Chrono | Vol | Category | Author | Title (Click to view) |
4 | 1_1 | Critical Essay | Mark A. Heberle | Correspondent Visions of Vietnam |
5 | 1_1 | Critical Essay | Charles J. Gaspar | The Search for Closure: Vietnam War Literature and the Vietnam Veterans Memorial |
6 | 1_1 | Critical Essay | Christopher Ames | War and Festivity in Gravity’s Rainbow |
7 | 1_1 | Critical Essay | James Seaton | Thomas Mann’s Wartime Reflections |
8 | 1_1 | Critical Essay | Michael C.C. Adams | Hastings and Roland: The Triumph of the Mounted Knight |
9 | 1_1 | Critical Essay | Michele M. Sordi | Grain and Glory: Eating Practices in Homer’s Iliad |
10 | 1_2 | Critical Essay | Perry D. Luckett | The Black Soldier in Vietnam War Literature and Film |
11 | 1_2 | Critical Essay | David M. Craig | Joseph Heller’s “ ‘Catch-22’ Revisited” |
12 | 1_2 | Critical Essay | Earl R. Anderson | Warrior-Bishops in La Chanson de Roland and Poema de mio |
13 | 1_2 | Critical Essay | John Newman and Julie Wessling | Vietnam War Literature: a guide to resources at Colorado State University |
14 | 1_2 | Poetry | Alfred Kern | Barcelona |
15 | 2_1 | Critical Essay | Joan F. Adkins | Sacrifice and Dehumanization in Plievier’s Stalingrad |
16 | 2_1 | Critical Essay | Peter C. Rollins | Historical Interpretation or Ambush Journalism? CBS vs Westmoreland in The Uncounted Enemy: A Vietnam Deception (1982) |
17 | 2_1 | Critical Essay | Alex A. Vardamis | Randall Jarrell’s Poetry of Aerial Warfare |
18 | 2_2 | Critical Essay | Don Kunz | Oliver Stone’s Film Adaptation of Born on the Fourth of July: Redefining Masculine Heroism |
19 | 2_2 | Critical Essay | Joseph S. Meisel | The Germans are Coming! British Fiction of a German Invasion 1871-1913 |
20 | 2_2 | Artwork | Roger Preston | The Artist and the Holocaust |
21 | 3_1 | Critical Essay | James Griffith | A Walk Through History: Tim O’Brien’s Going After Cacciato |
22 | 3_1 | Critical Essay | Kevin D. Foster | Signifying the Wasteland: Selling the “Falklands War” |
23 | 3_1 | Critical Essay | Thomas Dukes | Desire Satisfied: War and Love in The Heat of the Day and Moon Tiger |
24 | 3_1 | Fiction | Robert Morgan | Watershed |
25 | 3_2 | Personal Essay | E.P. Motley | Memoirs of Six Months |
26 | 3_2 | Reviews | Books | Books |
27 | 4_1 | Critical Essay | Michael Cardy | The Memoirs of Pierre Pouchot: A Soldier’s View of a Doomed Campaign |
28 | 4_1 | Critical Essay | Constance A. Brown | Severed Ears: An Image of the Vietnam War |
29 | 4_1 | Critical Essay | Steven Kaplan | The Narrative Technique Used by Goethe to Portray War in the “Campaign in France” |
30 | 4_1 | Poetry | R.S. Carlson | Cabrini’s Run—‘71 |
31 | 4_2 | Critical Essay | Cheryl A. Shell | The Foe in Sight: Discovering the Enemy in Donne’s Elegie XIX |
32 | 4_2 | Critical Essay | Donna Connolly | Sisters in Arms |
33 | 4_2 | Commentary | Crystal M. Jonas | “Guernica” |
34 | 4_2 | Artwork | Anne Wells Ladow | Lines and Shadows |
35 | 4_2 | Poetry | Karen Alkalay-Gut | from Between Bombardments |
36 | 5_1 | Critical Essay | Greg Garrett | John Huston’s The Battle of San Pietro |
37 | 5_1 | Critical Essay | John S. Baky | Literary Resources of the Vietnam War |
38 | 5_1 | Interview | Elizabeth Drumwright | “I’ll Have to go Down to Hell First”: A Saipanese WWII Veteran Recalls the War |
39 | 5_1 | Poetry | G. S. Sharat Chandra | Ghazals |
40 | 5_1 | Poetry | Joseph T. Cox | To Send Forth |
41 | 5_1 | Commentary | John Morano | Collier’s Magazine: Preview Of The War We Do Not Want |
42 | 5_1 | Commentary | Anthony Arthur | Avoiding Nostalgia: James Michener’s The Bridge at Andau |
43 | 5_2 | Critical Essay | Steven Trout | “Glamorous Melancholy”: R. C. Sherriff’s Journey’s End |
44 | 5_2 | Critical Essay | Thomas G. Bowie, Jr | An I for an eye: Edmund Blunden’s War |
45 | 5_2 | Critical Essay | Elizabeth A. Muenger | Whitsun and Beyond: Continuing the Great War |
46 | 5_2 | Poetry | Will Hochman | Not Always Located in Nicaragua |
47 | 5_2 | Commentary | Tom F. Baldy | Reflections on the Great War |
48 | 5_2 | Commentary | John Clark Pratt | Writing about Flying: A Pilot’s View |
49 | 6_1 | Critical Essay | John Gery | The Atomic Test Poems of Paul Zimmer |
50 | 6_1 | Critical Essay | David Seed | Military Machines and Nuclear Accident: Burdick and Wheeler’s Fail-Safe |
51 | 6_1 | Critical Essay | Paul MacKenzie | Artistic Truth, Historical Truth: The “Fraction” Film and the Falklands War |
52 | 6_1 | Commentary | David M. Mazurowski | The Life of a Bomber Co-Pilot |
53 | 6_1 | Commentary | Sheryl A. Mylan | Love in the Trenches: Images of Woman in Mailer’s The Naked and the Dead |
54 | 6_2 | Critical Essay | David M. Craig | From Avignon to Catch-22 |
55 | 6_2 | Interview | Brian C. McNerney | Responsibly Inventing History: An Interview with Tim O’Brien |
56 | 6_2 | Poetry | W.D. Ehrhart | Mostly Nothing Happens |
57 | 6_2 | Poetry | Andrew Benson | All She Can Eat |
58 | 6_2 | Commentary | Philip K. Jason | Missing Pieces: Versions and Visions of Vietnam POW/MIA in American Culture |
59 | 6_2 | Commentary | Rosemary P-Z Clark | Representations of the Resistance in World War II France |
60 | 7_1 | Critical Essay | Michael W. Schaefer | Ambrose Bierce on the Construction of Military History |
61 | 7_1 | Critical Essay | Richard W. Lemp | The Wars Within the War in La Guerre, Yes Sir! |
62 | 7_1 | Critical Essay | James H. Meredith | The Eyewitness Narrator in Hemingway’s Collier’s Dispatches and “Black Ass at the Cross Roads” |
63 | 7_1 | Fiction | Jerome Mandel | Mothers |
64 | 7_1 | Fiction | Julio Escoto (translated by Clark M. Zlotchew) | Reality |
65 | 7_1 | Poetry | Joseph T. Cox | Miles Standish Forest, Plymouth, Mass, 1934 |
66 | 7_1 | Commentary | Alfred Kern | Hang the Enola Gay |
67 | 7_2 | Personal Essay | Robert MacGowan | A Boatman’s Story |
68 | 7_2 | Personal Essay | Donald Clay | Shadow Warrior |
69 | 7_2 | Poetry | Robert Pinsky | Serpent Knowledge |
70 | 7_2 | Poetry | David A. Willson | Alms for the Burned |
71 | 7_2 | Poetry | Daniel Tobin | A Century |
72 | 7_2 | Poetry | Joseph T. Cox | Shaman |
73 | 7_2 | Commentary | Donald Anderson | McNamara’s Makeshift Amends |
74 | 7_2 | Commentary | Brian Hanley | Achilles in Vietnam |
75 | 7_2 | Fiction | Andre Dubus | Falling in Love |
76 | 7_2 | Fiction | Alfred Kern | from Vows and Infidelities |
77 | 8_1 | Critical Essay | Milton A. Cohen | Fatal Symbiosis: Modernism and World War I |
78 | 8_1 | Critical Essay | William E. Sheidley | George Gascoigne and The Spoyle of Antwerpe (1576) |
79 | 8_1 | Critical Essay | Thomas Bonner, Jr. | Thomas Wolfe and the Civil War |
80 | 8_1 | Critical Essay | Stephen C. Enniss | Writing War: John Dos Passos’ One Man’s Initiation |
81 | 8_1 | Poetry | Wendy Bishop | Before Wars |
82 | 8_1 | Fiction | Charles Clerc | LOCKE-HAVEN AT LARGE |
83 | 8_2 | Special Feature | W.D. Ehrhart | Selected Work by W.D. Ehrhart: The Summer I Learned to Dance (personal essay), I Drink my Coffee Black (fiction), The Sergeant (poetry), A Bibliography |
84 | 8_2 | Critical Essay | Lorrie Smith | Against a Coming Extinction: W.D. Ehrhart and the Envolving Canon of Vietnam Veteran’s Poetry |
85 | 8_2 | Critical Essay | John Clark Pratt | Tim O’Brien’s Re-imagination of Reality: An Exercise in Metafiction |
86 | 8_2 | Commentary | Donald Anderson | Darkness Carried: W.D. Ehrhart’s Memoirs |
87 | 8_2 | Commentary | Thomas G. Bowie, Jr. | “Everyday I’m always on patrol”: Bill Ehrhart’s Journey Home |
88 | 8_2 | Poetry | Karen Alkalay-Gut | Tryolean Vacation |
89 | 8_2 | Poetry | H. Palmer Hall | Langour |
90 | 8_2 | Poetry | H. Palmer Hall | Hospital Visit |
91 | 8_2 | Poetry | Vince Gotera | The Vietnam Vet Plays Gyruss |
92 | 8_2 | Poetry | Vince Gotera | Gulf War Haiku |
93 | 8_2 | Poetry | Ed Meek | The Bomb |
94 | 8_2 | Poetry | Ed Meek | Duty |
95 | 8_2 | Poetry | Maggie Jaffe | For Lewis B. Puller, Jr. |
96 | 8_2 | Fiction | Don Kunz | Echoes |
97 | 8_2 | Fiction | Terry P. Rizzuti | from The Second Tour |
98 | 8_2 | Fiction | Allen Learst | Point Man |
99 | 8_2 | Interview | Christopher D. Campbell | Reading, Writing, and Going to War: An interview with Clyde Edgerton |
100 | 8_2 | Interview | Donald Anderson and Thomas G. Bowie, Jr. | A Conversation with W.D. Ehrhart |
101 | 9_1 | Critical Essay | Jim Colvert | Flying the Old Marauder Over Nazi Germany |
102 | 9_1 | Critical Essay | George Monteiro | Patriotism and Treason in A Farewell to Arms |
103 | 9_1 | Critical Essay | Ronald Smith | Nick Adams and Post-Traumatic Stress Disorder |
104 | 9_1 | Critical Essay | H. George Hahn | The Progress of Patriotism and Biography: The Battle of Trafalgar in Southey’s The Life of Nelson |
105 | 9_1 | Critical Essay | Sara Poole | Fact, Fable, and the Fantastic: Approaches to the Novel of War in the Francophone Literature of Algeria |
106 | 9_1 | Critical Essay | Douglas Sun | “Whatever Else, I’d Loved It There Too”: Persuasive Strategy in Michael Herr’s Dispatches |
107 | 9_1 | Critical Essay | Leslie Holland | The Bernard Fall Archives at the John F. Kennedy Library, Boston, MA |
108 | 9_1 | Critical Essay | John Getz | Healing the Soldier in White: Ceremony as War Novel |
109 | 9_1 | Critical Essay | Owen Brady | Blackness and the Unmanning of America in Dave Rabe’s Streamers |
110 | 9_1 | Fiction | James Hughes Meredith | Classics Revisited: Ambrose Bierce’s “Chickamauga” with Introduction |
111 | 9_1 | Poetry | Paul Elisha | Conversion |
112 | 9_1 | Poetry | Paul Elisha | Killing Time in Bosnia |
113 | 9_1 | Poetry | Paul Elisha | Paradox |
114 | 9_1 | Poetry | Paul Elisha | Remembering Leyte: “D” Day Quintennial-June 6, 1995 |
115 | 9_1 | Poetry | Tony Moffeit | not about war |
116 | 9_1 | Poetry | Maggie Jaffe | Degenerated Art Show 1937 |
117 | 9_2 | Special Focus Issue | W. D. Ehrhart | I Remember: Soldier-Poets of the Korean War |
118 | 9_2 | Special Focus Issue | W. D. Ehrhart | Foreword and Introductory Essay |
119 | 9_2 | Poetry | William Childress | Selected poems by William Childress |
120 | 9_2 | Poetry | Rolando Hinojosa | Selected poems by Rolando Hinojo |
121 | 9_2 | Poetry | James Magner Jr. | Selected poems by James Magner Jr. |
122 | 9_2 | Poetry | Reg Saner | Selected poems by Reg Saner |
123 | 9_2 | Poetry | William Wantling | Selected poems by William Wantling |
124 | 9_2 | Poetry | Keith Wilson | by Keith Wilson |
125 | 10_1 | Special Feature | David Haven Blake, Special Feature Editor | Richard Wilbur’s World War II Poetry |
126 | 10_1 | Special Feature | Joseph T. Cox | Richard Wilbur: An Interview |
127 | 10_1 | Special Feature | Richard Wilbur | Italy: Maine |
128 | 10_1 | Special Feature | John Lancaster and Jack W. C. Hagstrom | Richard Wilbur’s Early Writing: Amherst College and World War II |
129 | 10_1 | Special Feature | Joseph T. Cox | “Versifying in Earnest”: Richard Wilbur’s War and His Poetry |
130 | 10_1 | Special Feature | Jewel Spears Brooker | Mind and World in Richard Wilbur’s War Poetry |
131 | 10_1 | Poetry | Carolyn Forché | The Colonel |
132 | 10_1 | Poetry | John Gery | Lie #5: That Babe Ruth Pointed Out That Famous Homer |
133 | 10_1 | Poetry | John Gery | On the News of Our Foreign Intervention |
134 | 10_1 | Poetry | Tia Ballantine | A State of Grace in Another War Zone |
135 | 10_1 | Poetry | Bill Lantry | Dien Bien Phu |
136 | 10_1 | Poetry | Rachel Loden | Clueless in Paradise |
137 | 10_1 | Poetry | Halvard Johnson | Etudes |
138 | 10_1 | Poetry | Halvard Johnson | American’s Playing Slow-Pitch Softball at an Airbase Near Kunsan, South Korea |
139 | 10_1 | Poetry | Ana Doina | End of a Century |
140 | 10_1 | Poetry | R. S. Carlson | Footnote and Detail |
141 | 10_1 | Poetry | Beth Simon | Brian Explains His Anniversary |
142 | 10_1 | Poetry | Daryl Bach | Verdun |
143 | 10_1 | Poetry | Colin Morton | Women on Her Way to Market |
144 | 10_1 | Poetry | Gwyn McVay | Entering War, Being Literal |
145 | 10_1 | Artwork | Maggie Jaffe | “The Camera is a Shield”: John Hoagland, Combat Photographer |
146 | 10_1 | Special Feature | Thomas G. McGuire, Special Feature Editor | A Conversation with Paul West |
147 | 10_1 | Special Feature | Paul West | Three Fictions |
148 | 10_1 | Special Feature | Thomas G. McGuire | The Face(s) of War in Paul West’s Fiction |
149 | 10_1 | Critical Essay | Verner D. Mitchell | Accommodation and Resistance in Lt. Henry Ossian Flipper’s The Colored Cadet at West Point(1878) |
150 | 10_1 | Critical Essay | Don Zimmerman | When Hamlet Meets the Bomb: The Poetry and Criticism of John Gery |
151 | 10_1 | Critical Essay | Ann Reagan | The French Connection or How “Figaro” Saved the American Revolution |
152 | 10_1 | Critical Essay | Paul R. Cappucci | Depicting the Oblique: Emily Dickinson’s Poetic ResponseTo the American Civil War |
153 | 10_1 | Personal Essay | Jessie Gatlin | A-Bomb, a recollection |
154 | 10_1 | Personal Essay | William R. Weir | Public Information, a memoir |
155 | 10_1 | Fiction | Don Kunz | Missing |
156 | 10_1 | Recall Roster | D. A. Boxwell | Mary Borden, The Forbidden Zone, published in 1929 |
157 | 10_2 | Introduction | Thomas G. Bowie, Jr. | This Thing Called Vietnam |
158 | 10_2 | Special Feature | Verner D. Mitchell | Remembering Tet: A Conversation with Vietnam War Veteran Poets |
159 | 10_2 | Poetry | D. F. Brown | Poetry |
160 | 10_2 | Poetry | W. D. Ehrhart | Poetry |
161 | 10_2 | Poetry | Dale Ritterbusch | Poetry |
162 | 10_2 | Poetry | John Balaban | Poetry |
163 | 10_2 | Poetry | Will Hochman | Poem Still Burning: A note for “The Teeth Mother Naked at Last” by Robert Bly |
164 | 10_2 | Poetry | Robert Bly | The Teeth Mother Naked at Last |
165 | 10_2 | Poetry | Philip Appleman | “I Sing of Arms and the Man” introductory essay |
166 | 10_2 | Poetry | Philip Appleman | Five Poems, from Open Doorways |
167 | 10_2 | Artwork | John Wolfe | A Different Species of Time, introductory essay |
168 | 10_2 | Artwork | John Wolfe | Artwork |
169 | 10_2 | Critical Essay | Donald Anderson | War, Memory, Imagination |
170 | 10_2 | Critical Essay | Alfred Kern | Humanities at the Hanoi Hilton |
171 | 10_2 | Critical Essay | Maureen Ryan | Pentagon Princess and Wayward Sister: Vietnam POW Wives in American Literature |
172 | 10_2 | Critical Essay | Elizabeth A. Muenger | Surviving the Hanoi Hilton |
173 | 10_2 | Critical Essay | Catherine Calloway | “He’s not my son anymore!”: The Returning Veteran in Robert Bausch’s On the Way Home |
174 | 10_2 | Critical Essay | Tran Van Dinh | A Lotus of Everlasting Fragrance: Nguyen Trai, 1380-1442 |
175 | 10_2 | Critical Essay | William J. Searle | Dissident Voices: The NVA Experience in Novels by Vietnamese |
176 | 10_2 | Critical Essay | Edward F. Palm | Bringing the War Home to the “Holler”: Teaching Vietnam for “Core” and Country |
177 | 10_2 | Critical Essay | Christopher D. Campbell | Conversation Across a Century: The War Stories of Ambrose Bierce and Tim O’Brien |
178 | 10_2 | Critical Essay | Farrell O’Gorman | The Things They Carried as Composite Novel |
179 | 10_2 | Personal Essay | Jeff Loeb | Epiphany in Memphis |
180 | 10_2 | Fiction | Terry P. Rizzuti | from Show Time |
181 | 10_2 | Fiction | Robert MacGowan | from The Indochina Safari |
183 | 10_2 | Interview | Jack M. Shuttleworth | A Conversation with Fredrick Kiley, co-author of Honor Bound: American Prisoners of War in Southeast Asia, 1961-1973 |
184 | 11_1 | Introduction | D.A. Boxwell | “The Middle Generation” of American Poetry: Wars in the Private and Public Realms |
185 | 11_1 | Special Feature | Steven Gould Axelrod | The Middle Generation and WWII: Jarrell, Shapiro, Brooks, Bishop, Lowell |
186 | 11_1 | Special Feature | Lorrie Goldensohn | Randall Jarrell’s War |
187 | 11_1 | Special Feature | Thomas Travisano | Wars Civil and Uncivil: Family, Culture, and the Child in Lowell’s Poetry |
188 | 11_1 | Special Feature | Sandra Barry | Elizabeth Bishop and World War I |
189 | 11_1 | Special Feature | Gary Fountain | “Blinking My Flashlight Off and On”: Elizabeth Bishop’s Internal Battlefield |
190 | 11_1 | Special Feature | Camille Roman | Washington DC, 1949-1950: Bishop on WWII and The Cold War |
191 | 11_1 | Special Feature | George Monteiro | Poets On The Bomb |
192 | 11_1 | Fiction | Robert Morgan | The Welcome |
193 | 11_1 | Poetry | Wendy Bishop | Soliloquy: An American Bride Remembers Japan |
194 | 11_1 | Poetry | Wendy Bishop | V-Mail |
195 | 11_1 | Poetry | Wendy Bishop | Souvenirs |
196 | 11_1 | Poetry | H. Palmer Hall | The Collector |
197 | 11_1 | Poetry | H. Palmer Hall | Had We A History |
198 | 11_1 | Poetry | Jennifer Wheelock | Why I Am Not A Saint |
199 | 11_1 | Poetry | Paul Woodruff | Where The Tune Was Going |
200 | 11_1 | Poetry | Keith Wilson | The Seventh Wave |
201 | 11_1 | Poetry | Ana Doina | Archeology |
202 | 11_1 | Poetry | Marianne Poloskey | Hate |
203 | 11_1 | Poetry | Marianne Poloskey | Buildings |
204 | 11_1 | Poetry | Jacqueline St. Joan | Glenn Miller Was Missing |
205 | 11_1 | Poetry | William Childress | Paratroopers’ Night Out |
206 | 11_1 | Critical Essay | D. Melissa Hilbish | Advancing in Another Direction: The Comic Book and The Korean War |
207 | 11_1 | Critical Essay | Jon Volkmer | Telling the “Truth” about Vietnam: Episteme and Narrative Structure in The Green Berets and The Things They Carried |
208 | 11_1 | Critical Essay | Carl S. Horner | Challenging the Law of Courage and Heroic Identification in Tim O’Brien’s If I Die in a Combat Zone and The Things They Carried |
209 | 11_1 | Critical Essay | R.J. Fertel | Vietnam War Narratives and Myth of the Hero |
210 | 11_1 | Critical Essay | Dermot McCarthy | The Limits of Irony: The Chronillogical World of Martin Amis’ Time’s Arrow |
211 | 11_1 | Commentary | Thomas G. Bowie, Jr. | Dereliction of Duty or the Wrong War?: Learning the Lessons of Vietnam |
212 | 11_2 | Artwork | William Schaff | Ashes: Art Inspired by the Holocaust |
213 | 11_2 | Artwork | William Schaff | A Conversation with William Schaff |
214 | 11_2 | Personal Essay | Paul West | A Boy's Blitz |
215 | 11_2 | Personal Essay | Karl Lindholm | Dickie,Nick,Varsity Jim, and Bye-Bye: Teaching a true war Story |
216 | 11_2 | Personal Essay | Edward W. Wood, Jr. | Revisiting My Memoir: On Being Wounded |
217 | 11_2 | Personal Essay | Bruce Guernsey | Doublemint |
218 | 11_2 | Personal Essay | Travis Burton | Time In-Country |
219 | 11_2 | Personal Essay | Tom Wolf | From Ice Crusaders: A Memoir of Cold War and Cold Sport |
220 | 11_2 | Poetry | Elaine Bander | On the Western Front |
221 | 11_2 | Poetry | Lyn Lifshin | Nine Poems |
222 | 11_2 | Fiction | Michael John O'Donnel | Rifleboy |
223 | 11_2 | Fiction | Erik Jung | Behind the Lens: A Correspondent's Journey Through Vietnam |
224 | 11_2 | Fiction | Alex Vernon | Desert Farewell |
225 | 11_2 | Critical Essay | Janis P. Stout | The Making of Willa Cather's One of Ours: The Role of Dorothy Canfield Fisher |
226 | 11_2 | Critical Essay | Sean M. Braswell | War Stories: "Truth" and Particulars |
227 | 11_2 | Critical Essay | Ed Sikov | Billy Wilder's World War II |
228 | 11_2 | Interview | Will Harris | Remembering Heaven's Face: An Interview with John Balaban |
229 | 11_2 | Interview | Kathi A. Vosevich | Conversations with Joseph Heller |
230 | 11_2 | Interview | Donald Anderson | Visions of War, Dreams of Peace: A Conversation with Joan A. Furey |
231 | 11_2 | Commentary | Donald Anderson | Vietnam and Korea: W.D. Erhart's Continuing Journey |
232 | 11_2 | Commentary | Thomas G. Bowie, Jr. | Still Counting the Days of Our Longest War |
233 | 11_2 | Commentary | D.A. Boxwell | Recall Roster: The World My Wilderness |
234 | 11_2 | Reviews | Books | Understanding the Literature of WWII: A Student Casebook |
235 | 11_2 | Reviews | Books | Black Hawk Down: A Story of Modern War |
236 | 11_2 | Reviews | Books | The Vietnam War and Postmodernity |
237 | 11_2 | Reviews | Books | Forging the Sword: Selecting, Educating, and Training Cadets and Junior Officers in the Modern World |
238 | 11_2 | Reviews | Books | Loving Arms: British Women Writing the Second World War |
239 | 11_2 | Reviews | Books | British Women Writers of the WWII: Battlegrounds of Their Own |
240 | 11_2 | Reviews | Books | The Eyes of Orion: Five Tank Lieutenants in the Persian Gulf War |
241 | 12_1 | Personal Essay | Doug Heckman | Quarry |
242 | 12_1 | Personal Essay | William Newmiller | The War I Didn't Worry About |
243 | 12_1 | Poetry | Joseph T. Cox | Purple Hearts |
244 | 12_1 | Poetry | Paul Elisha | Four Poems |
245 | 12_1 | Invited Lecture | Philip Caputo | Goodnight, Saigon: Lecture at the United States Air Force Academy |
246 | 12_1 | Invited Lecture | Robert Morgan | Hemingway and the True Poetry of War: Keynote Address at the United States Air Force Academy |
247 | 12_1 | Fiction | Paul West | Hitlers Pianist and Other Portraits |
248 | 12_1 | Critical Essay | John Mark Mattox | Henry V: Shakespeare's Just Warrior |
249 | 12_1 | Critical Essay | W. D. Ehrhart | Howard Fast's "Korean Litany" |
250 | 12_1 | Critical Essay | Tracy E. Bilsing | The process of Manafacture: Rudyard Kipling's Private Propaganda |
251 | 12_1 | Critical Essay | Katherine Kinney | Cold Wars: Black Soldiers in Liberal Hollywood |
252 | 12_1 | Critical Essay | Subarno Chattarji | Representations of Vietnam in some poems of John Balaban, Kevin Bowen, and Bruce Weigl |
253 | 12_1 | Interview | Neiberg, Bowie, and Anderson | Philip Caputo: A Rumor of War. A conversation with Philip Caputo at 58 |
254 | 12_1 | Commentary | D.A. Boxwell | Kulturkampf, Now and Then |
255 | 12_1 | Reviews | Books | Doing Time: 25 Years of Prison |
256 | 12_1 | Reviews | Books | Writing: A Pen American Center Prize Anthology |
258 | 12_1 | Reviews | Books | The Coming Anarchy: Shattering the Dreams of the Post-Cold War |
259 | 12_1 | Reviews | Books | The Book of War: Twenty-five |
260 | 12_1 | Reviews | Books | Centuries of Great War Writing |
261 | 12_1 | Reviews | Books | Scenes From the End: The Last Days of World War II in Europe |
262 | 12_1 | Reviews | Books | Literature at War: 1914-1940: |
263 | 12_1 | Reviews | Books | Representing the "Time of Greatness" in Germany |
264 | 12_1 | Reviews | Books | Hart’s War |
265 | 12_2 | Invited Lecture | Reg Saner | Soldier, Poets, a Gadfly, and the Long Haired Persian |
266 | 12_2 | Artwork | Ted Engelmann | A Photo Essay |
267 | 12_2 | Poetry | Reg Saner | Wake Me |
268 | 12_2 | Poetry | David Keplinger | Memorial Concert on a Sloped Clearing |
270 | 12_2 | Personal Essay | Bill Wallisch | In the Belly of the Whale |
271 | 12_2 | Personal Essay | Beth Taylor | Crossing the Line: Finding Butch |
272 | 12_2 | Personal Essay | David Lawrence | Alive and well and Behind Enemy Lines |
273 | 12_2 | Personal Essay | Robert E Gajdusek | From Resurrection: A War Journey |
274 | 12_2 | Interview | David Keplinger | On Bruce Weigl: Finding a Shape for the Litany of Terror |
275 | 12_2 | Fiction | Thomas Bonner, Jr. | Nurse |
276 | 12_2 | Fiction | Art Grillo | We Do Normandy |
277 | 12_2 | Fiction | Don Kunz | Rehearsing for Vietnam |
278 | 12_2 | Commentary | Brian Hanley | Writing Lives, not Histories: Geoffrey Perret's Eisenhower and the Art of Biography |
279 | 12_2 | Commentary | Edward W Wood | On Judging Worlad War Two: The Greatest Generation? |
280 | 12_2 | Critical Essay | David J Piwinski | My Lai, Flies, and Beelzebub in Tim O'Brien's In the Lake of the Woods |
281 | 12_2 | Critical Essay | Benjamin F. Fisher | The Red Badge of Courageunder British Spotlights Again |
282 | 12_2 | Critical Essay | W.D. Ehrhart | Setting the Record Straight on William Wantling |
283 | 12_2 | Reviews | Books | The GI Generation: A Memoir |
284 | 12_2 | Reviews | Books | The Greatest Generation Speaks |
285 | 12_2 | Reviews | Books | Zone of the Interior: A Memoir, 1942-1947 |
286 | 12_2 | Reviews | Books | Her War Story: Twentieth-Century Women Write about War |
287 | 12_2 | Reviews | Books | Hiroshima Traces: Time, Space, and the Dialectics of Memory |
288 | 12_2 | Reviews | Books | The First World War and Popular Cinema: 1914 to the Present |
289 | 12_2 | Reviews | Books | What Should We Tell Our Children About Vietnam? |
290 | 12_2 | Reviews | Books | War, Technology, and Experience Aboard the USS Monitor |
291 | 12_2 | Reviews | Books | Singing the New Nation: How Music Shaped the Confederacy, 1861-1865 |
292 | 12_2 | Reviews | Books | The Medic: Life and Death in the Last Days of World War II |
293 | 12_2 | Poetry | Will Hochman | Ten Poets, Selected |
294 | 13_1-2 | Memoir | Alvord White Clements | Introduction to “A Civil War Memoir” |
295 | 13_1-2 | Memoir | Isaac N. Clements | A Civil War Memoir |
296 | 13_1-2 | Memoir | Charles Cameron Cate | My Father’s Memoir of World War I |
297 | 13_1-2 | Memoir | Clifton J. Cate | A Soldier’s Memoir of World War I |
298 | 13_1-2 | Art | Samuel Bak | The Art of Samuel Bak |
299 | 13_1-2 | Fiction | Paul West | By the Waters of Wannsee |
300 | 13_1-2 | Fiction | Christopher Tomlinson | The Lieutenant’s Box |
301 | 13_1-2 | Fiction | Doug Heckman | Rossi’s Girl |
302 | 13_1-2 | Fiction | Ivan Prashker | Van |
303 | 13_1-2 | Fiction | Joan Fox | Angelfire |
304 | 13_1-2 | Fiction | John Sullivan | Ponytail |
305 | 13_1-2 | Fiction | Mark Burgh | Claire de lune |
306 | 13_1-2 | Fiction | Rob Roensch | Veterans’ Day |
307 | 13_1-2 | Fiction | Robert E. Skinner | Labor Day 1973: An Episode of War |
308 | 13_1-2 | Fiction | Robert MacGowan | Two Fictions from The Boatman’s Story |
309 | 13_1-2 | Fiction | Scott Tinley | A Killing Tale |
310 | 13_1-2 | Poetry | Biljana D. Obradovic' | Evil Omens: On the Four Nines’ Day |
311 | 13_1-2 | Poetry | Bruce Guernsey | Two Poems |
312 | 13_1-2 | Poetry | Carole Boston Weatherford | Three Poems |
313 | 13_1-2 | Poetry | Cynthia Harper | Dancing the Tango |
314 | 13_1-2 | Poetry | Dale Ritterbusch | Two Poems |
315 | 13_1-2 | Poetry | Dana Sonnenschein | Two Poems |
316 | 13_1-2 | Poetry | D.F. Brown | Even the Spoon is a Weapon |
317 | 13_1-2 | Poetry | Elisha Porat | To Die at the Springs of El-Hamma |
318 | 13_1-2 | Poetry | John Gery | Five Poems |
319 | 13_1-2 | Poetry | John Gilgun | First War Death |
320 | 13_1-2 | Poetry | John Struloeff | Knee-Deep in the Pacific |
321 | 13_1-2 | Poetry | Julie Suk | La Dolce Vita |
322 | 13_1-2 | Poetry | Michael Waters | Two Poems |
323 | 13_1-2 | Poetry | Philip Parotti | Radar Contacts off Da Nang |
324 | 13_1-2 | Poetry | R.G. Cantalupo | Stopped at a Light |
325 | 13_1-2 | Poetry | Vivian Shipley | Five Poems |
326 | 13_1-2 | Poetry | W.D. Ehrhart | Sleeping with the Dead |
327 | 13_1-2 | Critical Essay | Carol Acton | Dangerous Daughters: American Nurses and Gender Identity in World War One and Vietnam |
328 | 13_1-2 | Critical Essay | C. Kenneth Pello | Analogy in Regeneration |
329 | 13_1-2 | Critical Essay | John Bowers | Bearing Witness to Story: The Before and After in Bruce Weigl’s The Circle of Hanh |
330 | 13_1-2 | Critical Essay | William J. Searle | Women, Vietnamese, Other: The Depiction of Women in Vietnamese Short Fiction |
331 | 13_1-2 | Personal Essay | Adam McKeown | The Story of Jim Day |
332 | 13_1-2 | Personal Essay | Bruce Guernsey | Digging to America |
333 | 13_1-2 | Personal Essay | Dang T. Le | Story of my Family |
334 | 13_1-2 | Personal Essay | Joseph T. Cox | Notes from Ban Me Thuot |
335 | 13_1-2 | Personal Essay | R.G. Cantalupo | from The Light Where Shadows End |
336 | 13_1-2 | Commentary | Tran Van Dinh | The Cleansing Power of Poetry |
337 | 13_1-2 | Reviews | Books | Reviews |
338 | 14_1-2 | Memoir | R.G. Cantalupo | from The Light Where Shadows End |
339 | 14_1-2 | Artwork | Pam Chadick | In Pulverem Reverteris An Encounter with the Paintings of Samuel Bak |
340 | 14_1-2 | Artwork | Samuel Bak | The Paintings of Samuel Bak |
341 | 14_1-2 | Fiction | Jack Vian | American Triptych: War |
342 | 14_1-2 | Fiction | Ron Sandvik | Killer Karl Krupp |
343 | 14_1-2 | Fiction | Kirk Curnutt | Etude and Bell Tower |
344 | 14_1-2 | Poetry | Will Hochman | Eighteen Poets, Selected by Will Hochman |
345 | 14_1-2 | Critical Essay | David Kramer | "Infirm Soldiers in the Cuban War of Theodore Roosevelt and Richard Harding Davis" |
346 | 14_1-2 | Critical Essay | Kevin Grauke | Vietnam, Survivalism, and the Civil War: The Use of History in Michael |
347 | 14_1-2 | Critical Essay | Laurence Goldstein | "The Imagination Problem": Winfield Townley Scott and the American Wars |
348 | 14_1-2 | Critical Essay | W Brett Wiley | Cathcart and the Magazine |
349 | 14_1-2 | Critical Essay | Nancy Sloan Goldberg | Women, War, and H. G. Wells: The Pacifism of French Playwright Marie Lenéru |
350 | 14_1-2 | Critical Essay | Rodney P. Rice | Group Man Goes to War: Elements of Propaganda in John Stenbeck's Bombs Away |
351 | 14_1-2 | Critical Essay | Tim Blackmore | Hot For War: Jerry Pournelle and David Drake’s Regendered Battlefield |
352 | 14_1-2 | Critical Essay | Philip Beidler | Viet Pulp |
353 | 14_1-2 | Critical Essay | Maureen Ryan | Woodstock Nation: The Vietnam Antiwar Movement in Postwar American Fiction |
354 | 14_1-2 | Critical Essay | Adrian Hunter | Obscured Hurts: The Civil War Writing of Henry James and Ambrose Bierce |
355 | 14_1-2 | Critical Essay | Sara Martin | The Spirit of World War I: Patricia Anthony’s Fland |
356 | 14_1-2 | Personal Essay | Josh Sopiarz | Learning About War |
357 | 14_1-2 | Personal Essay | Benjamin Hanson | Parsons’ Lips |
358 | 14_1-2 | Commentary | Don Kunz | Barry Levinson’s Good Morning, Vietnam |
359 | 14_1-2 | Commentary | Susan O'Neill | The Song of the Pawn |
360 | 14_1-2 | Commentary | Will Harris | Vietnam: A Traveler’s Literary Companion |
361 | 14_1-2 | Editors Choice | Donald Anderson | A Memory of War, by Frederick Busch |
362 | 14_1-2 | Reviews | Books | The Hill Fights |
363 | 15_1-2 | From The Editors Desk | Donald Anderson | On the occasion of the
15th Anniversary of
War, Literature & the Arts |
364 | 15_1-2 | Memoir | Perry D. Luckett | from Tempered Steel:Charles L. Byler Colonel James H |
365 | 15_1-2 | Artwork | Laura Cario | Regarding the O’Brien Paintings |
366 | 15_1-2 | Artwork | Brandon Lingle (2.2m) | Golden Elbow Reflections |
367 | 15_1-2 | Fiction | George Bandy | The Bread Watcher |
368 | 15_1-2 | Fiction | Kim Chinquee | Service |
369 | 15_1-2 | Fiction | Alexander Blackburn | The Physicist |
370 | 15_1-2 | Fiction | Sam Halpert | The Best Day I Ever Had |
371 | 15_1-2 | Fiction | Kathleen Toomey Jabs | The Captain’s Daughter |
372 | 15_1-2 | Fiction | Joseph Hullett | Two Stories |
373 | 15_1-2 | Fiction | Leonard Costopoulos | Setting an Example |
374 | 15_1-2 | Poetry | Ellen Bass | Pray for Peace |
375 | 15_1-2 | Poetry | Elaine Bander | Honourable Discharge |
376 | 15_1-2 | Poetry | Thomas G. Palaima | “As Told to Wallace Terry” |
377 | 15_1-2 | Poetry | Dale Ritterbusch | The Air Force Plays Baseball near the South China Sea |
378 | 15_1-2 | Poetry | Joseph T. Cox | Fathers and Sons |
379 | 15_1-2 | Poetry | Fintan L. Dooley | Tears and Wails: An Ode to the Survivor |
380 | 15_1-2 | Poetry | Laurence Goldstein | The Harlot Robed in War |
381 | 15_1-2 | Poetry | John Gilgun | War Economy |
382 | 15_1-2 | Interview | William Newmiller | A Real Good War Recollection and Conversation with Sam Halpert |
383 | 15_1-2 | Critical Essay | Steven P. Liparulo | “Incense and Ashes”: The Postmodern Work of Refutation in Three Vietnam War Novels |
384 | 15_1-2 | Critical Essay | Christina Jarvis | The Vietnamization of World War II in Slaughterhouse-Five and Gravity’s Rainbow |
385 | 15_1-2 | Critical Essay | Mark D. Noe | WASPs and Other Pilots: Historical Context in Censored on Final Approach |
386 | 15_1-2 | Critical Essay | Michael C. Scoggins | Joseph Heller’s Combat Experiences in Catch-22 |
387 | 15_1-2 | Critical Essay | S. P. MacKenzie | Victory from Defeat: The War Office and the making ofDunkirk (Ealing Films, 1958) |
388 | 15_1-2 | Critical Essay | Mimi Reisel Gladstein | Mr. Novelist Goes to War: Hemingway and Steinbeck as Front-line Correspondents |
389 | 15_1-2 | Personal Essay | Paul West | The Light Militia of the Lower Air |
390 | 15_1-2 | Personal Essay | Erica Caldwell | Books, Battle, Butterfly Weed |
391 | 15_1-2 | Personal Essay | Martin Naparsteck | Having Been to War |
392 | 15_1-2 | Personal Essay | David M. Berman | Calling The Wandering Souls:a journey through the heartland of ethnic cleansing |
393 | 15_1-2 | Personal Essay | José J. Barrera | No Man’s Land |
394 | 15_1-2 | Commentary | Glenn Leinbach | Critical Thought and the Culture of the Fighter Pilot |
395 | 15_1-2 | Commentary | Glenn Dayley | Familiar Ghosts, New Voices: Tim O’Brien’s July, July |
396 | 15_1-2 | Commentary | Benjamin F. Jones | Looking for Bernard Knox: Wa r r i o r, Ancient and Modern |
397 | 15_1-2 | Recall Roster | D.A. Boxwell | Company K |
398 | 15_1-2 | Editors Choice | James H. Meredith | The Immensity of the Here and Now |
399 | 15_1-2 | Reviews | Books | Great War History, Great War Myth: Brian Bond's Unquiet Western Front and the Role of Literature and Film |
400 | 16_1-2 | From The Editors Desk | Donald Anderson | |
401 | 16_1-2 | Memoir | WJ ‘Jim’ Hunter | From Coastal Command to Captivity, introduced by Allan Hunter |
402 | 16_1-2 | Memoir | Major Richard C. Sater | Notes from a Journal: Afghanistan, 11 Sept 2003-7 Apr 2004 |
403 | 16_1-2 | Fiction | Ron Sandvik | Falling With Style: The 17th Draft of a Videoplay to be Produced Upon My Death and Played For My Children |
404 | 16_1-2 | Fiction | Gary Mills | from At All Costs |
405 | 16_1-2 | Fiction | Wayne Karlin | The American Reader |
406 | 16_1-2 | Fiction | Tim Parrish | Orderly |
407 | 16_1-2 | Fiction | Terry P. Rizzuti | Willis |
408 | 16_1-2 | Fiction | Lucy Bucknell | The Kite |
409 | 16_1-2 | Fiction | Melinda Braun | The Cost of Living |
410 | 16_1-2 | Fiction | Pam Ullman | No Safe Distance |
411 | 16_1-2 | Poetry | Dale Ritterbusch | Three Poems |
412 | 16_1-2 | Poetry | Dana Gioia | Four Poems |
413 | 16_1-2 | Poetry | Mary Elizabeth Lang | Two Poems |
414 | 16_1-2 | Poetry | Kyle Torke | Two Poems |
415 | 16_1-2 | Poetry | Thomas Dukes | Writing Daddy |
416 | 16_1-2 | Poetry | Suzanne R. Thurman | Point of View |
417 | 16_1-2 | Poetry | Marlene Hanna | Quicksand |
418 | 16_1-2 | Poetry | Paula Panzarella | Desert Rose |
419 | 16_1-2 | Poetry | Jeffrey C. Alfier | Paleo Warrior at Blackwater Draw |
420 | 16_1-2 | Poetry | Rawdon Tomlinson | Two Poems |
421 | 16_1-2 | Poetry | Shelley W. Moore | The First Woman Marine |
422 | 16_1-2 | Poetry | Jim Simmerman | At the Peace March |
423 | 16_1-2 | Critical Essay | Jackson A. Niday, II | A Rhetoric of Trauma in 9-11 Stories: A Critical Reading of Ulrich Baer’s 110 Stories |
424 | 16_1-2 | Critical Essay | Edward Gillin Joshua | Lawrence Chamberlain and the Old Soldier of The Country of the Pointed Firs |
425 | 16_1-2 | Critical Essay | Dorlea Rikard | Patriotism, Propaganda, Parody, and Protest: The Music of Three American Wars |
426 | 16_1-2 | Critical Essay | Marcia Phillips McGowan | “A Nearer Approach to the Truth”: Mary Borden’s Journey Down a Blind Alley |
427 | 16_1-2 | Critical Essay | Casey Clabough | Confronting Traumatic Anxiety: William Manchester’s Goodbye, Darkness |
428 | 16_1-2 | Critical Essay | Mark Dollar | Ghost Imagery in the War Poems of Siegfried Sassoon |
429 | 16_1-2 | Personal Essay | Jeff Loeb | Brisance |
430 | 16_1-2 | Commentary | W.D. Ehrhart | Carrying the Ghost of Ray Catina |
431 | 16_1-2 | Commentary | Glenn Leinbach | Ed Wood: Wounds, War, and Friendship |
432 | 16_1-2 | Commentary | Lori A. Davis Perry | Women at the Front: American Nurses |
433 | 16_1-2 | Recall Roster | Dana Gioia | This Man’s Army by John Allan Wyeth, Jr. |
434 | 16_1-2 | Editor's Choice | Lori A. Davis Perry | Brave Enemies by Robert Morgan |
435 | 16_1-2 | Reviews | Books | Books |
436 | 17_1-2 | Special Feature | William Newmiller | The Navajo Code Talkers and Their Photographer |
437 | 17_1-2 | The Image of a Hero | Will Wright & Carl Pletsch | Introduction |
438 | 17_1-2 | The Image of a Hero | Aaron B. O’Connell | Saving Private Lynch:A Hyperreal Hero in an Age of Postmodern Warfare |
439 | 17_1-2 | The Image of a Hero | Tracy Santa | Drug/War: Anthony Loyd and the Hero(in) in Bosnia |
440 | 17_1-2 | The Image of a Hero | Andreas Michel | Heroes and Taboos: The Expansion of Memory in Contemporary Germany |
441 | 17_1-2 | The Image of a Hero | Richard W. Lemp | Comic Metamorphosis of the (Anti) Hero in Roch Carrier’s WWII Novels |
442 | 17_1-2 | The Image of a Hero | James L. Cook | Reproaching the Military Hero Sans Peur |
443 | 17_1-2 | The Image of a Hero | Robert W. Burns | "More Frail and Moral": The Wound of Fear in Philip Caputo's In the Forestof the Laughing Elephant |
444 | 17_1-2 | The Image of a Hero | Nadine Gingrich | “Every Man Who Dies, Dies for You and Me. See You Be Worthy”: The Image of the Hero as Rhetorical Motivation in Unofficial War Propaganda, 1914-1918 |
445 | 17_1-2 | The Image of a Hero | Donald E. English | French Photographic Images of the Hero during World War One |
446 | 17_1-2 | Translations | Thomas McGuire | Friends from Other Wars:Four Transcreative Translations |
447 | 17_1-2 | Fiction | Karen T. Hartline | Under Dead |
448 | 17_1-2 | Fiction | M. M. M. Hayes | Lay of the Land |
449 | 17_1-2 | Poetry | Karen Head | Bad Girls, 1979 |
450 | 17_1-2 | Poetry | Robert Lunday | In Praise of Babel |
451 | 17_1-2 | Poetry | D.F. Brown | Three Poems |
452 | 17_1-2 | Poetry | Rachel Vigil | Three Poems |
453 | 17_1-2 | Poetry | W. D. Ehrhart | Coaching Winter Track in Time of War |
454 | 17_1-2 | Poetry | Joseph T. Cox | First Snow Fort Wayne |
455 | 17_1-2 | Poetry | Marianne Poloskey | Three Poems |
456 | 17_1-2 | Poetry | Cyra S. Dumitru | Two Poems |
457 | 17_1-2 | Critical Essay | Alfred Kern | About Literary Wars |
458 | 17_1-2 | Critical Essay | Paul R. Cappucci | Down from the Crow’s Nest: Herman Melville’s Battle-Pieces and Aspects of the War |
459 | 17_1-2 | Critical Essay | Karsten H. Piep | War as Proletarian Bildungsroman in Upton Sinclair’s Jimmie Higgins |
460 | 17_1-2 | Critical Essay | Carla A. Fellers | “What a Wonderful World”: The Rhetoric of the Official and the Unofficial in Good Morning, Vietnam |
461 | 17_1-2 | Critical Essay | Bernard von Bothmer | Oliver Stone’s JFK: Political Assassination, Kennedy, and Vietnam |
462 | 17_1-2 | Critical Essay | Kevin Foster | Disappearing Acts: Remembering the Victims of the Dirty War |
463 | 17_1-2 | Critical Essay | Susanne Vees-Gulani | Troubled Memories:Posttraumatic Stress, German Writers, and the Bombings of World War Two |
464 | 17_1-2 | Personal Essay | Bruce Guernsey | Nobody’s Home |
465 | 17_1-2 | Personal Essay | Candace Black | Professional Vet |
466 | 17_1-2 | Personal Essay | Josh Sopiarz | Homecoming |
467 | 17_1-2 | Commentary | Michael S. Neiberg | Mona Lisa’s Smile and the Writing of the Great War |
468 | 17_1-2 | Commentary | Morgan Harlow | Martian Legacy: Ray Bradbury’s The Martian Chronicles |
469 | 17_1-2 | Recall Roster | Jeffrey C. Alfier | Recall Roster |
470 | 17_1-2 | Editor's Choice | Lori A. Davis Perry | Leadership at Trafalgar |
471 | 17_1-2 | Reviews | Books | Books |
472 | 18_1-2 | From The Editors Desk | Donald Anderson | From the Editor’s Desk |
473 | 18_1-2 | Special Feature | Paul West | My Father at War |
474 | 18_1-2 | Special Feature | Gloria Emerson (1929–2004) | Rememberances by W.D. Ehrhart, Wayne Karlin, and John Balaban |
475 | 18_1-2 | Special Feature | William Newmiller | Voices |
476 | 18_1-2 | Artwork | Roy Haley | Afghanistan: A Photo Essay |
477 | 18_1-2 | Fiction | Robert MacGowan | Mama’s Boy |
478 | 18_1-2 | Poetry | Joseph T. Cox | Homecoming |
479 | 18_1-2 | Poetry | Dale Ritterbusch | Daisy Carbine Mantra |
480 | 18_1-2 | Poetry | Juan J. Morales | Three Poems |
481 | 18_1-2 | Poetry | Brian Turner | Three Poems |
482 | 18_1-2 | Poetry | Amanda Buchholz | Protesting Age |
483 | 18_1-2 | Poetry | Vivian Shipley | Three Poems |
484 | 18_1-2 | Poetry | R.G. Cantalupo | Letter to a Fiction Writer |
485 | 18_1-2 | Poetry | Charles Cantalupo and Ghirmai Negash | Two Translations |
486 | 18_1-2 | Poetry | Rochelle Mass | Rockaway Parkway and Rosh Ha’ayin |
487 | 18_1-2 | Poetry | John Bensko | Three Poems |
488 | 18_1-2 | Poetry | John Griswold | I Didn’t Know |
489 | 18_1-2 | Poetry | Patricia J. Mottola | Two Poems |
490 | 18_1-2 | Poetry | Jeffrey C. Alfier | The Wintering |
491 | 18_1-2 | Poetry | Jason W. Selby | Commandment |
492 | 18_1-2 | Poetry | Gerald McCarthy | Two Poems |
493 | 18_1-2 | Critical Essay | Clare Emily Clifford | “Before I Was Domesticated”: Delivering the Vietnam Moment in the Fatherhood Poetry of Bruce Weigl and John Balaban |
494 | 18_1-2 | Critical Essay | Michael Schaefer | “Heroes Had No Shame in Their Lives”: Manhood, Heroics, and Compassion in The Red Badge of Courage and “A Mystery of Heroism” |
495 | 18_1-2 | Critical Essay | Elizabeth Oldman | “Against such hellish mischief fit to oppose”: A Grotian Reading of Milton’s War in Heaven |
496 | 18_1-2 | Critical Essay | Jason S. Ridler | Depleting Humanity: Environment, Technology, and the Air War in V. M. Yeates’ Winged Victory |
497 | 18_1-2 | Critical Essay | Joseph Fruscione | “One Tale, One Telling”: Parallelism, Influence, and Exchange between Faulkner’s The Unvanquished and Hemingway’s For Whom the Bell Tolls |
498 | 18_1-2 | Personal Essay | Scott Tinley | In search of the last protestor, approximately |
499 | 18_1-2 | Personal Essay | Jason Armagost | Things to Pack When You’re Bound for Baghdad |
500 | 18_1-2 | Personal Essay | William Childress | A Poet Remembers Korea |
501 | 18_1-2 | Personal Essay | Wayne Karlin | Wandering Souls |
502 | 18_1-2 | Commentary | Steven W. McCarty | Southern Magnolias |
503 | 18_1-2 | Commentary | Thomas McGuire | The Flow of War, Suffering and Time Measured in the River-Run of Dale Ritterbusch’s Lyric Poetry |
504 | 18_1-2 | Commentary | Alex Vernon | War’s Return |
505 | 18_1-2 | Commentary | Jesse Gatlin | The Atomic Times |
506 | 18_1-2 | Commentary | Keith R. Herrmann | The War of Words |
507 | 18_1-2 | Editor's Choice | Lori A. Davis Perry | Henry V Before Shakespeare |
508 | 18_1-2 | Reviews | Books | Reviews |
509 | 19_1-2 | Special Feature | Dale Ritterbusch with Jackson A. Niday, II | Nine Poems, followed by Democracyand Literature: A Conversation |
510 | 19_1-2 | Special Feature | Marnie Warren | “As I write this, I am crying”: Children’s Letters to Iraq |
511 | 19_1-2 | Artwork | Benjamin Busch | The Art in War |
512 | 19_1-2 | Artwork | Stanley Horowitz | Renditions |
513 | 19_1-2 | Fiction | David Buchanan | Third Country Nationals |
514 | 19_1-2 | Fiction | Anthony Bukoski | Report of the Guardian of the Sick |
515 | 19_1-2 | Book Excerpt | Michael Sledge | from Soldier Dead: How We Recover, Identify, Bury, and Honor Our Military Fallen |
516 | 19_1-2 | Memoir | Ron Sandvik “Panamax,” | from Four Strings, Four Bullets |
517 | 19_1-2 | Poetry | William Childress | Two Poems |
518 | 19_1-2 | Poetry | Rob Jacques | Two Poems |
519 | 19_1-2 | Poetry | Sofia Starnes | Anemones |
520 | 19_1-2 | Poetry | Brian C. Felder | Looking for Bill Gray |
521 | 19_1-2 | Poetry | Amy Nawrocki | Broken Treaties |
522 | 19_1-2 | Poetry | Josh Burgess | Three Poems |
523 | 19_1-2 | Poetry | Noel Crook | War Photo |
524 | 19_1-2 | Poetry | John Balaban | For John Haag, Logger, Sailor, Housepainter, Poet, Professor, and Grower of Orchids |
525 | 19_1-2 | Poetry | David Keplinger | The Lamp and the Mirror |
526 | 19_1-2 | Poetry | Thomas McGuire | Garden Plots |
527 | 19_1-2 | Critical Essay | Leslie A. Werden | Memories of Yesterday and Tomorrow: Familial Legacies in Titus and All My Sons |
528 | 19_1-2 | Critical Essay | Jason S. Ridler | War in the Precious Graveyard: Death through the Eyes of Guy Sajer |
529 | 19_1-2 | Critical Essay | Matthew B. Hill | The Dream from Which No One Wakes: Jarrell, Dreams, and War |
530 | 19_1-2 | Critical Essay | Nils Clausson | Sassoon’s Prose Trench Lyric and the Romantic Tradition: The Ending of Memoirs of a Fox-Hunting Man |
531 | 19_1-2 | Critical Essay | Alex Moffett | “We Will Remember Them”: The Poetic Rewritings of Lutyens’ Cenotaph |
532 | 19_1-2 | Critical Essay | David Yost | Skins Before Reputations: Subversions of Masculinity in Ambrose Bierce and Stephen Crane |
533 | 19_1-2 | Critical Essay | Jerry M. Long | From Gilgamesh to Fatwas: Reading the Ideology of al-Qaida as Epic |
534 | 19_1-2 | Critical Essay | Douglas Higbee | Siegfried Sassoon, Fellow-traveler: Poetry, Socialism, and the British Veterans’ Movement |
535 | 19_1-2 | Personal Essay | Jim Kelly | Instant Gandhi |
536 | 19_1-2 | Commentary | Philip Beidler | The Invisible ARVN: The South Vietnamese Soldier in American Representations of the Vietnam War |
537 | 19_1-2 | Commentary | Tamara Miner Haygood | Prisoner of War Memoirs of World War II: The European Theatre |
538 | 19_1-2 | Commentary | James A. Moad II | Re-imagining the Past through Letters |
539 | 19_1-2 | Commentary | Carl E. Bartecchi, M.D. | How an Art Form (Photography) Influenced a Practice of Medicine |
540 | 19_1-2 | Editor's Choice | William Newmiller | Hadji Murád by Leo Tolstoy |
541 | 19_1-2 | Reviews | Books | Reviews |
542 | 20_1-2 | Special Feature | Thomas G. Bowie | War, Literature and the Arts 20th Anniversary Commentary Teaching Humanities at America’s Military Academies |
543 | 20_1-2 | Special Feature | Brian Hanley | Why Studying the Literature of War is Important |
544 | 20_1-2 | Special Feature | Thomas Vargish | War & Literature: A Reciprocity |
545 | 20_1-2 | Special Feature | Thomas McGuire | War Literature, the Constitution, and Fostering Reluctant Killers |
546 | 20_1-2 | Special Feature | Donald Anderson | When War Becomes Personal |
547 | 20_1-2 | Special Feature | Geoffrey Galt Harpham | The Depths of the Heights: Reading Conrad with America’s Soldiers |
548 | 20_1-2 | Special Feature | Max Despain | Telling True War Stories |
549 | 20_1-2 | Artwork | Jerry Kykisz | The National Vietnam Veterans Art Museum, introduced and selected by Jerry Kykisz |
550 | 20_1-2 | Interview | Jan Ellen Spiegel and Will Hochman | Beyond War Poetry: War, Literature and the Heart of a Poet / An Interview with John Balaban |
551 | 20_1-2 | Fiction | Sean Miller | The Lord’s Work |
552 | 20_1-2 | Fiction | Joseph Keith Kreidel | The Colors of Redemption |
553 | 20_1-2 | Fiction | Laura Hope-Gill | Psalm 51 |
554 | 20_1-2 | Fiction | Andrea Lewis | Accelerated Biology |
555 | 20_1-2 | Memoir | Tony Thang Nguyen | In Desperation |
556 | 20_1-2 | Poetry | Andrew J. Kenney | "Hey Man, How's Life?" |
557 | 20_1-2 | Poetry | John Balaban | Four Poems |
558 | 20_1-2 | Poetry | Chuck Rybak | Purple Heart |
559 | 20_1-2 | Poetry | John Kay | Two Poems |
560 | 20_1-2 | Poetry | Marilyn Kallet | A Feast for Dogs and Birds |
561 | 20_1-2 | Poetry | Jehanne Dubrow | Argos |
562 | 20_1-2 | Poetry | James Deahl | Clay Jars |
563 | 20_1-2 | Poetry | R. S. Carlson | Supply Run |
564 | 20_1-2 | Poetry | Lisa Siedlarz | Enduring Freedom |
565 | 20_1-2 | Poetry | Edward McCrorie | Four Poems |
566 | 20_1-2 | Poetry | Yahya Frederickson | Keeping My Father |
567 | 20_1-2 | Poetry | Jeffery C. Alfier | Mansfield Avenue |
568 | 20_1-2 | Poetry | Tom Sheehan | The Municipal Subterranean |
569 | 20_1-2 | Poetry | Joseph T. Cox | Second Tour |
570 | 20_1-2 | Poetry | R. K. Johnston | Earth’s Next Era—The Age of Loneliness |
571 | 20_1-2 | Poetry | William Childress | Wondering How James Dickey Died |
572 | 20_1-2 | Critical Essay | William V. Davis | “Good Luck in Cracked Italian”: Richard Hugo in Italy |
573 | 20_1-2 | Critical Essay | John Griswold | “Praise to Those Still Coming Through On Song”: An Appreciation of John Balaban |
574 | 20_1-2 | Critical Essay | Thomas Vargish | The Authority of Crises |
575 | 20_1-2 | Critical Essay | Matthew Teorey | Unmasking the Gentleman Soldier in the Memoirs of Two Cross-Dressing Female U.S. Civil War Soldiers |
576 | 20_1-2 | Critical Essay | Tracy L. Strauss | Trauma’s Dialectic in Civil War Literature and Film |
577 | 20_1-2 | Critical Essay | Ann Elias | War and the visual language of flowers: an antipodean perspective |
578 | 20_1-2 | Critical Essay | Robert Blaskiewicz | James Jones on Guadalcanal |
579 | 20_1-2 | Critical Essay | Verner D. Mitchell | A Family Answers the Call: Anita Scott Coleman, Literature, and War |
580 | 20_1-2 | Personal Essay | Constantine Evans | Legacy |
581 | 20_1-2 | Commentary | James Gleason Bishop | “she whose eyes are open forever”: Does Protest Poetry Matter? |
582 | 20_1-2 | Commentary | W. D. Ehrhart | Words for John Balaban |
583 | 20_1-2 | Commentary | Thomas C. Ware | Fiction Still Fights the Civil War: “It Ain’t Over Though It’s Over” |
584 | 20_1-2 | Editor's Choice | Donald Anderson | Soldier Talk |
585 | 20_1-2 | Reviews | Books | Reviews |
586 | 21_1-2 | Special Feature | Byron J. Calhoun | Captain Vere as Outsider and Insider: Military Leadership in Billy Budd, Sailor |
587 | 21_1-2 | Special Feature | Brandon Lingle | Colby Buzzell’s My War: An Outsider’s Voice from Inside Iraq |
588 | 21_1-2 | Special Feature | Elizabeth Mathias | A Memorial to Forgetting: Libbie Custer’s re-vision of General Custer’s legacy |
589 | 21_1-2 | Artwork | Jim Pollock | US Army Soldier-Artist in Vietnam |
590 | 21_1-2 | Interview | Thomas McGuire/Robert Mezey | War, Tradition, Iconoclastic Talent: a conversation with Robert Mezey |
591 | 21_1-2 | Fiction | Gary McLouth | Signs |
592 | 21_1-2 | Fiction | Alexander Blackburn | In the Country of the Blind |
593 | 21_1-2 | Fiction | Jesse Goolsby | What My Dead Wife Should Know |
594 | 21_1-2 | Fiction | James Harmon | Harley in Beni |
595 | 21_1-2 | Fiction | John Haggerty | Tumbleweeds |
596 | 21_1-2 | Fiction | Trisha Guillebeau | Sweat, Mud, Moonshine |
597 | 21_1-2 | Poetry | John Minczeski | A Letter to Serafin |
598 | 21_1-2 | Poetry | David Keplinger | Three Poems |
599 | 21_1-2 | Poetry | John Guzlowski | Night in the Labor Camp |
600 | 21_1-2 | Poetry | R.G. Cantalupo | Casualty |
601 | 21_1-2 | Poetry | Roberty Mezey | How Much Longer? |
602 | 21_1-2 | Poetry | Robert Greene | Band of Aides |
603 | 21_1-2 | Poetry | Christopher Jane Corkery | Teaching “To the Lighthouse” |
604 | 21_1-2 | Poetry | Lisa Siedlarz | Tea with Elders |
605 | 21_1-2 | Critical Essay | Adam H. Wood | “Crimson Blotches on the Pages of the Past”: Histories of Violence in Stephen Crane’s The Red Badge of Courage |
606 | 21_1-2 | Critical Essay | N.E. Anderson | Writing War: An Analysis and Deconstruction of the Contemporary Combat Memoir in Nathaniel Fick’s One Bullet Away |
607 | 21_1-2 | Critical Essay | John Whittier-Ferguson | Always a War Poet: Randall Jarrell and the Returns of Twentieth-Century War |
608 | 21_1-2 | Critical Essay | Ty Hawkins | Violent Death as Essential Truth in Dispatches: Re-Reading Michael Herr’s “secret history” of the Vietnam War |
609 | 21_1-2 | Critical Essay | Scott Hales | Marching Through Memory: Revising Memory in E. L. Doctorow’s The March |
610 | 21_1-2 | Critical Essay | Layne Neeper | Between the Wars: Stephen Wright’s The Amalgamation Polka and Meditations in Green |
611 | 21_1-2 | Critical Essay | Peter Scheckner | Renegades in the Literature of War: From Homer to Heller |
612 | 21_1-2 | Critical Essay | Elizabeth J. Wright | “We Are All Responsible”: Post-World War I Parenting and the Politics of Memory in Dorothy Canfield Fisher’s The Deepening Stream |
613 | 21_1-2 | Critical Essay | William J. Searle | Transition, Tradition, and the Individual Talent in Ma Van Khang’s Against the Flood |
614 | 21_1-2 | Critical Essay | Thomas Vargish | Technology and Impotence in Mary Shelley’s Frankenstein |
615 | 21_1-2 | Creative Nonfiction | Gary Mills | Up-Armored |
616 | 21_1-2 | Commentary | Andrea Trocha-Van Nort | Too Sexy for a Veil? |
617 | 21_1-2 | Commentary | Kristen R. Loyd | An England Worth Saving: The Domestication of World War II Propaganda in Pride and Prejudice |
618 | 21_1-2 | Commentary | W.D. Ehrhart | Samuel Exler: The Poet as Historian |
619 | 21_1-2 | Commentary | Philip Beidler | Remembering On the Beach |
620 | 21_1-2 | Commentary | Terry P. Rizzuti | Art As Therapy: The Biography of a Novel |
621 | 21_1-2 | Commentary | Max Despain | How War Becomes Love: Donovan Campbell’s Memoir Joker One |
622 | 21_1-2 | Commentary | Sonja Pasquantonio | I Dream My Brother Plays Baseball |
623 | 21_1-2 | Reviews | Books | Books |
624 | 22_1-2 | Novel Excerpt | David Rabe | from Girl by the Road at Night |
625 | 22_1-2 | Artwork | Craig F. Walker | from “Ian Fisher: American Soldier” the 2010 Pulitzer Prize for Feature Photography |
626 | 22_1-2 | Special Feature | John Balaban | The Invisible Powers |
627 | 22_1-2 | Fiction | Patrick Hicks | The Lazarus Bomb |
628 | 22_1-2 | Fiction | Jesse Goolsby | Stepfather |
629 | 22_1-2 | Fiction | S.L. Miller | Keeping Watch |
630 | 22_1-2 | Fiction | J. Scott Smith | March 25th |
631 | 22_1-2 | Fiction | Jacob M. Appel | The Tear Sower |
632 | 22_1-2 | Fiction | Jay A. Moad II | Our Ghost |
633 | 22_1-2 | Fiction | Anthony Bukoski | The Six Purposes of Drill |
634 | 22_1-2 | Poetry | James Gleason Bishop | Sitting on the Veterans’ Memorial at the Corner of Main Street and Route 22, July 3, 1972, Not Thinking About Walter Cronkite |
635 | 22_1-2 | Poetry | Will Badger | Afghani Chai |
636 | 22_1-2 | Poetry | Cari Grindem-Corbett | Constellations |
637 | 22_1-2 | Poetry | Thomas H. Pate | Every Spray of Blood a Blessing |
638 | 22_1-2 | Poetry | Henry Hughes | Vicki’s Grandfather |
639 | 22_1-2 | Poetry | Beverly A. Tift | In Memory Of All Things Past |
640 | 22_1-2 | Poetry | Thomas McGuire | Heirloom Photograph |
641 | 22_1-2 | Poetry | W.D. Ehrhart | Redipuglia |
642 | 22_1-2 | Poetry | Laren McClung | Counting the Dead |
643 | 22_1-2 | Poetry | Abby E. Murray | Corners of the Ceiling |
644 | 22_1-2 | Critical Essay | David Lawrence | Heroic Act of Witness: Dexter Filkins’ Forever War |
645 | 22_1-2 | Critical Essay | Byron Calhoun | Tobias Wolff ’s Search for Heroism |
646 | 22_1-2 | Critical Essay | Brandon Lingle | Jon Krakauer’s Where Men Win Glory: Pat Tillman as American Epic Hero |
647 | 22_1-2 | Critical Essay | Thomas E. Barden | Urban Legends in Tim O’Brien’s The Things They Carried |
648 | 22_1-2 | Critical Essay | Kimberly Socha | Outside the Reign of Logic, Outside the Reach of God: Hester Panim in the Surreal Art of Paul Celan and Samuel Bak |
649 | 22_1-2 | Critical Essay | Thomas Vargish | Conrad’s “The Secret Sharer”: A Private Ethics of Leadership |
650 | 22_1-2 | Critical Essay | Kevin Patrick | The Forgotten Few: The Portrayal of Aerial Combat in Australian Fiction |
651 | 22_1-2 | Critical Essay | Florian Schwieger | “Loyalty gleaming, guns screaming”: William T. Vollmann’s Europe Central and the Memory of Stalingrad |
652 | 22_1-2 | Critical Essay | Thomas A. Horne | Goliath In the Valley of Elah |
653 | 22_1-2 | Personal Essay | Michail W. Mulvey | Short |
654 | 22_1-2 | Personal Essay | Rebecca Kanner | Safety |
655 | 22_1-2 | Commentary | Ross Gresham | The Memory Hole is Us |
656 | 22_1-2 | Commentary | Alex Vernon | Your War is My War Too |
657 | 22_1-2 | Commentary | Jeff Collins | Ways of War: Reading Frank Harvey’s Vietnam Experiences for Emotional Truth in a Digital Age |
658 | 22_1-2 | Editor's Choice | James Gleason Bishop | “We Should Know These People We Bury in the Earth”: Brian Turner’s Radical Message |
659 | 22_1-2 | Reviews | Books | Reviews |
677 | 23_1-2 | Memoir | Matthew Brock | Bright Nothing |
684 | 23_1-2 | Artwork | Jerry Kykisz | Trauma & Metamorphosis |
685 | 23_1-2 | Fiction | Michael Martone | Thucydides at Syracuse |
686 | 23_1-2 | Fiction | Nicholas Poluhoff | At The Wall |
687 | 23_1-2 | Fiction | Erin Pringle | This Bomb My Heart |
688 | 23_1-2 | Fiction | David Abrams | Known Unknowns |
689 | 23_1-2 | Fiction | Katey Schultz | Three Fictions |
690 | 23_1-2 | Fiction | LaTanya McQueen | Flash to Bang |
691 | 23_1-2 | Fiction | Nahid Rachlin | Healing |
692 | 23_1-2 | Fiction | Christopher Lowe | Dunn’s River Falls |
693 | 23_1-2 | Fiction | Bobbi Nicotera | Cecylia |
694 | 23_1-2 | Author Spotlight | Kathleen Harrington | Siobhan Fallon interviewed |
695 | 23_1-2 | Poetry | Elijah Imlay | Deer Running Backwards |
696 | 23_1-2 | Poetry | William Virgil Davis | The Messengers |
697 | 23_1-2 | Poetry | Joseph Bathanti | Coach Wheeler Tapes My Ankles |
698 | 23_1-2 | Poetry | Dale Ritterbusch | Assyrian Lament |
699 | 23_1-2 | Critical Essay | Florian Schwieger | “Loyalty gleaming, guns screaming”: William T. Vollmann’s Europe Central and the Memory of Stalingrad |
700 | 23_1-2 | Critical Essay | Thomas A. Horne | Goliath In the Valley of Elah |
701 | 23_1-2 | Critical Essay | Catherine Rolen | Seeing Signs and Telling War Stories: Recognizing Trauma Symptoms and the Role of Narrative in Recovery |
702 | 23_1-2 | Critical Essay | Daniel McKay | Strolling Down Memory Pain: Oral Histories and the New Zealand Far East Prisoner of War Novel |
703 | 23_1-2 | Critical Essay | Marcia Phillips McGowan | “Have I No Sanctuary to Defend?” The Great War Sonnets of Mary Borden |
704 | 23_1-2 | Critical Essay | Nils Clausson | Charles Yale Harrison’s “Little-Known Minor Masterpiece”: Generals Die in Bed, Modernism, and the Canon of World War I Fiction |
705 | 23_1-2 | Critical Essay | Andrew M. Milz | Of Cavalries, Calvaries, and Wilfred Owen’s “Greater Love” |
706 | 23_1-2 | Critical Essay | Geoffrey Wright | Acknowledging Experience: Pork Chop Hill and the Geography of the Korean War |
707 | 23_1-2 | Critical Essay | Russell Brickey | Turning Away From the Blast: Forms of Nuclear Protest Poetry |
708 | 23_1-2 | Critical Essay | Jonathan Lighter | Battle Cry Revisited: “Don’t Worry, Mom, Everything is Going to be All Right” |
709 | 23_1-2 | Critical Essay | Martin Buinicki and David Owens | “De-Anthologizing Ambrose Bierce: A New Look at ‘What I Saw of Shiloh.’” |
710 | 23_1-2 | Critical Essay | Brian Dillon | The Last Visitor: Idiosyncratic Bereavement in Julian Barnes’ WWI Story “Evermore” |
711 | 23_1-2 | Personal Essay | R.B. Moreno | What Happened Yesterday in Baghdad |
712 | 23_1-2 | Personal Essay | Teri Carter | War College |
713 | 23_1-2 | Personal Essay | Leila Levinson | Cracking Open the Silence |
714 | 23_1-2 | Personal Essay | Joseph Bathanti | Half of What I Say Is Meaningless |
715 | 23_1-2 | Commentary | Robin Jackson | Hermann Gross: subversive Luftwaffe artist |
716 | 23_1-2 | Commentary | Edward A. Dougherty | Memories of the Future: The Poetry of Sadako Kurihara and Hiromu Morishita |
717 | 23_1-2 | Commentary | Edward F. Palm | The Quiet American Revisited: Orientalism Reconsidered |
718 | 23_1-2 | Commentary | Adam C. Wolfe | Athens vs. Sparta: the Academic-Military Divide |
719 | 23_1-2 | Reviews | Reviews | Books |
720 | 24_1-2 | Memoir | Rolf Yngve | Three Tips For Those Returning from Deployments: a memoir |
721 | 24_1-2 | Memoir | David D. Butler | “Long Time Gone:” The Year Dirty Harry Was Shot |
722 | 24_1-2 | Memoir | Leigh Cuen | Fresh Meat |
723 | 24_1-2 | Fiction | J.W.M. Morgan | Atomic Blizzard |
724 | 24_1-2 | Fiction | Dan Moreau | 108 Degrees Under Partly Cloudy Skies |
725 | 24_1-2 | Fiction | Sierra Bellows | The City We Lived In After the War |
726 | 24_1-2 | Fiction | Michael Lund | How to Not Tell a War Story |
727 | 24_1-2 | Author Spotlight | Benjamin Busch | from Dust to Dust: A Memoir |
728 | 24_1-2 | Author Spotlight | Brian Turner Interviewed by Patrick Hicks | Brian Turner interviewed by Patrick Hicks |
729 | 24_1-2 | Author Spotlight | Ben Fountain Interviewed by David Lawrence | Ben Fountain Interviewed by David Lawrence |
730 | 24_1-2 | Poetry | Rich Murphy | No Cheating |
731 | 24_1-2 | Poetry | Caroline A. Leblanc | Mission Creep |
732 | 24_1-2 | Poetry | David Riddle | Darkest Congo |
733 | 24_1-2 | Poetry | Beverly A. Tift | ODS Slideshow (1991) |
734 | 24_1-2 | Poetry | Nancy Arbuthnot | War Haiku |
735 | 24_1-2 | Poetry | Randall Martoccia | War Cam |
736 | 24_1-2 | Poetry | Colin Morton | Battle Fatigue |
737 | 24_1-2 | Poetry | Hugh Martin | Raid |
738 | 24_1-2 | Poetry | Sandra Soli | Birmingham Etudes, 1943 |
739 | 24_1-2 | Poetry | David Sullivan | Kanan Majeed, Lawyer |
740 | 24_1-2 | Poetry | Christhopher Lee Miles | Bracing for Threnodies |
741 | 24_1-2 | Poetry | Amy Tudor | Mathew B. Brady Shows His Last Photograph |
742 | 24_1-2 | Poetry | Ed Meek | The Lottery |
743 | 24_1-2 | Poetry | Gregg Mosson | Letter by a French Soldier, 1916, Found at Verdun |
744 | 24_1-2 | Poetry | Brian Jackson | The Snows of August |
745 | 24_1-2 | Poetry | Arjun Rajendran | The “Fallout” Poem |
746 | 24_1-2 | Poetry | Daniel Rifenburgh | Requital for Fire |
747 | 24_1-2 | Poetry | H.C. Palmer | Break Room at the Ammo Plant |
748 | 24_1-2 | Poetry | Steve Straight | The Flag of Cucumber |
749 | 24_1-2 | Poetry | Lisa Bernstein (Lisa B) | The New War |
750 | 24_1-2 | Poetry | Jack Vian | Like a Mall of Moths Bereft |
751 | 24_1-2 | Poetry | Edward McCrorie | Poet Arrested on Pier |
752 | 24_1-2 | Poetry | Gregory Stenta | Lecture on Stalingrad |
753 | 24_1-2 | Poetry | Brian Edwards | Acoustic Shadows |
754 | 24_1-2 | Poetry | Sofia Starnes | O Vivifying Bones |
755 | 24_1-2 | Poetry | Joseph T. Cox | So Badly Prepared for Life |
756 | 24_1-2 | Poetry | Gretchen Koenig | Deep Seas |
757 | 24_1-2 | Poetry | Dale Ritterbusch | Ice Bowl |
758 | 24_1-2 | Poetry | Lyn Lifshin | Under A Crying Sky: a suite of poems |
759 | 24_1-2 | Drama | Thomas D. Praino | A Memorandum for Theater: Northern Italy, 25 July 1944 |
760 | 24_1-2 | Creative Nonfiction | Gerardo Mena | Phalanx |
761 | 24_1-2 | Creative Nonfiction | Jordan Hayes | The Colonel’s Bicycle |
762 | 24_1-2 | Creative Nonfiction | Dale Ritterbusch | A Mathematical Geography |
763 | 24_1-2 | Personal Essay | Sari M. Boren | Escape |
764 | 24_1-2 | Personal Essay | Laura Jean Baker | Year of the Tiger |
765 | 24_1-2 | Personal Essay | Anthony J. Mohr | Invasion USA |
766 | 24_1-2 | Personal Essay | Ian Miller | The Heights |
767 | 24_1-2 | Personal Essay | William Corley | Achilles Among the Maidens |
768 | 24_1-2 | Personal Essay | Tony Gorry | War Stories |
769 | 24_1-2 | Personal Essay | Paul Crenshaw | When the War Began |
770 | 24_1-2 | Critical Essay | Marzena Sokolowska-Paryz | The Narration and Visualization of Rape and the Inadvertent Subversion of the Anti-War Message in Brian De Palma’s Redacted and Casualties of War |
771 | 24_1-2 | Critical Essay | Gary Grieve-Carlson | “The House-top”: Melville’s Poem of Force |
772 | 24_1-2 | Critical Essay | Alireza Farahbakhsh | The Anti-Modernist Quality of Ezra Pound’s The Fifth Decad of Cantos (Cantos XLII—LI) |
773 | 24_1-2 | Critical Essay | Walter Jones | Gender as Colonial Exploitation in French Indochina: Concubines in Selected Pre-1965 Novels Published in or Translated to English |
774 | 24_1-2 | Critical Essay | Pinaki Roy | Poet in Khaki: Alun Lewis and his Combat Writings |
775 | 24_1-2 | Critical Essay | Casey Dué / Mary Ebbott | Mothers-in-Arms: soldiers’ emotional bonds and Homeric similes |
776 | 24_1-2 | Critical Essay | Christopher P. Wilson | Ridiculous Impingements of Normalcy: Home Fronts, Good Soldiers, War Correspondents |
777 | 24_1-2 | Critical Essay | Travis L. Martin | Reality and Anti-Reality in WWI and WWII Memoirs |
778 | 24_1-2 | Critical Essay | Chloë Hughes | Swords into Words: Transformational War Literature for Young People |
779 | 24_1-2 | Critical Essay | Ann Elias | Camouflage and Surrealism |
780 | 24_1-2 | Critical Essay | Maureen Ryan | Interpreters of Violence: Novels and Memoirs about Female Journalists of the Vietnam War |
781 | 24_1-2 | Critical Essay | David Kramer | Strains of Failed Populism in Stephen Crane’s Spanish War Stories |
782 | 24_1-2 | Critical Essay | Ty Hawkins | Vietnam and Verisimilitude: Rethinking the Relationship between “Postmodern War” and Naturalism |
783 | 24_1-2 | Commentary | Claudia Honeywell | Philoctetes in Iraq |
784 | 24_1-2 | Commentary | Philip Beidler | Ralph Vaughan Williams’ Long Journey Out of War |
785 | 24_1-2 | Commentary | W.D. Ehrhart | Paul Fussell: A Remembrance |
786 | 24_1-2 | Commentary | Andrea Trocha-Van Nort | Remembering Daniel Pearl, or West vs. West |
787 | 24_1-2 | Commentary | Gregory M. Dandeles | Liberia’s Fourth Estate |
788 | 24_1-2 | Reviews | Reviews | Books |
789 | 10_s | Introduction | James H. Meredith and Patrick K. | Stephen Crane in War and Peace, introductory essay |
790 | 10_s | Critical Essay | Christopher Benfey | Two Cranes, Two Henrys |
791 | 10_s | Critical Essay | David Traxel | Stephen Crane & Richard Harding Davis—An Unlikely Friendship |
792 | 10_s | Critical Essay | John Clendenning | Visions of War and Versions of Manhood |
793 | 10_s | Critical Essay | James B. Colvert | Unreal War in The Red Badge of Courage |
794 | 10_s | Critical Essay | Thomas Bonner, Jr. | Experience and Imagination: Confluence in the War Fiction of Stephen Crane and Ambrose Bierce |
795 | 10_s | Critical Essay | John C. Orr | A Red Badge Signifying Nothing: Henry Fleming’s Corporate Self |
796 | 10_s | Critical Essay | Benjamin F. Fisher | The Red Badge of Courage under British Spotlights |
797 | 10_s | Critical Essay | Donald Vanouse | atastrophe Theory and Character Transformation in The Red Badge of Courage |
798 | 10_s | Critical Essay | Randal W. Allred | “The Gilded Images of Memory”: The Red Badge of Courage and “The Veteran” |
799 | 10_s | Critical Essay | Patrick K. Dooley | “A Wound Gives Strange Dignity To Him Who Bears It”: Stephen Crane’s Metaphysics of Experience |
800 | 10_s | Critical Essay | Robert M. Myers | “The Subtle Battle Brotherhood”: The Construction of Military Discipline in The Red Badge of Courage |
801 | 10_s | Critical Essay | William E. Newmiller | The Color of War: A Computer Analysis of Color in The Red Badge of Courage |
802 | 10_s | Critical Essay | Jacqueline Tavernier-Courbin | Humor and Insight through Fallacy in Stephen Crane’s The Red Badge of Courage |
803 | 10_s | Critical Essay | Michael Robertson | Stephen Crane’s Other War Masterpiece |
804 | 10_s | Critical Essay | Holger Kersten | “The Pace of Youth” and the Phantoms of Hope |
805 | 10_s | Critical Essay | Thomas A. Gullason | Modern Pictures of War in Stephen Crane’s Short Stories |
806 | 10_s | Critical Essay | George Monteiro | John Hersey’s Guadalcanal Report: Drawing on Crane’s War |
807 | 10_s | Critical Essay | Michael Schaefer | Life During Wartime—and After: Thoughts on Stephen Crane’s Spitzbergen Tales |
808 | 10_s | Critical Essay | Charlotte Rich | Nora Black and The New Woman in Active Service |
809 | 10_s | Critical Essay | Patricia I. Heilman | Stephen Crane’s Images of War in Fiction and Nonfiction |
810 | 10_s | Critical Essay | Patrick K. Dooley | Stephen Crane: An Updated Annotated Bibliography of Secondary Scholarship |
814 | 25_1 | From The Editors Desk | Donald Anderson | Soldier Artists: Preserving the World |
815 | 25_1 | Special Feature | Ben Fountain | Soldiers on the Fault Line: War, Rhetoric and Reality |
816 | 25_1 | Memoir | Brian Duchaney | The Man I Killed |
817 | 25_1 | Memoir | Bonnie Costello | Inventory: Encounter with a Father's Memories of War |
818 | 25_1 | Memoir | Louis Ferraro Deretchin | Two Armies, One Family |
819 | 25_1 | Fiction | Elliot Sanders | Far From Kansas |
820 | 25_1 | Fiction | Edward Desautels | The Rapture of Sorrowful Things |
821 | 25_1 | Fiction | Robert Earle | From the Truman Balcony |
822 | 25_1 | Fiction | Mike DiChristina | 1001 Ways to Die |
823 | 25_1 | Fiction | David J. Morris | The Counterfactualist |
824 | 25_1 | Fiction | Olivia Kate Cerrone | Who's Crazy? |
825 | 25_1 | Fiction | Roman Skaskiw | Convoy Home |
826 | 25_1 | Editor's Choice | Kathleen Harrington | Fire and Forget |
827 | 25_1 | Critical Essay I | E. San Juan, Jr. | War in the Filipino Imagination: Filipino Writers in the United States Wrestling with the Minotaur |
828 | 25_1 | Critical Essay I | Adam Gilbert | "And the fire still burns": Vietnam War Poetry, Moral Witness and Winning Hearts and Minds |
829 | 25_1 | Critical Essay I | Natalie Carter | "Always Something of It Remains": Sexual Trama in Ernest Hemingway's For Whom the Bell Tolls |
830 | 25_1 | Critical Essay I | Anna Haider | Pat Barker's Liminal Figures of War Trauma: Mr. Hyde, Antiprosopon and Cryptophore |
831 | 25_1 | Critical Essay I | Ezekiel Black | Mouthlessness and Ineffability in World War I Poetry and The WasteLand |
832 | 25_1 | Critical Essay I | Maureen Ryan | Cracks in the System: Children in Contemporary Narratives about the 1960s in America |
833 | 25_1 | Critical Essay II | Quan Manh Ha | Power and Gender Relations in When Heaven and Earth Changed Places |
834 | 25_1 | Critical Essay II | Dan Allawat | Larry Brown's Dirty Work: Telling the Truth About the Vietnam War Through Fiction |
835 | 25_1 | Critical Essay II | Philip D. Beidler | The Great Party-Crasher: Mrs Dalloway, The Great Gatsby and the Cultures of World War I Remembrance |
836 | 25_1 | Critical Essay II | Robert Ficociello | Crane's Episode Among Episodes in American War Discourse |
837 | 25_1 | Critical Essay II | Kerry Soper | The Comics Go To War |
838 | 25_1 | Critical Essay II | Kathleen Béres Rogers | Embodied Sympathy and Divine Detachment in Crimean War Medical Poetry |
839 | 25_1 | Critical Essay II | David Kramer | Imperium in Imperio: Sutton Grigg's Imagined War of 1898 |
840 | 25_1 | Poetry I | HC Palmer | Two Poems |
841 | 25_1 | Poetry I | Terry Hauptman | Two Poems |
842 | 25_1 | Poetry I | Pat Hanahoe-Dosch | The Unnamed Ones |
843 | 25_1 | Poetry I | David Cravens | vengeance |
844 | 25_1 | Poetry I | Thomas Bonner, Jr. | The Navigator |
845 | 25_1 | Poetry I | J. T. Ledbetter | Fire Fight: 1970 (Xuan Loc Province) |
846 | 25_1 | Poetry I | Anthony Robbins | Hitler in Japan |
847 | 25_1 | Poetry I | Patrick Walsh | Meditations of a Sniper |
848 | 25_1 | Poetry I | Tony Sims | Soldier |
849 | 25_1 | Poetry I | Cahy Linh Che | Three Poems |
850 | 25_1 | Poetry II | Bunkong Tuon | Fragments |
851 | 25_1 | Poetry II | Martin Ott | Soldiers in the Dark |
852 | 25_1 | Poetry II | Holly Day | Two Poems |
853 | 25_1 | Poetry II | Brian Thornton | 10 o'clock News |
854 | 25_1 | Poetry II | Gerard Beirne | Meditation # 42: The Commotion of My Passing |
855 | 25_1 | Poetry II | Carol Lynn Grellas | Ann Frank's Diary Speaks |
856 | 25_1 | Poetry II | Mathew Brennan | The Tigris River |
857 | 25_1 | Poetry II | Amanda Newell | Two Poems |
858 | 25_1 | Poetry II | Jim Plath | Cold Harbor, 1864 and Other Songs We Don't Sing |
859 | 25_1 | Poetry II | Gbriella R. Tallmadge | Suffering Says |
860 | 25_1 | Poetry III | Tara Ballard | How Do I Write to You about Minefields? |
861 | 25_1 | Poetry III | Peter Vanderberg | Lost at Sea: Midnight-0400 watch |
862 | 25_1 | Poetry III | Naomi Glassman | John's Gospel |
863 | 25_1 | Poetry III | Shitsugane Olembo | The Courtyard |
864 | 25_1 | Poetry III | M. K. Sukach | Three Poems |
865 | 25_1 | Poetry III | David Vancil | Fallen Pony |
866 | 25_1 | Poetry III | R.G. Cantalupo | Four Poems |
867 | 25_1 | Poetry III | Amy Marengo | Firewood Patrol |
868 | 25_1 | Author Spotlight | Candice L. Pipes | Flashes of War by Katey Shultz |
869 | 25_1 | Author Spotlight | Thomas G. Bowie, Jr. & Nathan Matlock | Stories Matter: a conversation with Alex Kershaw |
870 | 25_1 | Author Spotlight | David Lawrence | Fobbit by David Abrams |
871 | 25_1 | Author Spotlight | M.K. Sukach | War Reporter by Dan O'Brien |
872 | 25_1 | Artwork | Derek Eland | The Afghanistan Diary Room Project |
873 | 25_1 | Creative Nonfiction | Ben Mamroth | Shell Shocked |
874 | 25_1 | Personal Essay | Claudia Honeywell | Street Life |
875 | 25_1 | Personal Essay | Frank Light | Three Times a Charm |
876 | 25_1 | Commentary | Caleb S. Cage | On Chickenshit |
877 | 25_1 | Commentary | Katherine Plichta | Remembered and Reimagined: The Literature of War |
878 | 25_1 | Commentary | Daniel Clayton | They were soldiers, just like us.. |
879 | 25_1 | Reviews | Reviews | Books |
931 | 26 | From The Editor's Desk | Donald Anderson | You Can’t Come Home Again: Phil Klay’s Redeployment |
932 | 26 | Memoir | Wayne Karlin | Excerpts from the Memoir of Trần Văn Thủy |
933 | 26 | Memoir | John Balaban | Saying Goodbye to General Giap |
934 | 26 | Memoir | David A. Willson | Tet, Seattle, February 1968 |
935 | 26 | Memoir | Jason Arment | A Bridge to Nowhere |
936 | 26 | Memoir | Deborah DeFrank | The Jacket |
937 | 26 | Memoir | Gloria Dyc | The Ceremony |
938 | 26 | Memoir | Nolan Peterson | Scars |
939 | 26 | Memoir | Marc Levy | Klinic in Zurichberg |
940 | 26 | Memoir | Robert Joe Stout | The War in Words |
941 | 26 | Fiction | Andrew Slater | The Cold |
942 | 26 | Fiction | Elliot Ackerman | Hometown Heroes |
943 | 26 | Fiction | Gerard J. Carisio | Resolved |
945 | 26 | Fiction | Steven McGregor | By the Aqueduct |
946 | 26 | Fiction | Dennis Kennedy | Underway Replenishment |
947 | 26 | Fiction | Frank Scozzari | Too Old for War |
948 | 26 | Fiction | J. Alan Montrose | Orders |
949 | 26 | Fiction | J. Malcolm Garcia | What Do You Do? |
950 | 26 | Creative Nonfiction | Paul Van Dyke | A Sliver of Blue |
951 | 26 | Editor's Choice | Kathleen Harrington | Sparta: a conversation with Roxana Robinson |
952 | 26 | Special Feature | Roxana Robinson | Sparta |
953 | 26 | Author Spotlight | Matthew Hefti | The Long Walk: a conversation with Brian Castner |
954 | 26 | Author Spotlight | Jesse Goolsby | The Book of Duels: a conversation with Michael Garriga |
955 | 26 | Artwork | Giuseppe Pellicano | Left. Left. Left, Right, Left |
956 | 26 | Artwork | Ed Drew | Afghanistan, Combat Zone Tintype |
957 | 26 | Poetry I | Michael Casey | deploy deploy |
958 | 26 | Poetry I | Michael Shorb | Gods of War |
959 | 26 | Poetry I | Joseph Bathanti | Two Poems |
960 | 26 | Poetry I | William Mullen | Eight Turners |
961 | 26 | Poetry I | Herbert Englehardt | Five Poems |
962 | 26 | Poetry I | Kerry Rawlinson | In Flanders’ Shadow (plus artwork, original photos by Nathan Jones) |
963 | 26 | Poetry I | Amanda Nowakowski | The War |
964 | 26 | Poetry I | Brandon Courtney | Malaria Tent, Pleiku, 1964 |
965 | 26 | Poetry I | Kya Reaves | A Woman at War |
966 | 26 | Poetry II | Adrie Kusserow | Two Poems |
967 | 26 | Poetry II | Stephen Gibson | WWII |
968 | 26 | Poetry II | Rebecca Morgan Frank | The Last Time I Saw Manila |
969 | 26 | Poetry II | Brad Kavo | The Cliffs of Colleville-sur-Mer |
970 | 26 | Poetry II | E.M. Schorb | The Bosian Cherry |
971 | 26 | Poetry II | Kevin Boyle | Unruh |
972 | 26 | Poetry II | John Guzlowski | Two Poems |
973 | 26 | Poetry II | Brian Pals | Something about an eyelash |
974 | 26 | Poetry II | Bonnie Maurer | The Poem Stands on its Head by the Window |
975 | 26 | Poetry III | Tim Lynch | Living in the Killing Fields: In the Tank to Phnom Penh |
976 | 26 | Poetry III | Charlie Bondhus | Two Poems |
977 | 26 | Poetry III | donnarkevic | Burying the War Dead |
978 | 26 | Poetry III | Benjamin Goluboff | The Fairy Fleet at Fredericksburg |
979 | 26 | Poetry III | Jesse Morales | Map of Leaving |
980 | 26 | Poetry III | Majda Gama | Two Poems |
981 | 26 | Poetry III | Matthew Boulay | Two Poems |
982 | 26 | Creative Nonfiction | Nicholas Mercurio | Lucky |
983 | 26 | Creative Nonfiction | Lyra Hilliard | When I Have Your Wounded |
984 | 26 | Creative Nonfiction | Matthew James Babcock | My Nazi Dagger |
985 | 26 | Creative Nonfiction | Thomas Simko | The Long Goodbye |
986 | 26 | Personal Essay | Michael Caligaris | Shoebox |
987 | 26 | Personal Essay | Trish Gwynn | Mine |
988 | 26 | Personal Essay | Micah Fields | Zeh Mutaasif Yum |
989 | 26 | Personal Essay | J. Scott Smith | Poly Trauma |
990 | 26 | Critical Essay I | Candice L. Pipes | The Impossibility of Home |
991 | 26 | Critical Essay I | Thomas Vargish | Postmodern Authority |
992 | 26 | Critical Essay I | Travis L. Martin | War, Witness, Modernisn and David Jones’s Subversive Voice |
993 | 26 | Critical Essay I | John Savoie | Sniping, Psalming, Saving: American Soldier, Biblical Warrior, and the Mysteries of Salvation in Saving Private Ryan |
994 | 26 | Critical Essay I | Ian A. Isherwood | “To fly is more fascinating than to read about flying”: British R.F.C. Memoirs of the First World War, 1918-1939 |
995 | 26 | Critical Essay I | Jonathan Snyder | The “Make-Believe” War: Necessary Fictionalizing in Alexander Gardner’s Photographic Sketch Book of the Civil War |
996 | 26 | Critical Essay I | Alison M. Johnson | Sam Hughes as a Second Generation Trauma Victim in Bobbie Ann Mason’s In Country |
997 | 26 | Critical Essay II | Christopher Barker | Hemingway’s Death in the Afternoon and the Fear of Death in War |
998 | 26 | Critical Essay II | Pritha Kundu | The Anglo-Saxon War-Culture and The Lord of the Rings: Legacy and Reappraisal |
999 | 26 | Critical Essay II | Ben Townsend | On the Front Lines of an Empire: The Rhetoric of Poetry of the First World War |
1000 | 26 | Critical Essay II | Barbara Kowalczuk | My Lai’s “Fucking Flies!”: The Stigmata of Trauma in Tim O’Brien’s In the Lake of the Woods |
1001 | 26 | Critical Essay II | Pinaki Roy | Sidney Keyes: The War Poet “Who Groped for Death” |
1002 | 26 | Critical Essay II | Sara Deutch Schotland | Soldiers of Conscience: The Conscientious Objector as (Anti) War Hero |
1003 | 26 | Critical Essay II | Kevin Foster | Deploying the Dead: Combat Photography, Death and the Second World War in the USA and the Soviet Union |
1004 | 26 | Commentary | David Buchanan | They Call it the Hajji Mall |
1005 | 26 | Commentary | Julien Mathonnière | War tales that blur the lines but extol the truth |
1006 | 26 | Commentary | Levi Bollinger | A Broader Scope |
1007 | 26 | Commentary | Katherine Plichta | The Most Vital Phenomena |
1008 | 26 | Commentary | Kristin G. Kelly | “This Is a Language Made of Blood”: Speaking of Iraq, Afghanistan, and Strip Malls |
1009 | 26 | Reviews | Reviews | Books |
1010 | 26 | Reviews | Reviews | Films |
1011 | 26 | Memoir | Matthew Komatsu | 31 North 64 East |
1012 | 26 | Poetry III | William Varner | Three Poems |
1013 | 26 | Critical Essay I | Elizabeth Richards | The End of Innocence: The Effects of the Civil War on Children in the Paintings of Eastman Johnson |
1014 | 26 | Memoir | Michael Selzer | A Jew Goes To Berlin |
1015 | 26 | Poetry III | Adam Graaf | Blackwater Bridge |
1018 | 27 | From The Editor's Desk | Donald Anderson | War Chatter |
1019 | 27 | Editor's Choice | Kathleen Harrington | No Man’s War: a conversation with Angela Ricketts |
1020 | 27 | Special Feature | Brian Turner | The 9th Annual David L. Jannetta Distinguished Lecture in War, Literature & the Arts |
1021 | 27 | Memoir | Malinda Fillingim | Wars, Newr and Far |
1022 | 27 | Memoir | Adina Siperman | Army Wife |
1023 | 27 | Memoir | Julie Wittes Schlack | Signs |
1024 | 27 | Memoir | Alyssa Martino | Free Falling Soldier |
1025 | 27 | Memoir | Samuel F. Lanckton | Everyone Breaks |
1026 | 27 | Memoir | Larry Schreiber | Nong Chan Camp, 1980 (Rice in her Mouth) |
1027 | 27 | Fiction | Thomas Bonner | Front Lines |
1028 | 27 | Fiction | Andrew McLean | Sinjar |
1029 | 27 | Fiction | Claudia Hauer | Take What You Get |
1030 | 27 | Author Spotlight | Thomas G. McGuire | A Conversation with Brian Turner |
1031 | 27 | Author Spotlight | Sean Purio | Patrick Hicks’s The Commandant of Lubizec |
1032 | 27 | Author Spotlight | Thomas G. McGuire | A Conversation with Bryan Doerries |
1033 | 27 | Author Spotlight | Brandon Lingle | A Conversation with Jesse Goolsby |
1034 | 27 | Artwork | Brandon Lingle | The Art of Richard Johnson |
1035 | 27 | Poetry | Vincent Casaregola | Contrails |
1036 | 27 | Poetry | Barbara Presnell | How to Cuss in French |
1037 | 27 | Poetry | David K. Vaughan | Dak To II |
1038 | 27 | Poetry | Donald Welch | Two Poems |
1039 | 27 | Poetry | Dan O’Brien | Three Poems |
1040 | 27 | Poetry | Levi Bollinger | Sestina for Finn |
1041 | 27 | Poetry | A. M. Gwynn | Blood and Water |
1042 | 27 | Poetry | H. C. Palmer | Resurrection (A Fable) |
1043 | 27 | Poetry | Dale Ritterbusch | Four Poems |
1044 | 27 | Poetry | Phillip Pitts | No God for Dog |
1045 | 27 | Poetry | Kassandra Montag | Two Poems |
1046 | 27 | Poetry | Jimmy Pappas | Two Poems |
1047 | 27 | Poetry | Greg McBride | Research Dermatologist and I, the Army Photographer |
1048 | 27 | Poetry | Kim Malinowski | Great Uncle |
1049 | 27 | Poetry | Michael H. Levin | Bougainville |
1050 | 27 | Poetry | Christopher Locke | Ecotours, Ltd. |
1051 | 27 | Poetry | Adam Graaf | Two Poems |
1052 | 27 | Poetry | D. A. Gray | Negative Space |
1053 | 27 | Poetry | William Hudson | After Nam |
1054 | 27 | Poetry | Anne Hohenstein | When They Found You |
1055 | 27 | Poetry | Lisa Gray Fisher | The Double |
1056 | 27 | Poetry | P. H. Crosby | French’s Field II |
1057 | 27 | Poetry | Taylor Collier | Mutilations: Custer |
1058 | 27 | Poetry | Amber Adams | Medevac |
1059 | 27 | Poetry | Aileen Bassis | Vukovar Walls |
1060 | 27 | Poetry | Nancy Boutilier | Sweeping |
1061 | 27 | Poetry | D. Brian Anderson | Two Poems |
1062 | 27 | Poetry | David Keplinger | Three Poems |
1063 | 27 | Poetry | Patrick Gordon | Full Bird in Flight |
1064 | 27 | Creative Nonfiction | Thomas D. Praino | The Cave of Clay Urns |
1065 | 27 | Creative Nonfiction | Frank Light | Old School New School |
1066 | 27 | Creative Nonfiction | Paul Crenshaw | The Hornet Among Us |
1067 | 27 | Creative Nonfiction | Juliet Barney | In Observance |
1068 | 27 | Personal Essay | J. F. Newman | What a Hammer Can Do |
1069 | 27 | Personal Essay | Brooke N. King | Dogtags |
1070 | 27 | Critical Essay | Kathy Phillips | Mass Nakedness in the Imaginary of the Nazis |
1071 | 27 | Critical Essay | Shane Emplaincourt | Joyeux Noёl and Remembering the Christmas Truce of 1914 |
1072 | 27 | Critical Essay | Martin T. Buinicki and David M. Owens | The Last Campaign of John Brown’s Body: West Point and America’s Forgotten Civil War Epic |
1073 | 27 | Critical Essay | Matthew Hill | Michael Casey’s Obscenities: A Critique of Workaday Brutality |
1074 | 27 | Critical Essay | Jennifer Haytock | Women’s/War Stories: The Female Gothic and Women’s War Trauma in Helen Benedict’s Sand Queen |
1075 | 27 | Critical Essay | Joyce Wexler | The New Heroism |
1076 | 27 | Critical Essay | Vivian Zenari | Henry James’s Civil War Stories: The Homefront Experience and War Romance |
1077 | 27 | Critical Essay | Robert Magella | Rupert Brooke and Isaac Rosenberg: Myth, Modernity, and the Destabilization of Georgian War Poetry |
1078 | 27 | Critical Essay | Sarah Montin | “Not Flowers for Poets’ tearful foolings”: First World War Poetry, flowers and the Pastoral Failure |
1079 | 27 | Critical Essay | Peter C. Molin | A “Phrase Too Cute to Do Our Ugliness Justice”: Portraying “Wounded Warriors” in Contemporary War Fiction |
1080 | 27 | Critical Essay | Dean Kritikos | The Home Front Waste Land: Williams, Zukofsky, and Epistemology after Eliot |
1081 | 27 | Critical Essay | Nina H. B. Jørgensen | Responding to the Effect of the Holocaust in the Present: A Comparison of Narrative Strategies in Time’s Arrow, A Blessing on the Moon, and The Reader |
1082 | 27 | Critical Essay | David Kramer | The Spanish-American War as a Bourgeois Testing Ground: Richard Harding Davis, Frank Norris and Stephen Crane |
1083 | 27 | Critical Essay | Hilary Lithgow | “It’s All Good”: Forms of Belief and the Limits of Irony in David Finkel’s The Good Soldiers |
1084 | 27 | Critical Essay | Maria Geiger | No Trench Required: Validating the Voices of Female Poets of WWI |
1085 | 27 | Critical Essay | Ty Hawkins | Bobbie Ann Mason’s The Girl in the Blue Beret: Aesthetic Experimentation, Evil, and American Cultural Memory of “The Good War” |
1086 | 27 | Critical Essay | Ross Griffin | History with a Human Face: Creative Nonfiction and the Oral Histories of the Vietnam War |
1087 | 27 | Critical Essay | Carlos Villar Flor | Happy Warriors in Arms: Aspects of military life in Evelyn Waugh’s Put Out More Flags and Sword of Honour |
1088 | 27 | Critical Essay | Laura Dunbar | “I can soljer with any man”: The Post 9-11 Renaissance of James Jones |
1089 | 27 | Critical Essay | Rance D. Denton | “Most Distant and Most Dear”: Clausewitzian Conflicts in Kipling’s Barrack-Room Ballads |
1090 | 27 | Critical Essay | Daniel M. Clayton | Whitewashing WWII Sexual Memory |
1091 | 27 | Critical Essay | Ann Elias | Obliteration: the camouflaged body, Australia, and photography in modern war |
1092 | 27 | Commentary | Katey Schultz | On Patriotism & the Language of GWOT |
1093 | 27 | Commentary | Caleb S. Cage | Heroes and Victims |
1094 | 27 | Reviews | Reveiws | Books |
1095 | 27 | Reviews | Reviews | Films |
1096 | 28 | From The Editor's Desk | Donald Anderson | Take a Message to Rumsfeld |
1097 | 28 | Special Feature | Alex Kershaw | The 10th Annual David L. Jannetta Distinguished Lecture in War, Literature & the Arts |
1098 | 28 | Memoir | Mike McCallister | A Death in Nicaragua |
1099 | 28 | Memoir | Barrett Bowlin | As Is |
1100 | 28 | Memoir | Martin Naparsteck | Before Going to War |
1101 | 28 | Memoir | Johnathan Burgess | Chai Party |
1102 | 28 | Memoir | Bobby Briggs | Service with a Smile |
1103 | 28 | Memoir | Jeff Loeb | Measuring the Seasons |
1104 | 28 | Fiction | Nazli Artemia | The Unicorn Story without an Ending |
1105 | 28 | Fiction | Devin Murphy | How We Disappear |
1106 | 28 | Editor's Choice | Sean Purio | Tongues, Tables, and Ears: A Conversation with John Guzlowski |
1107 | 28 | Author Spotlight | Nicola Brooke | The Art of the Interview : Svetlana Alexievich’s Zinky Boys |
1108 | 28 | Author Spotlight | Sean Purio | Crossings and Connections: A Conversation with Elliot Ackerman |
1109 | 28 | Artwork | Colin Halloran | Visual Art as Text: a conversation with WLA’s Art Director Brandon Lingle |
1110 | 28 | Artwork | Ben Brody | Foreverstan: The Drawdown |
1111 | 28 | Poetry | Juleigh Howard-Hobson | After the Whizbang 1917 |
1112 | 28 | Poetry | Jehanne Dubrow | Three Poems |
1113 | 28 | Poetry | Diana Lynn Fesko | 1968 Windsor Hotel Bangkok Death Valley |
1114 | 28 | Poetry | Dale Ritterbusch | Two Poems |
1115 | 28 | Poetry | MK Sukach | Raising the Dogs of War |
1116 | 28 | Poetry | Farzana Marie | Sonless |
1117 | 28 | Poetry | Cindy Veach | At the Wall |
1118 | 28 | Poetry | Randy Brown | fighting seasons |
1119 | 28 | Poetry | Christopher Mahon | Poets for Peace |
1120 | 28 | Poetry | David Bublitz | Combat Pay |
1121 | 28 | Poetry | Corey Thrasher | What Strength |
1122 | 28 | Poetry | Brad Kavo | Silencing Khe Sanh |
1123 | 28 | Poetry | Allen Stein | Henry Fleming’s Faded Red Badge |
1124 | 28 | Poetry | Michael Estabrook | Heaven and Earth |
1125 | 28 | Poetry | Elizabeth Crowell | Books in Cottages |
1126 | 28 | Poetry | Alex Walsh | Two Poems |
1127 | 28 | Poetry | Lisa Gray Fisher | A Walk in the Park |
1128 | 28 | Poetry | Joshua Barnett | Black Jack |
1129 | 28 | Poetry | Benjamin Goluboff | Ho Chi Minh’s Sense of Humor |
1130 | 28 | Poetry | Lawrence W. Sharp | Poets at War |
1131 | 28 | Poetry | W.D. Ehrhart | Praying at the Altar |
1132 | 28 | Poetry | Stephen Cloud | Minor Incidents of War |
1133 | 28 | Poetry | Chad Grasmuck | Oral Tradition |
1134 | 28 | Poetry | John Buquoi | Two Poems |
1135 | 28 | Poetry | Beth Bachmann | Two Poems |
1136 | 28 | Poetry | Michael Bernicchi | Paper Dunes |
1137 | 28 | Poetry | Robert Hedin | Two Poems |
1138 | 28 | Poetry | Chris Herlinger | Mourning General Giap |
1139 | 28 | Poetry | Liz Solms | Undergarments |
1140 | 28 | Creative Nonfiction | Steven Moore | Of Creativity |
1141 | 28 | Creative Nonfiction | Sue Newcomb Mowrer | How Hiram Really Died and What Came After |
1142 | 28 | Personal Essay | Thomas O’Grady | The Things He Carried: An Irish Private in the King’s (Liverpool) Regiment |
1143 | 28 | Personal Essay | Ken Hruby | Dancing and Fighting |
1144 | 28 | Critical Essay | Travis Martin | “Working Through” Societal Trauma in The Last Flight, Heroes for Sale, and All Quiet on the Wester Front |
1145 | 28 | Critical Essay | James Byrne | Seamus Heaney, Francisco Goya, and Unveiling the Myth of History |
1146 | 28 | Critical Essay | Jonathan Lighter | Michael Herr’s Lurp Tale |
1147 | 28 | Critical Essay | Ezekiel Black | Troubling Glory: The Uncertain Language Shift of World War I |
1148 | 28 | Critical Essay | Maureen Ryan | Intra Species Communication: Memory, Story-Telling, and Football in American Fiction of the Iraq and Afghanistan Wars |
1149 | 28 | Critical Essay | Myra Mendible | Saving Face: Humiliation, Shame, and the Affective Economy of War |
1150 | 28 | Critical Essay | Jonathan Jones | Strangers in the World of the Emotions: Re-evaluating L.P. Hartley’s The Go-Between |
1151 | 28 | Critical Essay | Christina Jarvis | Displaced Trauma and the Legacies of the Vietnam War in Hocus Pocus |
1152 | 28 | Critical Essay | Tim Wenzell | Literary Conscientious Objector: e.e. cummings and The Great War |
1153 | 28 | Critical Essay | Shane Emplaincourt | Un long dimanche de fiançailles and Remembering la Somme 1916 |
1154 | 28 | Critical Essay | Steve Lukits | “They that have power to hurt but will do none”: Lying in the Literature of the Great War |
1155 | 28 | Critical Essay | Jeff Morgan | Hemingway and the Cuban Revolution: For Whom the Bell Tolls on the Sierra Maestra |
1156 | 28 | Critical Essay | Cristina Pividori | Searching for the Happy Battalion in Times of Crisis: Fraternal Friendships and the Heroic in the Great War Memoirs of Guy Chapman and Charles Carrington |
1157 | 28 | Critical Essay | Shabnam Piaryaei | The Victory Belongs to Love |
1158 | 28 | Commentary | Tyrell Mayfield | Reflections on Redeployment |
1159 | 28 | Commentary | Alex Vernon | Field Notes on The Things They Carried |
1160 | 28 | Commentary | James Gleason Bishop | Grandpa Goes to War |
1161 | 28 | Commentary | Jessica Hellmann | High Skies and Fat Horses |
1162 | 28 | Interview | Jesse Goolsby | A Group Conversation with Veteran Artists David Abrams, Jerri Bell, Brian Castner, and Colin Halloran |
1163 | 28 | Interview | Haley Michael Hasik & Eric L. Gruver | Warrior for Freedom and Souls: Navigator, POW, Minister |
1164 | 28 | Interview | Dale Ritterbusch | A Conversation with Jane Irish |
1165 | 28 | Interview | Megan Kahn | Veteran Homecoming Stories: A conversation with Justin Hudnall |
1166 | 28 | Reviews | Reviews | Books |
1167 | 28 | Reviews | Reviews | Films |
1168 | 29 | From The Editor's Desk | Donald Anderson | Cold War |
1169 | 29 | IN MEMORIAM | Donald Anderson | Will Hochman |
1170 | 29 | Special Feature | Sara Nović | The 11th Annual David L. Jannetta Distinguished Lecture in War, Literature & the Arts |
1171 | 29 | Editor's Choice | Kathleen Harrington | Sara Nović: Girl at War |
1172 | 29 | Memoir | Oliver Ferguson | My World War |
1173 | 29 | Memoir | Steve Sobel | LEBANON: A Bullet in a Magazine |
1174 | 29 | Memoir | J. Malcolm Garcia | A Promise to Keep |
1175 | 29 | Memoir | Alicia Defonzo | France in June |
1176 | 29 | Memoir | Steven Liparulo | Monday Night Football: Everybody Wants to Rule the World (1985) |
1177 | 29 | Fiction | MaryEllen Beveridge | Out of Season |
1178 | 29 | Fiction | Jake Wolff | Please Explain Me |
1179 | 29 | Fiction | Caroline Courec | Insignia |
1180 | 29 | Fiction | C.L. Miles | Duty |
1181 | 29 | Fiction | Rolf Yngve | The Mouse |
1182 | 29 | Fiction | Richard Johnston | Dry Sockets |
1183 | 29 | Author Spotlight | Katherine Witt | Imagining War: Ilyse Kusnetz’s Small Hours |
1184 | 29 | Author Spotlight | Thomas G. McGuire | H.C. Palmer’s Feet of the Messenger |
1185 | 29 | Artwork | Brandon Lingle | A Conversation with Jack Beeler |
1186 | 29 | Interview | Bunkong Tuon | A Conversation with Boa Ninh |
1187 | 29 | Interview | Thomas G. McGuire | A Conversation with H.C. Palmer |
1188 | 29 | Interview | Kelly Griffith | A Conversation with Will Bardenwerper |
1189 | 29 | Poetry | Bruce Lader | A Tough Day for the Generals |
1190 | 29 | Poetry | Phillip Pitts | Two Poems |
1191 | 29 | Poetry | Nancy Knowles | Sixth-Grade Homework |
1192 | 29 | Poetry | Evalyn Lee | Lighthouse Keeper’s Cottage |
1193 | 29 | Poetry | Benjamin Hertwig | Stigmata |
1194 | 29 | Poetry | Gerry McFarland | Gunner Thinks About Everything At Once |
1195 | 29 | Poetry | Gisella Faggi | Mari Miditirràniu |
1196 | 29 | Poetry | Pam Bernard | Blood for Seed |
1197 | 29 | Poetry | Timothy Pilgrim | War memorial |
1198 | 29 | Poetry | Holly Day | Plate 23 |
1199 | 29 | Poetry | Kyle Adamson | The Standard Operating Procedure for Wounded Enemy Combatants |
1200 | 29 | Poetry | Brandon Marlon | Aleppo |
1201 | 29 | Poetry | Josh A. Brewer | The Bakeries of Warsaw |
1202 | 29 | Poetry | John Barr | Death of a Species |
1203 | 29 | Poetry | Henry Crawford | Remembering 100 Years of the First World War |
1204 | 29 | Poetry | Katya Lavine | Death, They Said |
1205 | 29 | Poetry | Kathleen O’Neil | Red |
1206 | 29 | Poetry | John Sibley Williams | Tattoos Fade |
1207 | 29 | Poetry | Kathryn Kirkpatrick | Vietnam, Again |
1208 | 29 | Poetry | Lyn Lifshin | I Am Old, I Am Sick, I Do Not Want To Die In Auschwitz |
1209 | 29 | Poetry | George Longenecker | Villanelle for Fallen Apples |
1210 | 29 | Poetry | Jessica Housand-Weaver | Three Poems |
1211 | 29 | Poetry | Kate O’Neill | Not a Story |
1212 | 29 | Poetry | mick kennedy | The Last Man Standing (Christmas Truce 1914) |
1213 | 29 | Poetry | William Childress | Once in the Land of the Morning Calm |
1214 | 29 | Poetry | Heidi Wallis | Gaza |
1215 | 29 | Creative Nonfiction | Brian Lance | Warplay |
1216 | 29 | Creative Nonfiction | Howard Skrill | HMS Jersey: Absences and Memory from the Battlefields of Brooklyn |
1217 | 29 | Creative Nonfiction | Roberto Loiederman | Henry’s Holocaust |
1218 | 29 | Personal Essay | Paula Brown | Photograph, Solomon Islands, 1944 |
1219 | 29 | Critical Essay | Gary Grieve-Carlson | Telling the Truth about History: Tim O’Brien’s In the Lake of the Woods |
1220 | 29 | Critical Essay | Grace Howard | A Lesser Imitation (?): How Redeployment Recalls, Expands, and Departs from The Things They Carried |
1221 | 29 | Critical Essay | Lisa Ferguson | Killing Them with Kindness: Tim O’Brien’s Rehabilitation of the Violent Vietnam Soldier |
1222 | 29 | Critical Essay | Peter Molin | Frederick Busch and Annie Proulx: Forebears of Contemporary War Fiction |
1223 | 29 | Critical Essay | Grace. E. Miller | “Boom / [S]he is not”: Drone Wars and the Vanishing Pilot |
1224 | 29 | Commentary | Claudia Hauer | Philip D. Beidler, Beautiful War: Studies in a Dreadful Fascination |
1225 | 29 | Commentary | Gary Mills | Vietnam Memoir as Satire |
1226 | 29 | Reviews | | Books |
1227 | 29 | Reviews | | Films |
1228 | Folio2017 | 2017 | Jesse Goolsby | Editor's Note |
1229 | Folio2017 | 2017 | Roxana Robinson | Peace |
1230 | Folio2017 | 2017 | Nathalie Handal | Une Fin |
1231 | Folio2017 | 2017 | Julian Zabalbeascoa | Catalunya |
1232 | Folio2017 | 2017 | Marilyn Kallet | Falling Out |
1233 | Folio2017 | 2017 | Steven Kistulentz | The Closest We Have Ever Come |
1234 | Folio2017 | 2017 | Odie Lindsey | Panoleah |
1235 | Folio2017 | 2017 | John Balaban | Back then |
1236 | Folio2017 | 2017 | Benjamin Busch | Wilderness |
1237 | Folio2017 | 2017 | Steven Mumford | 5 images |
1238 | Folio2017 | 2017 | Christian Kiefer | Golden Silence of the Heart |
1239 | Folio2017 | 2017 | Andria Williams | Legacy |
1240 | Folio2017 | 2017 | Sindu Sathi | Fundraising |
1241 | Folio2017 | 2017 | Steven Church | Hit List |
1242 | Folio2017 | 2017 | Lea Carpenter | Christmas |
1243 | Folio2017 | 2017 | Maurice Decaul | Traction |
1244 | Folio2017 | 2017 | Rachael Hanel | In the Balance |
1245 | Folio2018 | 2018 | Jesse Goolsby and Katie Witt | Editor's Note |
1246 | Folio2018 | 2018 | Angela Morales | Mammalian |
1247 | Folio2018 | 2018 | Dunya Mikhail | Plastic Death |
1248 | Folio2018 | 2018 | Tom Piazza | IED |
1249 | Folio2018 | 2018 | David Chrisinger | In the Shadow of an Unanswered Question |
1250 | Folio2018 | 2018 | Gina Herrera | Artist Statement and Sculpture |
1251 | Folio2018 | 2018 | Hannah Dela Cruz Abrams | Songs for Ghosts |
1252 | Folio2018 | 2018 | Korey Williams | Mondays in Autumn |
1253 | Folio2018 | 2018 | Caitlin McGill | Uncertainty |
1254 | Folio2018 | 2018 | Teresa Fazio | Ridgeline |
1255 | Folio2018 | 2018 | Natalie Lovejoy | Artist Statement and Music |
1256 | Folio2018 | 2018 | Whitney Terrell | excerpt from The Crossroads |
1257 | Folio2018 | 2018 | Helen Benedict | Snapshots of Hate and Resistance: Charlottesville, VA, August, 2017 |
1258 | Folio2018 | 2018 | James Mathews | Silence All Who Cry Out |
1286 | Folio2018 | 2018 | Natalie Lovejoy | Artist Statement and Music |
1287 | Folio2018 | 2018 | Whitney Terrell | excerpt from The Crossroads |
1288 | Folio2018 | 2018 | Helen Benedict | Snapshots of Hate and Resistance: Charlottesville, VA, August, 2017 |
1289 | Folio2018 | 2018 | James Mathews | Silence All Who Cry Out |
1290 | 30 | From The Editor’s Desk | Donald Anderson | The Arrogance of Firepower |
1291 | 30 | Editor’s Choice | Kathleen Harrington | Suzan-Lori Parks: Father Comes Home From The Wars |
1292 | 30 | Author Spotlight | Jonathan McGregor | “Between history and a hard place”: D. F. Brown’s Ghost of a Person Passing in Front of the Flag and Benjamin Hertwig’s Slow War |
1293 | 30 | Author Spotlight | Ross Gresham | Robert Olen Butler’s Perfume River |
1294 | 30 | Critical Essays | H. Spencer Beaumont | Art as Revolutionary Propaganda in David’s The Death of Maret |
1295 | 30 | Critical Essays | Oscar Mardell | Greener Pastures |
1296 | 30 | Critical Essays | Jeff Sychterz | Poetry, the Iraq War, and the Ethics of Trauma |
1297 | 30 | Critical Essays | Jason A. Higgins | Through “Star-Spangled Eyes”: Fortunate Son and the Problem of Resolution |
1298 | 30 | Critical Essays | Guilherme Meyer | Enabling Impossibility |
1299 | 30 | Critical Essays | Paul Petrovic | Beyond Appropriation: Arab, Coptic American, and Persian Subjectivities in Brian Turner’s Here Bullet, Phil Klay’s Redeployment, and Elliot Ackerman’s Green on Blue |
1300 | 30 | Critical Essays | Shane A. Emplaincourt | La Chambre des officiers and Recapturing the Evanescent Memory of the Great War’s Gravely Disfigured |
1301 | 30 | Critical Essays | James Austin Everbeck | Gold Stars on Bleeding Scars: The Cult of the Veteran vs the Cost of War in Fallon’s You Know When the Men Are Gone |
1302 | 30 | Critical Essays | Charles Hunter Joplin | The Poet’s Corpus: Meter, Memory, and Monumentality in Wilfred Owen’s “The Show” |
1303 | 30 | Artwork | Brandon Lingle | Messages without Writing: A conversation with Atiqullah Shahid |
1304 | 30 | Fiction | Benjamin Woodside Schrier | Bohemian Roulette |
1305 | 30 | Fiction | Brian O’Hare | Nothing Earth Shattering |
1306 | 30 | Fiction | Ramiro Hinojosa | Field Manual |
1307 | 30 | Fiction | Holly Auten | Collision |
1308 | 30 | Fiction | Joseph Bathanti | The Crescent |
1309 | 30 | Fiction | Katherin Schifani | The Breath of Allah |
1310 | 30 | Creative Nonfiction | Russell Halvorsen | Cold, Cold Water |
1311 | 30 | Poetry | Veronica Schuder | Two Poems |
1312 | 30 | Poetry | Paul Z. Panish | Pines—Fort Lee, Virginia |
1313 | 30 | Poetry | Amy Lynn Reifsnyder | Me and the Marine |
1314 | 30 | Poetry | James F. Connolly | The Tet Offensive |
1315 | 30 | Poetry | Nels Hanson | Two Poems |
1316 | 30 | Poetry | Rawdon Tomlinson | “Post traumatic growth”: With My Brother on the North fork of the Red River |
1317 | 30 | Poetry | Wanda Frazier | In the Zone |
1318 | 30 | Poetry | Olivia Garard | Good Kill |
1319 | 30 | Poetry | Hugh Martin | Two poems |
1320 | 30 | Poetry | Norvin Dickerson | Two Poems |
1321 | 30 | Poetry | Marissa Glover | Three Poems |
1322 | 30 | Poetry | Jeremy Grant | Leave-Taking |
1323 | 30 | Poetry | Marsha Mathews | Strategic Survival |
1324 | 30 | Poetry | Tobi Alfier | Everybody Rides Lady Geraldine |
1325 | 30 | Poetry | Joon K. Shim | i walk to stay alive |
1326 | 30 | Poetry | Newt Ronan | Two Poems |
1327 | 30 | Poetry | Ed Meek | Powder Blue |
1328 | 30 | Poetry | Robert Pawlak | Hypnos and Thanatos |
1329 | 30 | Poetry | Michael Casey | JJ Visits the Hooch |
1330 | 30 | Poetry | Jeffrey Alfier | Tripoli |
1331 | 30 | Poetry | s.g.t. grasmuck | Three Poems |
1332 | 30 | Poetry | Robert Hedin | Lakehurst, 1937 |
1333 | 30 | Poetry | Peter Venable | Enough |
1334 | 30 | Poetry | Jordan Nate | Shells from Oversea |
1335 | 30 | Poetry | Dale Ritterbusch | Where We Are |
1336 | 30 | Poetry | Svetlan Beggs | She-Child, Stalingrad, 1942 |
1337 | 30 | Poetry | Alex Vartan Gubbins | A Rainy Veteran’s Day |
1338 | 30 | Interview | Matthew Sarda | Waiting and the Intermediary: A Conversation with Elliot Ackerman |
1339 | 30 | Personal Essay | Lana Spendl | No Firm Ground |
1340 | 30 | Personal Essay | Tad Tuleja | Brotherhood of the Sea: A Sailor’s Code |
1341 | 30 | Memoir | Kenneth R. Timmerman | Hungry Guns, Exploding Cats |
1342 | 30 | Memoir | Clayton Bradshaw | Five-Sentence Biography |
1343 | 30 | Memoir | Pat Gault | Edible Plants of Alaska |
1344 | 30 | Memoir | Élie Paul Cohen (translated by Jessica Levine) | Army Doc: Mission Afghanistan |
1345 | 30 | Memoir | Patrick Mondaca | Allawi |
1346 | 30 | Memoir | Jeffrey Loeb | Resurrection |
1347 | 30 | Memoir | Dianna Marie Cannizzo | The Land of the VA |
1348 | 30 | Commentary | Krystal Mcguiness | Laren McClung’s Inheriting the War |
1349 | 30 | Commentary | David M. Jorgenson | Cavorting with War |
1350 | 30 | Reviews | | Books |
1351 | 30 | Reviews | | Films |
1352 | 30 | Interview | Nicole Jerr | A Conversation with Suzan-Lori Parks |