | 24_1-2 | Poetry | Daniel Rifenburgh | Requital for Fire |
| 747 | 24_1-2 | Poetry | H.C. Palmer | Break Room at the Ammo Plant |
| 748 | 24_1-2 | Poetry | Steve Straight | The Flag of Cucumber |
| 749 | 24_1-2 | Poetry | Lisa Bernstein (Lisa B) | The New War |
| 750 | 24_1-2 | Poetry | Jack Vian | Like a Mall of Moths Bereft |
| 751 | 24_1-2 | Poetry | Edward McCrorie | Poet Arrested on Pier |
| 752 | 24_1-2 | Poetry | Gregory Stenta | Lecture on Stalingrad |
| 753 | 24_1-2 | Poetry | Brian Edwards | Acoustic Shadows |
| 754 | 24_1-2 | Poetry | Sofia Starnes | O Vivifying Bones |
| 755 | 24_1-2 | Poetry | Joseph T. Cox | So Badly Prepared for Life |
| 756 | 24_1-2 | Poetry | Gretchen Koenig | Deep Seas |
| 757 | 24_1-2 | Poetry | Dale Ritterbusch | Ice Bowl |
| 758 | 24_1-2 | Poetry | Lyn Lifshin | Under A Crying Sky: a suite of poems |
| 759 | 24_1-2 | Drama | Thomas D. Praino | A Memorandum for Theater: Northern Italy, 25 July 1944 |
| 760 | 24_1-2 | Creative Nonfiction | Gerardo Mena | Phalanx |
| 761 | 24_1-2 | Creative Nonfiction | Jordan Hayes | The Colonel’s Bicycle |
| 762 | 24_1-2 | Creative Nonfiction | Dale Ritterbusch | A Mathematical Geography |
| 763 | 24_1-2 | Personal Essay | Sari M. Boren | Escape |
| 764 | 24_1-2 | Personal Essay | Laura Jean Baker | Year of the Tiger |
| 765 | 24_1-2 | Personal Essay | Anthony J. Mohr | Invasion USA |
| 766 | 24_1-2 | Personal Essay | Ian Miller | The Heights |
| 767 | 24_1-2 | Personal Essay | William Corley | Achilles Among the Maidens |
| 768 | 24_1-2 | Personal Essay | Tony Gorry | War Stories |
| 769 | 24_1-2 | Personal Essay | Paul Crenshaw | When the War Began |
| 770 | 24_1-2 | Critical Essay | Marzena Sokolowska-Paryz | The Narration and Visualization of Rape and the Inadvertent Subversion of the Anti-War Message in Brian De Palma’s Redacted and Casualties of War |
| 771 | 24_1-2 | Critical Essay | Gary Grieve-Carlson | “The House-top”: Melville’s Poem of Force |
| 772 | 24_1-2 | Critical Essay | Alireza Farahbakhsh | The Anti-Modernist Quality of Ezra Pound’s The Fifth Decad of Cantos (Cantos XLII—LI) |
| 773 | 24_1-2 | Critical Essay | Walter Jones | Gender as Colonial Exploitation in French Indochina: Concubines in Selected Pre-1965 Novels Published in or Translated to English |
| 774 | 24_1-2 | Critical Essay | Pinaki Roy | Poet in Khaki: Alun Lewis and his Combat Writings |
| 775 | 24_1-2 | Critical Essay | Casey Dué / Mary Ebbott | Mothers-in-Arms: soldiers’ emotional bonds and Homeric similes |
| 776 | 24_1-2 | Critical Essay | Christopher P. Wilson | Ridiculous Impingements of Normalcy: Home Fronts, Good Soldiers, War Correspondents |
| 777 | 24_1-2 | Critical Essay | Travis L. Martin | Reality and Anti-Reality in WWI and WWII Memoirs |
| 778 | 24_1-2 | Critical Essay | Chloë Hughes | Swords into Words: Transformational War Literature for Young People |
| 779 | 24_1-2 | Critical Essay | Ann Elias | Camouflage and Surrealism |
| 780 | 24_1-2 | Critical Essay | Maureen Ryan | Interpreters of Violence: Novels and Memoirs about Female Journalists of the Vietnam War |
| 781 | 24_1-2 | Critical Essay | David Kramer | Strains of Failed Populism in Stephen Crane’s Spanish War Stories |
| 782 | 24_1-2 | Critical Essay | Ty Hawkins | Vietnam and Verisimilitude: Rethinking the Relationship between “Postmodern War” and Naturalism |
| 783 | 24_1-2 | Commentary | Claudia Honeywell | Philoctetes in Iraq |
| 784 | 24_1-2 | Commentary | Philip Beidler | Ralph Vaughan Williams’ Long Journey Out of War |
| 785 | 24_1-2 | Commentary | W.D. Ehrhart | Paul Fussell: A Remembrance |
| 786 | 24_1-2 | Commentary | Andrea Trocha-Van Nort | Remembering Daniel Pearl, or West vs. West |
| 787 | 24_1-2 | Commentary | Gregory M. Dandeles | Liberia’s Fourth Estate |
| 788 | 24_1-2 | Reviews | Reviews | Books |
| 789 | 10_s | Introduction | James H. Meredith and Patrick K. | Stephen Crane in War and Peace, introductory essay |
| 790 | 10_s | Critical Essay | Christopher Benfey | Two Cranes, Two Henrys |
| 791 | 10_s | Critical Essay | David Traxel | Stephen Crane & Richard Harding Davis—An Unlikely Friendship |
| 792 | 10_s | Critical Essay | John Clendenning | Visions of War and Versions of Manhood |
| 793 | 10_s | Critical Essay | James B. Colvert | Unreal War in The Red Badge of Courage |
| 794 | 10_s | Critical Essay | Thomas Bonner, Jr. | Experience and Imagination: Confluence in the War Fiction of Stephen Crane and Ambrose Bierce |
| 795 | 10_s | Critical Essay | John C. Orr | A Red Badge Signifying Nothing: Henry Fleming’s Corporate Self |
| 796 | 10_s | Critical Essay | Benjamin F. Fisher | The Red Badge of Courage under British Spotlights |
| 797 | 10_s | Critical Essay | Donald Vanouse | atastrophe Theory and Character Transformation in The Red Badge of Courage |
| 798 | 10_s | Critical Essay | Randal W. Allred | “The Gilded Images of Memory”: The Red Badge of Courage and “The Veteran” |
| 799 | 10_s | Critical Essay | Patrick K. Dooley | “A Wound Gives Strange Dignity To Him Who Bears It”: Stephen Crane’s Metaphysics of Experience |
| 800 | 10_s | Critical Essay | Robert M. Myers | “The Subtle Battle Brotherhood”: The Construction of Military Discipline in The Red Badge of Courage |
| 801 | 10_s | Critical Essay | William E. Newmiller | The Color of War: A Computer Analysis of Color in The Red Badge of Courage |
| 802 | 10_s | Critical Essay | Jacqueline Tavernier-Courbin | Humor and Insight through Fallacy in Stephen Crane’s The Red Badge of Courage |
| 803 | 10_s | Critical Essay | Michael Robertson | Stephen Crane’s Other War Masterpiece |
| 804 | 10_s | Critical Essay | Holger Kersten | “The Pace of Youth” and the Phantoms of Hope |
| 805 | 10_s | Critical Essay | Thomas A. Gullason | Modern Pictures of War in Stephen Crane’s Short Stories |
| 806 | 10_s | Critical Essay | George Monteiro | John Hersey’s Guadalcanal Report: Drawing on Crane’s War |
| 807 | 10_s | Critical Essay | Michael Schaefer | Life During Wartime—and After: Thoughts on Stephen Crane’s Spitzbergen Tales |
| 808 | 10_s | Critical Essay | Charlotte Rich | Nora Black and The New Woman in Active Service |
| 809 | 10_s | Critical Essay | Patricia I. Heilman | Stephen Crane’s Images of War in Fiction and Nonfiction |
| 810 | 10_s | Critical Essay | Patrick K. Dooley | Stephen Crane: An Updated Annotated Bibliography of Secondary Scholarship |
| 814 | 25_1 | From The Editors Desk | Donald Anderson | Soldier Artists: Preserving the World |
| 815 | 25_1 | Special Feature | Ben Fountain | Soldiers on the Fault Line: War, Rhetoric and Reality |
| 816 | 25_1 | Memoir | Brian Duchaney | The Man I Killed |
| 817 | 25_1 | Memoir | Bonnie Costello | Inventory: Encounter with a Father's Memories of War |
| 818 | 25_1 | Memoir | Louis Ferraro Deretchin | Two Armies, One Family |
| 819 | 25_1 | Fiction | Elliot Sanders | Far From Kansas |
| 820 | 25_1 | Fiction | Edward Desautels | The Rapture of Sorrowful Things |
| 821 | 25_1 | Fiction | Robert Earle | From the Truman Balcony |
| 822 | 25_1 | Fiction | Mike DiChristina | 1001 Ways to Die |
| 823 | 25_1 | Fiction | David J. Morris | The Counterfactualist |
| 824 | 25_1 | Fiction | Olivia Kate Cerrone | Who's Crazy? |
| 825 | 25_1 | Fiction | Roman Skaskiw | Convoy Home |
| 826 | 25_1 | Editor's Choice | Kathleen Harrington | Fire and Forget |
| 827 | 25_1 | Critical Essay I | E. San Juan, Jr. | War in the Filipino Imagination: Filipino Writers in the United States Wrestling with the Minotaur |
| 828 | 25_1 | Critical Essay I | Adam Gilbert | "And the fire still burns": Vietnam War Poetry, Moral Witness and Winning Hearts and Minds |
| 829 | 25_1 | Critical Essay I | Natalie Carter | "Always Something of It Remains": Sexual Trama in Ernest Hemingway's For Whom the Bell Tolls |
| 830 | 25_1 | Critical Essay I | Anna Haider | Pat Barker's Liminal Figures of War Trauma: Mr. Hyde, Antiprosopon and Cryptophore |
| 831 | 25_1 | Critical Essay I | Ezekiel Black | Mouthlessness and Ineffability in World War I Poetry and The WasteLand |
| 832 | 25_1 | Critical Essay I | Maureen Ryan | Cracks in the System: Children in Contemporary Narratives about the 1960s in America |
| 833 | 25_1 | Critical Essay II | Quan Manh Ha | Power and Gender Relations in When Heaven and Earth Changed Places |
| 834 | 25_1 | Critical Essay II | Dan Allawat | Larry Brown's Dirty Work: Telling the Truth About the Vietnam War Through Fiction |
| 835 | 25_1 | Critical Essay II | Philip D. Beidler | The Great Party-Crasher: Mrs Dalloway, The Great Gatsby and the Cultures of World War I Remembrance |
| 836 | 25_1 | Critical Essay II | Robert Ficociello | Crane's Episode Among Episodes in American War Discourse |
| 837 | 25_1 | Critical Essay II | Kerry Soper | The Comics Go To War |
| 838 | 25_1 | Critical Essay II | Kathleen Béres Rogers | Embodied Sympathy and Divine Detachment in Crimean War Medical Poetry |
| 839 | 25_1 | Critical Essay II | David Kramer | Imperium in Imperio: Sutton Grigg's Imagined War of 1898 |
| 840 | 25_1 | Poetry I | HC Palmer | Two Poems |
| 841 | 25_1 | Poetry I | Terry Hauptman | Two Poems |
| 842 | 25_1 | Poetry I | Pat Hanahoe-Dosch | The Unnamed Ones |
| 843 | 25_1 | Poetry I | David Cravens | vengeance |
| 844 | 25_1 | Poetry I | Thomas Bonner, Jr. | The Navigator |
| 845 | 25_1 | Poetry I | J. T. Ledbetter | Fire Fight: 1970 (Xuan Loc Province) |
| 846 | 25_1 | Poetry I | Anthony Robbins | Hitler in Japan |
| 847 | 25_1 | Poetry I | Patrick Walsh | Meditations of a Sniper |
| 848 | 25_1 | Poetry I | Tony Sims | Soldier |
| 849 | 25_1 | Poetry I | Cahy Linh Che | Three Poems |
| 850 | 25_1 | Poetry II | Bunkong Tuon | Fragments |
| 851 | 25_1 | Poetry II | Martin Ott | Soldiers in the Dark |
| 852 | 25_1 | Poetry II | Holly Day | Two Poems |
| 853 | 25_1 | Poetry II | Brian Thornton | 10 o'clock News |
| 854 | 25_1 | Poetry II | Gerard Beirne | Meditation # 42: The Commotion of My Passing |
| 855 | 25_1 | Poetry II | Carol Lynn Grellas | Ann Frank's Diary Speaks |
| 856 | 25_1 | Poetry II | Mathew Brennan | The Tigris River |
| 857 | 25_1 | Poetry II | Amanda Newell | Two Poems |
| 858 | 25_1 | Poetry II | Jim Plath | Cold Harbor, 1864 and Other Songs We Don't Sing |
| 859 | 25_1 | Poetry II | Gbriella R. Tallmadge | Suffering Says |
| 860 | 25_1 | Poetry III | Tara Ballard | How Do I Write to You about Minefields? |
| 861 | 25_1 | Poetry III | Peter Vanderberg | Lost at Sea: Midnight-0400 watch |
| 862 | 25_1 | Poetry III | Naomi Glassman | John's Gospel |
| 863 | 25_1 | Poetry III | Shitsugane Olembo | The Courtyard |
| 864 | 25_1 | Poetry III | M. K. Sukach | Three Poems |
| 865 | 25_1 | Poetry III | David Vancil | Fallen Pony |
| 866 | 25_1 | Poetry III | R.G. Cantalupo | Four Poems |
| 867 | 25_1 | Poetry III | Amy Marengo | Firewood Patrol |
| 868 | 25_1 | Author Spotlight | Candice L. Pipes | Flashes of War by Katey Shultz |
| 869 | 25_1 | Author Spotlight | Thomas G. Bowie, Jr. & Nathan Matlock | Stories Matter: a conversation with Alex Kershaw |
| 870 | 25_1 | Author Spotlight | David Lawrence | Fobbit by David Abrams |
| 871 | 25_1 | Author Spotlight | M.K. Sukach | War Reporter by Dan O'Brien |
| 872 | 25_1 | Artwork | Derek Eland | The Afghanistan Diary Room Project |
| 873 | 25_1 | Creative Nonfiction | Ben Mamroth | Shell Shocked |
| 874 | 25_1 | Personal Essay | Claudia Honeywell | Street Life |
| 875 | 25_1 | Personal Essay | Frank Light | Three Times a Charm |
| 876 | 25_1 | Commentary | Caleb S. Cage | On Chickenshit |
| 877 | 25_1 | Commentary | Katherine Plichta | Remembered and Reimagined: The Literature of War |
| 878 | 25_1 | Commentary | Daniel Clayton | They were soldiers, just like us.. |
| 879 | 25_1 | Reviews | Reviews | Books |
| 931 | 26 | From The Editor's Desk | Donald Anderson | You Can’t Come Home Again: Phil Klay’s Redeployment |
| 932 | 26 | Memoir | Wayne Karlin | Excerpts from the Memoir of Trần Văn Thủy |
| 933 | 26 | Memoir | John Balaban | Saying Goodbye to General Giap |
| 934 | 26 | Memoir | David A. Willson | Tet, Seattle, February 1968 |
| 935 | 26 | Memoir | Jason Arment | A Bridge to Nowhere |
| 936 | 26 | Memoir | Deborah DeFrank | The Jacket |
| 937 | 26 | Memoir | Gloria Dyc | The Ceremony |
| 938 | 26 | Memoir | Nolan Peterson | Scars |
| 939 | 26 | Memoir | Marc Levy | Klinic in Zurichberg |
| 940 | 26 | Memoir | Robert Joe Stout | The War in Words |
| 941 | 26 | Fiction | Andrew Slater | The Cold |
| 942 | 26 | Fiction | Elliot Ackerman | Hometown Heroes |
| 943 | 26 | Fiction | Gerard J. Carisio | Resolved |
| 945 | 26 | Fiction | Steven McGregor | By the Aqueduct |
| 946 | 26 | Fiction | Dennis Kennedy | Underway Replenishment |
| 947 | 26 | Fiction | Frank Scozzari | Too Old for War |
| 948 | 26 | Fiction | J. Alan Montrose | Orders |
| 949 | 26 | Fiction | J. Malcolm Garcia | What Do You Do? |
| 950 | 26 | Creative Nonfiction | Paul Van Dyke | A Sliver of Blue |
| 951 | 26 | Editor's Choice | Kathleen Harrington | Sparta: a conversation with Roxana Robinson |
| 952 | 26 | Special Feature | Roxana Robinson | Sparta |
| 953 | 26 | Author Spotlight | Matthew Hefti | The Long Walk: a conversation with Brian Castner |
| 954 | 26 | Author Spotlight | Jesse Goolsby | The Book of Duels: a conversation with Michael Garriga |
| 955 | 26 | Artwork | Giuseppe Pellicano | Left. Left. Left, Right, Left |
| 956 | 26 | Artwork | Ed Drew | Afghanistan, Combat Zone Tintype |
| 957 | 26 | Poetry I | Michael Casey | deploy deploy |
| 958 | 26 | Poetry I | Michael Shorb | Gods of War |
| 959 | 26 | Poetry I | Joseph Bathanti | Two Poems |
| 960 | 26 | Poetry I | William Mullen | Eight Turners |
| 961 | 26 | Poetry I | Herbert Englehardt | Five Poems |
| 962 | 26 | Poetry I | Kerry Rawlinson | In Flanders’ Shadow (plus artwork, original photos by Nathan Jones) |
| 963 | 26 | Poetry I | Amanda Nowakowski | The War |
| 964 | 26 | Poetry I | Brandon Courtney | Malaria Tent, Pleiku, 1964 |
| 965 | 26 | Poetry I | Kya Reaves | A Woman at War |
| 966 | 26 | Poetry II | Adrie Kusserow | Two Poems |
| 967 | 26 | Poetry II | Stephen Gibson | WWII |
| 968 | 26 | Poetry II | Rebecca Morgan Frank | The Last Time I Saw Manila |
| 969 | 26 | Poetry II | Brad Kavo | The Cliffs of Colleville-sur-Mer |
| 970 | 26 | Poetry II | E.M. Schorb | The Bosian Cherry |
| 971 | 26 | Poetry II | Kevin Boyle | Unruh |
| 972 | 26 | Poetry II | John Guzlowski | Two Poems |
| 973 | 26 | Poetry II | Brian Pals | Something about an eyelash |
| 974 | 26 | Poetry II | Bonnie Maurer | The Poem Stands on its Head by the Window |
| 975 | 26 | Poetry III | Tim Lynch | Living in the Killing Fields: In the Tank to Phnom Penh |
| 976 | 26 | Poetry III | Charlie Bondhus | Two Poems |
| 977 | 26 | Poetry III | donnarkevic | Burying the War Dead |
| 978 | 26 | Poetry III | Benjamin Goluboff | The Fairy Fleet at Fredericksburg |
| 979 | 26 | Poetry III | Jesse Morales | Map of Leaving |
| 980 | 26 | Poetry III | Majda Gama | Two Poems |
| 981 | 26 | Poetry III | Matthew Boulay | Two Poems |
| 982 | 26 | Creative Nonfiction | Nicholas Mercurio | Lucky |
| 983 | 26 | Creative Nonfiction | Lyra Hilliard | When I Have Your Wounded |
| 984 | 26 | Creative Nonfiction | Matthew James Babcock | My Nazi Dagger |
| 985 | 26 | Creative Nonfiction | Thomas Simko | The Long Goodbye |
| 986 | 26 | Personal Essay | Michael Caligaris | Shoebox |
| 987 | 26 | Personal Essay | Trish Gwynn | Mine |
| 988 | 26 | Personal Essay | Micah Fields | Zeh Mutaasif Yum |
| 989 | 26 | Personal Essay | J. Scott Smith | Poly Trauma |
| 990 | 26 | Critical Essay I | Candice L. Pipes | The Impossibility of Home |
| 991 | 26 | Critical Essay I | Thomas Vargish | Postmodern Authority |
| 992 | 26 | Critical Essay I | Travis L. Martin | War, Witness, Modernisn and David Jones’s Subversive Voice |
| 993 | 26 | Critical Essay I | John Savoie | Sniping, Psalming, Saving: American Soldier, Biblical Warrior, and the Mysteries of Salvation in Saving Private Ryan |
| 994 | 26 | Critical Essay I | Ian A. Isherwood | “To fly is more fascinating than to read about flying”: British R.F.C. Memoirs of the First World War, 1918-1939 |
| 995 | 26 | Critical Essay I | Jonathan Snyder | The “Make-Believe” War: Necessary Fictionalizing in Alexander Gardner’s Photographic Sketch Book of the Civil War |
| 996 | 26 | Critical Essay I | Alison M. Johnson | Sam Hughes as a Second Generation Trauma Victim in Bobbie Ann Mason’s In Country |
| 997 | 26 | Critical Essay II | Christopher Barker | Hemingway’s Death in the Afternoon and the Fear of Death in War |
| 998 | 26 | Critical Essay II | Pritha Kundu | The Anglo-Saxon War-Culture and The Lord of the Rings: Legacy and Reappraisal |
| 999 | 26 | Critical Essay II | Ben Townsend | On the Front Lines of an Empire: The Rhetoric of Poetry of the First World War |
| 1000 | 26 | Critical Essay II | Barbara Kowalczuk | My Lai’s “Fucking Flies!”: The Stigmata of Trauma in Tim O’Brien’s In the Lake of the Woods |
| 1001 | 26 | Critical Essay II | Pinaki Roy | Sidney Keyes: The War Poet “Who Groped for Death” |
| 1002 | 26 | Critical Essay II | Sara Deutch Schotland | Soldiers of Conscience: The Conscientious Objector as (Anti) War Hero |
| 1003 | 26 | Critical Essay II | Kevin Foster | Deploying the Dead: Combat Photography, Death and the Second World War in the USA and the Soviet Union |
| 1004 | 26 | Commentary | David Buchanan | They Call it the Hajji Mall |
| 1005 | 26 | Commentary | Julien Mathonnière | War tales that blur the lines but extol the truth |
| 1006 | 26 | Commentary | Levi Bollinger | A Broader Scope |
| 1007 | 26 | Commentary | Katherine Plichta | The Most Vital Phenomena |
| 1008 | 26 | Commentary | Kristin G. Kelly | “This Is a Language Made of Blood”: Speaking of Iraq, Afghanistan, and Strip Malls |
| 1009 | 26 | Reviews | Reviews | Books |
| 1010 | 26 | Reviews | Reviews | Films |
| 1011 | 26 | Memoir | Matthew Komatsu | 31 North 64 East |
| 1012 | 26 | Poetry III | William Varner | Three Poems |
| 1013 | 26 | Critical Essay I | Elizabeth Richards | The End of Innocence: The Effects of the Civil War on Children in the Paintings of Eastman Johnson |
| 1014 | 26 | Memoir | Michael Selzer | A Jew Goes To Berlin |
| 1015 | 26 | Poetry III | Adam Graaf | Blackwater Bridge |
| 1018 | 27 | From The Editor's Desk | Donald Anderson | War Chatter |
| 1019 | 27 | Editor's Choice | Kathleen Harrington | No Man’s War: a conversation with Angela Ricketts |
| 1020 | 27 | Special Feature | Brian Turner | The 9th Annual David L. Jannetta Distinguished Lecture in War, Literature & the Arts |
| 1021 | 27 | Memoir | Malinda Fillingim | Wars, Newr and Far |
| 1022 | 27 | Memoir | Adina Siperman | Army Wife |
| 1023 | 27 | Memoir | Julie Wittes Schlack | Signs |
| 1024 | 27 | Memoir | Alyssa Martino | Free Falling Soldier |
| 1025 | 27 | Memoir | Samuel F. Lanckton | Everyone Breaks |
| 1026 | 27 | Memoir | Larry Schreiber | Nong Chan Camp, 1980 (Rice in her Mouth) |
| 1027 | 27 | Fiction | Thomas Bonner | Front Lines |
| 1028 | 27 | Fiction | Andrew McLean | Sinjar |
| 1029 | 27 | Fiction | Claudia Hauer | Take What You Get |
| 1030 | 27 | Author Spotlight | Thomas G. McGuire | A Conversation with Brian Turner |
| 1031 | 27 | Author Spotlight | Sean Purio | Patrick Hicks’s The Commandant of Lubizec |
| 1032 | 27 | Author Spotlight | Thomas G. McGuire | A Conversation with Bryan Doerries |
| 1033 | 27 | Author Spotlight | Brandon Lingle | A Conversation with Jesse Goolsby |
| 1034 | 27 | Artwork | Brandon Lingle | The Art of Richard Johnson |
| 1035 | 27 | Poetry | Vincent Casaregola | Contrails |
| 1036 | 27 | Poetry | Barbara Presnell | How to Cuss in French |
| 1037 | 27 | Poetry | David K. Vaughan | Dak To II |
| 1038 | 27 | Poetry | Donald Welch | Two Poems |
| 1039 | 27 | Poetry | Dan O’Brien | Three Poems |
| 1040 | 27 | Poetry | Levi Bollinger | Sestina for Finn |
| 1041 | 27 | Poetry | A. M. Gwynn | Blood and Water |
| 1042 | 27 | Poetry | H. C. Palmer | Resurrection (A Fable) |
| 1043 | 27 | Poetry | Dale Ritterbusch | Four Poems |
| 1044 | 27 | Poetry | Phillip Pitts | No God for Dog |
| 1045 | 27 | Poetry | Kassandra Montag | Two Poems |
| 1046 | 27 | Poetry | Jimmy Pappas | Two Poems |
| 1047 | 27 | Poetry | Greg McBride | Research Dermatologist and I, the Army Photographer |
| 1048 | 27 | Poetry | Kim Malinowski | Great Uncle |
| 1049 | 27 | Poetry | Michael H. Levin | Bougainville |
| 1050 | 27 | Poetry | Christopher Locke | Ecotours, Ltd. |
| 1051 | 27 | Poetry | Adam Graaf | Two Poems |
| 1052 | 27 | Poetry | D. A. Gray | Negative Space |
| 1053 | 27 | Poetry | William Hudson | After Nam |
| 1054 | 27 | Poetry | Anne Hohenstein | When They Found You |
| 1055 | 27 | Poetry | Lisa Gray Fisher | The Double |
| 1056 | 27 | Poetry | P. H. Crosby | French’s Field II |
| 1057 | 27 | Poetry | Taylor Collier | Mutilations: Custer |
| 1058 | 27 | Poetry | Amber Adams | Medevac |
| 1059 | 27 | Poetry | Aileen Bassis | Vukovar Walls |
| 1060 | 27 | Poetry | Nancy Boutilier | Sweeping |
| 1061 | 27 | Poetry | D. Brian Anderson | Two Poems |
| 1062 | 27 | Poetry | David Keplinger | Three Poems |
| 1063 | 27 | Poetry | Patrick Gordon | Full Bird in Flight |
| 1064 | 27 | Creative Nonfiction | Thomas D. Praino | The Cave of Clay Urns |
| 1065 | 27 | Creative Nonfiction | Frank Light | Old School New School |
| 1066 | 27 | Creative Nonfiction | Paul Crenshaw | The Hornet Among Us |
| 1067 | 27 | Creative Nonfiction | Juliet Barney | In Observance |
| 1068 | 27 | Personal Essay | J. F. Newman | What a Hammer Can Do |
| 1069 | 27 | Personal Essay | Brooke N. King | Dogtags |
| 1070 | 27 | Critical Essay | Kathy Phillips | Mass Nakedness in the Imaginary of the Nazis |
| 1071 | 27 | Critical Essay | Shane Emplaincourt | Joyeux Noёl and Remembering the Christmas Truce of 1914 |
| 1072 | 27 | Critical Essay | Martin T. Buinicki and David M. Owens | The Last Campaign of John Brown’s Body: West Point and America’s Forgotten Civil War Epic |
| 1073 | 27 | Critical Essay | Matthew Hill | Michael Casey’s Obscenities: A Critique of Workaday Brutality |
| 1074 | 27 | Critical Essay | Jennifer Haytock | Women’s/War Stories: The Female Gothic and Women’s War Trauma in Helen Benedict’s Sand Queen |
| 1075 | 27 | Critical Essay | Joyce Wexler | The New Heroism |
| 1076 | 27 | Critical Essay | Vivian Zenari | Henry James’s Civil War Stories: The Homefront Experience and War Romance |
| 1077 | 27 | Critical Essay | Robert Magella | Rupert Brooke and Isaac Rosenberg: Myth, Modernity, and the Destabilization of Georgian War Poetry |
| 1078 | 27 | Critical Essay | Sarah Montin | “Not Flowers for Poets’ tearful foolings”: First World War Poetry, flowers and the Pastoral Failure |
| 1079 | 27 | Critical Essay | Peter C. Molin | A “Phrase Too Cute to Do Our Ugliness Justice”: Portraying “Wounded Warriors” in Contemporary War Fiction |
| 1080 | 27 | Critical Essay | Dean Kritikos | The Home Front Waste Land: Williams, Zukofsky, and Epistemology after Eliot |
| 1081 | 27 | Critical Essay | Nina H. B. Jørgensen | Responding to the Effect of the Holocaust in the Present: A Comparison of Narrative Strategies in Time’s Arrow, A Blessing on the Moon, and The Reader |
| 1082 | 27 | Critical Essay | David Kramer | The Spanish-American War as a Bourgeois Testing Ground: Richard Harding Davis, Frank Norris and Stephen Crane |
| 1083 | 27 | Critical Essay | Hilary Lithgow | “It’s All Good”: Forms of Belief and the Limits of Irony in David Finkel’s The Good Soldiers |
| 1084 | 27 | Critical Essay | Maria Geiger | No Trench Required: Validating the Voices of Female Poets of WWI |
| 1085 | 27 | Critical Essay | Ty Hawkins | Bobbie Ann Mason’s The Girl in the Blue Beret: Aesthetic Experimentation, Evil, and American Cultural Memory of “The Good War” |
| 1086 | 27 | Critical Essay | Ross Griffin | History with a Human Face: Creative Nonfiction and the Oral Histories of the Vietnam War |
| 1087 | 27 | Critical Essay | Carlos Villar Flor | Happy Warriors in Arms: Aspects of military life in Evelyn Waugh’s Put Out More Flags and Sword of Honour |
| 1088 | 27 | Critical Essay | Laura Dunbar | “I can soljer with any man”: The Post 9-11 Renaissance of James Jones |
| 1089 | 27 | Critical Essay | Rance D. Denton | “Most Distant and Most Dear”: Clausewitzian Conflicts in Kipling’s Barrack-Room Ballads |
| 1090 | 27 | Critical Essay | Daniel M. Clayton | Whitewashing WWII Sexual Memory |
| 1091 | 27 | Critical Essay | Ann Elias | Obliteration: the camouflaged body, Australia, and photography in modern war |
| 1092 | 27 | Commentary | Katey Schultz | On Patriotism & the Language of GWOT |
| 1093 | 27 | Commentary | Caleb S. Cage | Heroes and Victims |
| 1094 | 27 | Reviews | Reveiws | Books |
| 1095 | 27 | Reviews | Reviews | Films |
| 1096 | 28 | From The Editor's Desk | Donald Anderson | Take a Message to Rumsfeld |
| 1097 | 28 | Special Feature | Alex Kershaw | The 10th Annual David L. Jannetta Distinguished Lecture in War, Literature & the Arts |
| 1098 | 28 | Memoir | Mike McCallister | A Death in Nicaragua |
| 1099 | 28 | Memoir | Barrett Bowlin | As Is |
| 1100 | 28 | Memoir | Martin Naparsteck | Before Going to War |
| 1101 | 28 | Memoir | Johnathan Burgess | Chai Party |
| 1102 | 28 | Memoir | Bobby Briggs | Service with a Smile |
| 1103 | 28 | Memoir | Jeff Loeb | Measuring the Seasons |
| 1104 | 28 | Fiction | Nazli Artemia | The Unicorn Story without an Ending |
| 1105 | 28 | Fiction | Devin Murphy | How We Disappear |
| 1106 | 28 | Editor's Choice | Sean Purio | Tongues, Tables, and Ears: A Conversation with John Guzlowski |
| 1107 | 28 | Author Spotlight | Nicola Brooke | The Art of the Interview : Svetlana Alexievich’s Zinky Boys |
| 1108 | 28 | Author Spotlight | Sean Purio | Crossings and Connections: A Conversation with Elliot Ackerman |
| 1109 | 28 | Artwork | Colin Halloran | Visual Art as Text: a conversation with WLA’s Art Director Brandon Lingle |
| 1110 | 28 | Artwork | Ben Brody | Foreverstan: The Drawdown |
| 1111 | 28 | Poetry | Juleigh Howard-Hobson | After the Whizbang 1917 |
| 1112 | 28 | Poetry | Jehanne Dubrow | Three Poems |
| 1113 | 28 | Poetry | Diana Lynn Fesko | 1968 Windsor Hotel Bangkok Death Valley |
| 1114 | 28 | Poetry | Dale Ritterbusch | Two Poems |
| 1115 | 28 | Poetry | MK Sukach | Raising the Dogs of War |
| 1116 | 28 | Poetry | Farzana Marie | Sonless |
| 1117 | 28 | Poetry | Cindy Veach | At the Wall |
| 1118 | 28 | Poetry | Randy Brown | fighting seasons |
| 1119 | 28 | Poetry | Christopher Mahon | Poets for Peace |
| 1120 | 28 | Poetry | David Bublitz | Combat Pay |
| 1121 | 28 | Poetry | Corey Thrasher | What Strength |
| 1122 | 28 | Poetry | Brad Kavo | Silencing Khe Sanh |
| 1123 | 28 | Poetry | Allen Stein | Henry Fleming’s Faded Red Badge |
| 1124 | 28 | Poetry | Michael Estabrook | Heaven and Earth |
| 1125 | 28 | Poetry | Elizabeth Crowell | Books in Cottages |
| 1126 | 28 | Poetry | Alex Walsh | Two Poems |
| 1127 | 28 | Poetry | Lisa Gray Fisher | A Walk in the Park |
| 1128 | 28 | Poetry | Joshua Barnett | Black Jack |
| 1129 | 28 | Poetry | Benjamin Goluboff | Ho Chi Minh’s Sense of Humor |
| 1130 | 28 | Poetry | Lawrence W. Sharp | Poets at War |
| 1131 | 28 | Poetry | W.D. Ehrhart | Praying at the Altar |
| 1132 | 28 | Poetry | Stephen Cloud | Minor Incidents of War |
| 1133 | 28 | Poetry | Chad Grasmuck | Oral Tradition |
| 1134 | 28 | Poetry | John Buquoi | Two Poems |
| 1135 | 28 | Poetry | Beth Bachmann | Two Poems |
| 1136 | 28 | Poetry | Michael Bernicchi | Paper Dunes |
| 1137 | 28 | Poetry | Robert Hedin | Two Poems |
| 1138 | 28 | Poetry | Chris Herlinger | Mourning General Giap |
| 1139 | 28 | Poetry | Liz Solms | Undergarments |
| 1140 | 28 | Creative Nonfiction | Steven Moore | Of Creativity |
| 1141 | 28 | Creative Nonfiction | Sue Newcomb Mowrer | How Hiram Really Died and What Came After |
| 1142 | 28 | Personal Essay | Thomas O’Grady | The Things He Carried: An Irish Private in the King’s (Liverpool) Regiment |
| 1143 | 28 | Personal Essay | Ken Hruby | Dancing and Fighting |
| 1144 | 28 | Critical Essay | Travis Martin | “Working Through” Societal Trauma in The Last Flight, Heroes for Sale, and All Quiet on the Wester Front |
| 1145 | 28 | Critical Essay | James Byrne | Seamus Heaney, Francisco Goya, and Unveiling the Myth of History |
| 1146 | 28 | Critical Essay | Jonathan Lighter | Michael Herr’s Lurp Tale |
| 1147 | 28 | Critical Essay | Ezekiel Black | Troubling Glory: The Uncertain Language Shift of World War I |
| 1148 | 28 | Critical Essay | Maureen Ryan | Intra Species Communication: Memory, Story-Telling, and Football in American Fiction of the Iraq and Afghanistan Wars |
| 1149 | 28 | Critical Essay | Myra Mendible | Saving Face: Humiliation, Shame, and the Affective Economy of War |
| 1150 | 28 | Critical Essay | Jonathan Jones | Strangers in the World of the Emotions: Re-evaluating L.P. Hartley’s The Go-Between |
| 1151 | 28 | Critical Essay | Christina Jarvis | Displaced Trauma and the Legacies of the Vietnam War in Hocus Pocus |
| 1152 | 28 | Critical Essay | Tim Wenzell | Literary Conscientious Objector: e.e. cummings and The Great War |
| 1153 | 28 | Critical Essay | Shane Emplaincourt | Un long dimanche de fiançailles and Remembering la Somme 1916 |
| 1154 | 28 | Critical Essay | Steve Lukits | “They that have power to hurt but will do none”: Lying in the Literature of the Great War |
| 1155 | 28 | Critical Essay | Jeff Morgan | Hemingway and the Cuban Revolution: For Whom the Bell Tolls on the Sierra Maestra |
| 1156 | 28 | Critical Essay | Cristina Pividori | Searching for the Happy Battalion in Times of Crisis: Fraternal Friendships and the Heroic in the Great War Memoirs of Guy Chapman and Charles Carrington |
| 1157 | 28 | Critical Essay | Shabnam Piaryaei | The Victory Belongs to Love |
| 1158 | 28 | Commentary | Tyrell Mayfield | Reflections on Redeployment |
| 1159 | 28 | Commentary | Alex Vernon | Field Notes on The Things They Carried |
| 1160 | 28 | Commentary | James Gleason Bishop | Grandpa Goes to War |
| 1161 | 28 | Commentary | Jessica Hellmann | High Skies and Fat Horses |
| 1162 | 28 | Interview | Jesse Goolsby | A Group Conversation with Veteran Artists David Abrams, Jerri Bell, Brian Castner, and Colin Halloran |
| 1163 | 28 | Interview | Haley Michael Hasik & Eric L. Gruver | Warrior for Freedom and Souls: Navigator, POW, Minister |
| 1164 | 28 | Interview | Dale Ritterbusch | A Conversation with Jane Irish |
| 1165 | 28 | Interview | Megan Kahn | Veteran Homecoming Stories: A conversation with Justin Hudnall |
| 1166 | 28 | Reviews | Reviews | Books |
| 1167 | 28 | Reviews | Reviews | Films |
| 1168 | 29 | From The Editor's Desk | Donald Anderson | Cold War |
| 1169 | 29 | IN MEMORIAM | Donald Anderson | Will Hochman |
| 1170 | 29 | Special Feature | Sara Nović | The 11th Annual David L. Jannetta Distinguished Lecture in War, Literature & the Arts |
| 1171 | 29 | Editor's Choice | Kathleen Harrington | Sara Nović: Girl at War |
| 1172 | 29 | Memoir | Oliver Ferguson | My World War |
| 1173 | 29 | Memoir | Steve Sobel | LEBANON: A Bullet in a Magazine |
| 1174 | 29 | Memoir | J. Malcolm Garcia | A Promise to Keep |
| 1175 | 29 | Memoir | Alicia Defonzo | France in June |
| 1176 | 29 | Memoir | Steven Liparulo | Monday Night Football: Everybody Wants to Rule the World (1985) |
| 1177 | 29 | Fiction | MaryEllen Beveridge | Out of Season |
| 1178 | 29 | Fiction | Jake Wolff | Please Explain Me |
| 1179 | 29 | Fiction | Caroline Courec | Insignia |
| 1180 | 29 | Fiction | C.L. Miles | Duty |
| 1181 | 29 | Fiction | Rolf Yngve | The Mouse |
| 1182 | 29 | Fiction | Richard Johnston | Dry Sockets |
| 1183 | 29 | Author Spotlight | Katherine Witt | Imagining War: Ilyse Kusnetz’s Small Hours |
| 1184 | 29 | Author Spotlight | Thomas G. McGuire | H.C. Palmer’s Feet of the Messenger |
| 1185 | 29 | Artwork | Brandon Lingle | A Conversation with Jack Beeler |
| 1186 | 29 | Interview | Bunkong Tuon | A Conversation with Boa Ninh |
| 1187 | 29 | Interview | Thomas G. McGuire | A Conversation with H.C. Palmer |
| 1188 | 29 | Interview | Kelly Griffith | A Conversation with Will Bardenwerper |
| 1189 | 29 | Poetry | Bruce Lader | A Tough Day for the Generals |
| 1190 | 29 | Poetry | Phillip Pitts | Two Poems |
| 1191 | 29 | Poetry | Nancy Knowles | Sixth-Grade Homework |
| 1192 | 29 | Poetry | Evalyn Lee | Lighthouse Keeper’s Cottage |
| 1193 | 29 | Poetry | Benjamin Hertwig | Stigmata |
| 1194 | 29 | Poetry | Gerry McFarland | Gunner Thinks About Everything At Once |
| 1195 | 29 | Poetry | Gisella Faggi | Mari Miditirràniu |
| 1196 | 29 | Poetry | Pam Bernard | Blood for Seed |
| 1197 | 29 | Poetry | Timothy Pilgrim | War memorial |
| 1198 | 29 | Poetry | Holly Day | Plate 23 |
| 1199 | 29 | Poetry | Kyle Adamson | The Standard Operating Procedure for Wounded Enemy Combatants |
| 1200 | 29 | Poetry | Brandon Marlon | Aleppo |
| 1201 | 29 | Poetry | Josh A. Brewer | The Bakeries of Warsaw |
| 1202 | 29 | Poetry | John Barr | Death of a Species |
| 1203 | 29 | Poetry | Henry Crawford | Remembering 100 Years of the First World War |
| 1204 | 29 | Poetry | Katya Lavine | Death, They Said |
| 1205 | 29 | Poetry | Kathleen O’Neil | Red |
| 1206 | 29 | Poetry | John Sibley Williams | Tattoos Fade |
| 1207 | 29 | Poetry | Kathryn Kirkpatrick | Vietnam, Again |
| 1208 | 29 | Poetry | Lyn Lifshin | I Am Old, I Am Sick, I Do Not Want To Die In Auschwitz |
| 1209 | 29 | Poetry | George Longenecker | Villanelle for Fallen Apples |
| 1210 | 29 | Poetry | Jessica Housand-Weaver | Three Poems |
| 1211 | 29 | Poetry | Kate O’Neill | Not a Story |
| 1212 | 29 | Poetry | mick kennedy | The Last Man Standing (Christmas Truce 1914) |
| 1213 | 29 | Poetry | William Childress | Once in the Land of the Morning Calm |
| 1214 | 29 | Poetry | Heidi Wallis | Gaza |
| 1215 | 29 | Creative Nonfiction | Brian Lance | Warplay |
| 1216 | 29 | Creative Nonfiction | Howard Skrill | HMS Jersey: Absences and Memory from the Battlefields of Brooklyn |
| 1217 | 29 | Creative Nonfiction | Roberto Loiederman | Henry’s Holocaust |
| 1218 | 29 | Personal Essay | Paula Brown | Photograph, Solomon Islands, 1944 |
| 1219 | 29 | Critical Essay | Gary Grieve-Carlson | Telling the Truth about History: Tim O’Brien’s In the Lake of the Woods |
| 1220 | 29 | Critical Essay | Grace Howard | A Lesser Imitation (?): How Redeployment Recalls, Expands, and Departs from The Things They Carried |
| 1221 | 29 | Critical Essay | Lisa Ferguson | Killing Them with Kindness: Tim O’Brien’s Rehabilitation of the Violent Vietnam Soldier |
| 1222 | 29 | Critical Essay | Peter Molin | Frederick Busch and Annie Proulx: Forebears of Contemporary War Fiction |
| 1223 | 29 | Critical Essay | Grace. E. Miller | “Boom / [S]he is not”: Drone Wars and the Vanishing Pilot |
| 1224 | 29 | Commentary | Claudia Hauer | Philip D. Beidler, Beautiful War: Studies in a Dreadful Fascination |
| 1225 | 29 | Commentary | Gary Mills | Vietnam Memoir as Satire |
| 1226 | 29 | Reviews | | Books |
| 1227 | 29 | Reviews | | Films |
| 1228 | Folio2017 | 2017 | Jesse Goolsby | Editor's Note |
| 1229 | Folio2017 | 2017 | Roxana Robinson | Peace |
| 1230 | Folio2017 | 2017 | Nathalie Handal | Une Fin |
| 1231 | Folio2017 | 2017 | Julian Zabalbeascoa | Catalunya |
| 1232 | Folio2017 | 2017 | Marilyn Kallet | Falling Out |
| 1233 | Folio2017 | 2017 | Steven Kistulentz | The Closest We Have Ever Come |
| 1234 | Folio2017 | 2017 | Odie Lindsey | Panoleah |
| 1235 | Folio2017 | 2017 | John Balaban | Back then |
| 1236 | Folio2017 | 2017 | Benjamin Busch | Wilderness |
| 1237 | Folio2017 | 2017 | Steven Mumford | 5 images |
| 1238 | Folio2017 | 2017 | Christian Kiefer | Golden Silence of the Heart |
| 1239 | Folio2017 | 2017 | Andria Williams | Legacy |
| 1240 | Folio2017 | 2017 | Sindu Sathi | Fundraising |
| 1241 | Folio2017 | 2017 | Steven Church | Hit List |
| 1242 | Folio2017 | 2017 | Lea Carpenter | Christmas |
| 1243 | Folio2017 | 2017 | Maurice Decaul | Traction |
| 1244 | Folio2017 | 2017 | Rachael Hanel | In the Balance |
| 1245 | Folio2018 | 2018 | Jesse Goolsby and Katie Witt | Editor's Note |
| 1246 | Folio2018 | 2018 | Angela Morales | Mammalian |
| 1247 | Folio2018 | 2018 | Dunya Mikhail | Plastic Death |
| 1248 | Folio2018 | 2018 | Tom Piazza | IED |
| 1249 | Folio2018 | 2018 | David Chrisinger | In the Shadow of an Unanswered Question |
| 1250 | Folio2018 | 2018 | Gina Herrera | Artist Statement and Sculpture |
| 1251 | Folio2018 | 2018 | Hannah Dela Cruz Abrams | Songs for Ghosts |
| 1252 | Folio2018 | 2018 | Korey Williams | Mondays in Autumn |
| 1253 | Folio2018 | 2018 | Caitlin McGill | Uncertainty |
| 1254 | Folio2018 | 2018 | Teresa Fazio | Ridgeline |
| 1255 | Folio2018 | 2018 | Natalie Lovejoy | Artist Statement and Music |
| 1256 | Folio2018 | 2018 | Whitney Terrell | excerpt from The Crossroads |
| 1257 | Folio2018 | 2018 | Helen Benedict | Snapshots of Hate and Resistance: Charlottesville, VA, August, 2017 |
| 1258 | Folio2018 | 2018 | James Mathews | Silence All Who Cry Out |
| 1286 | Folio2018 | 2018 | Natalie Lovejoy | Artist Statement and Music |
| 1287 | Folio2018 | 2018 | Whitney Terrell | excerpt from The Crossroads |
| 1288 | Folio2018 | 2018 | Helen Benedict | Snapshots of Hate and Resistance: Charlottesville, VA, August, 2017 |
| 1289 | Folio2018 | 2018 | James Mathews | Silence All Who Cry Out |
| 1290 | 30 | From The Editor’s Desk | Donald Anderson | The Arrogance of Firepower |
| 1291 | 30 | Editor’s Choice | Kathleen Harrington | Suzan-Lori Parks: Father Comes Home From The Wars |
| 1292 | 30 | Author Spotlight | Jonathan McGregor | “Between history and a hard place”: D. F. Brown’s Ghost of a Person Passing in Front of the Flag and Benjamin Hertwig’s Slow War |
| 1293 | 30 | Author Spotlight | Ross Gresham | Robert Olen Butler’s Perfume River |
| 1294 | 30 | Critical Essays | H. Spencer Beaumont | Art as Revolutionary Propaganda in David’s The Death of Maret |
| 1295 | 30 | Critical Essays | Oscar Mardell | Greener Pastures |
| 1296 | 30 | Critical Essays | Jeff Sychterz | Poetry, the Iraq War, and the Ethics of Trauma |
| 1297 | 30 | Critical Essays | Jason A. Higgins | Through “Star-Spangled Eyes”: Fortunate Son and the Problem of Resolution |
| 1298 | 30 | Critical Essays | Guilherme Meyer | Enabling Impossibility |
| 1299 | 30 | Critical Essays | Paul Petrovic | Beyond Appropriation: Arab, Coptic American, and Persian Subjectivities in Brian Turner’s Here Bullet, Phil Klay’s Redeployment, and Elliot Ackerman’s Green on Blue |
| 1300 | 30 | Critical Essays | Shane A. Emplaincourt | La Chambre des officiers and Recapturing the Evanescent Memory of the Great War’s Gravely Disfigured |
| 1301 | 30 | Critical Essays | James Austin Everbeck | Gold Stars on Bleeding Scars: The Cult of the Veteran vs the Cost of War in Fallon’s You Know When the Men Are Gone |
| 1302 | 30 | Critical Essays | Charles Hunter Joplin | The Poet’s Corpus: Meter, Memory, and Monumentality in Wilfred Owen’s “The Show” |
| 1303 | 30 | Artwork | Brandon Lingle | Messages without Writing: A conversation with Atiqullah Shahid |
| 1304 | 30 | Fiction | Benjamin Woodside Schrier | Bohemian Roulette |
| 1305 | 30 | Fiction | Brian O’Hare | Nothing Earth Shattering |
| 1306 | 30 | Fiction | Ramiro Hinojosa | Field Manual |
| 1307 | 30 | Fiction | Holly Auten | Collision |
| 1308 | 30 | Fiction | Joseph Bathanti | The Crescent |
| 1309 | 30 | Fiction | Katherin Schifani | The Breath of Allah |
| 1310 | 30 | Creative Nonfiction | Russell Halvorsen | Cold, Cold Water |
| 1311 | 30 | Poetry | Veronica Schuder | Two Poems |
| 1312 | 30 | Poetry | Paul Z. Panish | Pines—Fort Lee, Virginia |
| 1313 | 30 | Poetry | Amy Lynn Reifsnyder | Me and the Marine |
| 1314 | 30 | Poetry | James F. Connolly | The Tet Offensive |
| 1315 | 30 | Poetry | Nels Hanson | Two Poems |
| 1316 | 30 | Poetry | Rawdon Tomlinson | “Post traumatic growth”: With My Brother on the North fork of the Red River |
| 1317 | 30 | Poetry | Wanda Frazier | In the Zone |
| 1318 | 30 | Poetry | Olivia Garard | Good Kill |
| 1319 | 30 | Poetry | Hugh Martin | Two poems |
| 1320 | 30 | Poetry | Norvin Dickerson | Two Poems |
| 1321 | 30 | Poetry | Marissa Glover | Three Poems |
| 1322 | 30 | Poetry | Jeremy Grant | Leave-Taking |
| 1323 | 30 | Poetry | Marsha Mathews | Strategic Survival |
| 1324 | 30 | Poetry | Tobi Alfier | Everybody Rides Lady Geraldine |
| 1325 | 30 | Poetry | Joon K. Shim | i walk to stay alive |
| 1326 | 30 | Poetry | Newt Ronan | Two Poems |
| 1327 | 30 | Poetry | Ed Meek | Powder Blue |
| 1328 | 30 | Poetry | Robert Pawlak | Hypnos and Thanatos |
| 1329 | 30 | Poetry | Michael Casey | JJ Visits the Hooch |
| 1330 | 30 | Poetry | Jeffrey Alfier | Tripoli |
| 1331 | 30 | Poetry | s.g.t. grasmuck | Three Poems |
| 1332 | 30 | Poetry | Robert Hedin | Lakehurst, 1937 |
| 1333 | 30 | Poetry | Peter Venable | Enough |
| 1334 | 30 | Poetry | Jordan Nate | Shells from Oversea |
| 1335 | 30 | Poetry | Dale Ritterbusch | Where We Are |
| 1336 | 30 | Poetry | Svetlan Beggs | She-Child, Stalingrad, 1942 |
| 1337 | 30 | Poetry | Alex Vartan Gubbins | A Rainy Veteran’s Day |
| 1338 | 30 | Interview | Matthew Sarda | Waiting and the Intermediary: A Conversation with Elliot Ackerman |
| 1339 | 30 | Personal Essay | Lana Spendl | No Firm Ground |
| 1340 | 30 | Personal Essay | Tad Tuleja | Brotherhood of the Sea: A Sailor’s Code |
| 1341 | 30 | Memoir | Kenneth R. Timmerman | Hungry Guns, Exploding Cats |
| 1342 | 30 | Memoir | Clayton Bradshaw | Five-Sentence Biography |
| 1343 | 30 | Memoir | Pat Gault | Edible Plants of Alaska |
| 1344 | 30 | Memoir | Élie Paul Cohen (translated by Jessica Levine) | Army Doc: Mission Afghanistan |
| 1345 | 30 | Memoir | Patrick Mondaca | Allawi |
| 1346 | 30 | Memoir | Jeffrey Loeb | Resurrection |
| 1347 | 30 | Memoir | Dianna Marie Cannizzo | The Land of the VA |
| 1348 | 30 | Commentary | Krystal Mcguiness | Laren McClung’s Inheriting the War |
| 1349 | 30 | Commentary | David M. Jorgenson | Cavorting with War |
| 1350 | 30 | Reviews | | Books |
| 1351 | 30 | Reviews | | Films |